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The aspects of love in twelfth night
Analysis of twelfth night
Love in the play twelfth night
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Viola liking duke Orsino but duke Orsino liked liked Olivia and Olivia liked Sebastian. Nobody seemed to like the right person until the
Romeo and Juliet, by William Shakespeare, is a classic story about love, one of the most confusing yet cherished feelings people have. As Romeo says in Act I, scene 1, “Love is a smoke made with the fume of sighs; being purged, a fire sparkling in lovers’ eyes.” Why we have these feelings, we don’t know. Some say love is not even real.
"Love is like a pineapple, sweet and undefinable," -Piet Hein. In the common literature Romeo and Juliet, "My Shakespeare", and "Love's Vocabulary," they all share the same objective of attempting to define love. By using paradox, allusion and figuritive language, William Shakespeare, Kate Tempest and Diane Ackerman show how love is undefinable. In Romeo and Juliet, William Shakespeare uses paradox to define love.
In his play, Twelfth Night, William Shakespeare has his characters participate in the practice of deception and dishonesty of others - after all, the foundation of Shakespeare’s play resides within a lie. One of the major deceptions in the play is executed by the Illyrian countess, Olivia, as she repeatedly claims to need solitude to mourn her brother’s death in order to avoid Duke Orsino and his obsession towards her. This deception contributes to the meaning of the work as a whole by adding the thematic message, deception and dishonesty is sometimes the better option when it comes to love. From the beginning of the play, Olivia is introduced as the grieving countess that has recently lost a brother.
Romeo and Juliet Compare and Contrast Although Romeo and Juliet grew up in two different households meant to hate each other from the day of their birth, these two star crossed lovers find each other in a different light. In the play The Tragedy of Romeo and Juliet By William Shakespeare, Romeo being a Montague and Juliet being a Capulet were born into this family feud. The two of them fall in love at a party where Romeo was out looking for the original girl he was in love with, Rosaline, and Juliet was there to meet her future husband Paris. With love playing a huge part in this play, it's concluded that Romeo and Juliet are both a Eros kind of lover.
The question of why Olivia, after dramatically declaring her affections for Cesario, would so quickly jump to Sebastian after finding Viola’s true identity, is likely answered by the societal norms of the Elizabethan era. Cesario and Viola are two halves of one whole; by loving Cesario, Olivia loves Viola too. Upon meeting “him,” Olivia says “Thy tongue, thy face, thy limbs, actions and spirit/ Do give thee five-fold blazon” (1.5.297-298). She is attracted not just to Cesario’s mannerisms, but to Viola’s beauty, which shines through her male bravado. The “actions and spirit” which Olivia refers to are Viola’s ability to converse with Olivia woman-to-woman, unbeknownst to the countess.
For a woman to show interests in current affairs, express opinions, write literature was unladylike. Viola, fending for herself, in distant land, disguises herself as a boy named Cesario. Cross-dressing, in Elizabethan society, was seen as highly immoral. Viola 's male disguise “allows her to escape the confinement of a single perspective and a single voice by momentarily unfixing sexual stereotypes (184)”(Melchoir). Furthermore, Viola’s situation in Twelfth Night is not typical of an Elizabethan woman because she proves herself to be capable and intelligent.
In the story it shows a love triangle between Orsino, Cesario (Viola), and Olivia. Cesario falls in love with Orsino, Viola is in love with Cesario, and Orsino is still in love with Olivia. The characters in the story all show happiness and joy throughout because it’s a story that ends in love unlike Romeo and Juliet where it ends in a tragedy. As said in Twelfth Night, “Its central plot concerns a love triangle between the Illyrian nobleman Orsino, his beloved but unattainable Olivia, and the shipwrecked Viola.” (Lee
However, love vanquishes vanity. Illyria 's Duke Orsino and Countess Olivia are vain, that is, empty, till epiphanies prepare them to love someone beyond themselves. In this manner, epiphanies resolve Twelfth Night characters ' barriers to the altar, enabling them to recognize, experience, and respond to outwardly directed love.
In the play “Romeo and Juliet” by William Shakespeare, Shakespeare incorporates his social commentary of the world around him. He incorporated his opinion of society in little bits and pieces of the play. Shakespeare also mentions about how love was back in the day, how sexist society was then, and even mentions the black plague swirling around them. Shakespeare happened to secretly write about how society was around him when it came to love. He goes into detail about how shallow guys were when it came to love,“So soon forsaken?
This raises the question over love’s true meaning and whether what Orsino feels is truly “love,” or something else entirely. Shakespeare in his play Twelfth Night uses Orsino’s feelings to prove that feelings perceived at first to be love may actually be lust. The main difference between love and lust has to do with time. Built and
Margaret Wolfe Hungerford once said, “Beauty lies in the eyes of the beholder”. The meaning of this quote is that beauty exists only in the mind of the person that contemplates it. This correlates with the beginning of the love shared by the main characters in Romeo and Juliet by William Shakespeare. Born from opposing families, Romeo and Juliet fall in love, but cannot be together because of their family feud. Their love begins from the moment they meet, and just upon looking at each other, they instantly fall in love.
The first instance which supports the notion that a lapse of communication is responsible for the unsuccessful nature of heterosexual relationships is the case of Duke Orsino and Countess Olivia’s relationship. Both start the play preoccupied with their own concerns, Orsino is worried about finding love, specifically with Olivia, meanwhile she is busy mourning the death of her brother by refusing to marry anyone for seven years. However, it is Orsino’s obsession with seeking love and how he goes about pursuing Olivia that best exemplifies the problematic nature of a male and female’s relationship. Orsino opened the play by saying of love, “Give me excess of it, that, surfeiting, / The appetite may sicken and so die” (1.1.1-3), essentially saying that he so badly craves the feeling being in love gives him, that he would like in so great a quantity that it would end his life.
It is even possible that her vow to retreat from society fueled her lack of interest in the duke who pursues her called Orsino. Olivia and Viola both have lost a brother, although Viola fortunately eventually finds her brother. Still, due to the fact both characters believe their brothers to be dead for the majority of the play, their attitudes are affected by this. Olivia in particular attempts to keep a good opinion of
Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.