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Revenge in shakespearean plays
Comparing and contrasting the nature of revenge before shakespeare
Revenge in shakespearean plays
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Through the epilogue described by the nurse, the audience is positioned to understand medea's desire for revenge. The audience may have viewed her position of being betrayed by Jason to be devastating( insert quote instead of devastating) and hold sympathy for her as she is not only an outsider from a presumed barbaric country, but also an exile. During when the play was first performed, religion played a big role in Athenian lives, during which breaking an oath to the gods was considered a crime. Hence, the audience would understand medea's wish to bestow revenge upon Jason for he broke his oath of marriage to her, which was witnessed by the gods, by laying in the 'royal bed'.
Antigone is last book in a play trilogy by Sophocles about the tragic downfall of a family. The play focuses mainly on Antigone’s conflicting motivations developing Creon as the tragic hero in the play, causing him to be greedy and power crazed and unwilling to take others opinions. This leads to Creon’s tragic downfall and the death of Antigone and others important to Creon. In the play Antigone’s motivations contrast Creon’s due to the difference in beliefs.
Euripides’s Medea and Neil LaBute’s The Mercy Seat share many similarities. Both stories are wrapped around the marital problems of their main characters, with Medea scheming against Jason for abandoning her and with Ben trying to smooth out his complicated affair with his mistress, Abby, after he fails to break things off with his wife in the wake of 9/11. Both stories also ground themselves heavily in rhetorical language, as both characters find themselves in situations that require convincing arguments to make their ways out of. It would appear that, with these similarities, Medea and The Mercy Seat are deeply alike.
Greek tragedies are known for their predictable endings and characters, whose character traits almost always stereotypically reflect those of the archetype they have been assigned. Sophocles’ play, Antigone, is no exception to this. Despite having been written around 441 B.C., his play does present newer controversial topics such as feminism in his play, along with more common themes such as integrity and loyalty. By establishing and associating Antigone’s character with heroic archetypes as the martyr and the tragic heroine, Sophocles could utilize her actions and characteristics as such roles to better demonstrate and convey his messages throughout his work.
I want Medea to be justified in her actions, but I want this to be something that could happen to anyone. I don’t want her actions to be considered ‘what women do.’ There is also this theme of feminism and standing up for women in general. She criticizes men while using her wit to maneuver the situation properly. Medea is a cunning woman confined to this world dominated by men.
In Euripides’ text The Medea, Medea can easily be painted as the villian. She is a woman who killed her own children in an attempt to spite her husband. But, by examining the text, we can see that she deserves some sympathy. She has little to no control over her own life and has to rely on the will of men. And as a foreigner in Corinth abandoned by her husband, she faces even more challenges than the native women of Corinth did.
In Medea by Euripides, Medea 's character flaw that ultimately led to her downfall is revenge. Medea 's husband Jason left her to marry a younger, beautiful woman. Medea becomes outraged, and all she thinks about is getting revenge. She kills Glauce, Jason 's new wife, and her father, Creon. She wanted her revenge to be perfect she even killed her own children to get revenge on Jason leaving her.
“While seeking revenge, dig two graves- one for yourself,” quoted by Douglas Horton. This quote highlights the fact that revenge takes away from the person who seeks it as much, if not more, than the person who did them harm. Medea is entitled to be upset but her quest for revenge leaves her worse than she started. While trying to crumble Jason’s life, Medea ultimately demolishes her own, and she has no one to blame but herself. All throughout Medea by Euripides, Medea tries to get back at her ex-husband and father of her children, Jason, after he left her for a younger woman.
Euripides’ Medea, is a play that follows the journey of a young woman seeking vengeance against her husband, well now ex-husband. The steps she takes to get her revenge make Medea seem like a monster. However, her actions and the torments she has endured make it appear as though she may suffer from a mental illness. So the question is, does Medea have some form of mental illness, or was she just enraged by the injustices committed by her “loving” husband? Evidence leans more toward her being mentally unfit than her being a murderer.
Paul Vu Dr. Elizabeth C. Ramírez THTR 475A.03 2 May 2017 Macbeth and Medea: Breaking Expectations Macbeth by William Shakespeare and Medea by Euripides are known for their powerful critiques on the social expectations of women. Women during the time of Elizabethan and Greek theatre were often stereotyped and considered the weaker sex. Men were depicted as strong individuals who supported and protected women. However, both Shakespeare and Euripides broke expectations by portraying strong and iconic female characters in their respective plays. The idea of a strong female character was often unheard of during the time of Elizabethan and Greek Theatre.
Medea plots her revenge by murdering the king, the bride and her two children in order to make Jason suffer and take away everything Jason cared about. The Greek gods felt that Medea was in her right and they proved this by allowing and even helping her escape in the end of the play
Euripides created a modern day woman who seeks justice and revenge with her cleverness and power. Medea acted as a feminine heroine who established that women can also be as strong as men. The feeling of being left by someone you love is truly painful hence, Medea expressed her emotions as much as she can and mourned for her lost. It is true that women can be sensitive and emotional so there was Medea portraying a usual woman in an unusual manner.
Lush explains “Although Euripides did not cast Medea as a male solider as its protagonist, the play depicts Medea as suffering from the background Trauma, betrayal, isolation and consequent symptoms attributed to combat veterans with lasting psychological injuries” (Lush, 2014, p. 25). Hence using Lush’s view on Medea’s character as a devoted warrior suffering from Traumatic hardships in her experiences with the man she gave everything to, we can understand why she wanted revenge. Medea believes Jason owes her more than just the normal husband-wife obligations a man swears to when marrying a woman; in her view, she helped him be the man that he is and supported him throughout his heroic journey. Without her, Jason would not have succeeded in retrieving the Golden Fleece. Without her, he would not have had his father resurrected.
Medea was treated unfairly in the patriarchal society that she lived in and due to the circumstances she was forced to abide by, she sought to achieve her own form of justice. Women were mistreated and regarded as inferior to men. In fact, Medea mentioned how women were like foreigners forced to abide by their husband’s laws and remain subservient. Essentially, women were treated as outsiders and were thought to need constant protection from male figures. So, when the King of Corinth kicked her and her children out of Corinth and Jason left them, she wanted revenge since she felt she had been wronged.
Medea has already lost her husband and her home so this decision is an obvious one for her. She wants to leave everyone in the same misery that she has been experienced and continues to experience. After this, she even plans to murder her own children just to distress Jason further. Medea knows that she will live in regret and misery by doing so, but her need to sadden Jason trumps her own future feelings. The murder of her sons also symbolizes the death of her marriage with Jason.