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Character analysis on Jane Eyre
Character analysis on Jane Eyre
Feminism in the novel jane eyre
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“Fetal Tissue Fallout, R. Alta Charo, J.D., September 3, 2015” In this article R. Alta Charo states that we have a right to use fetal tissue for research and therapy (Fetal Tissue, 1) The article goes into how a lot of people find this to be a moral issue and a matter of the conscience and explains how the antiabortion activist that don’t agree with the research are actually benefitting from the fetal tissue. They argue that the research supports abortions but have taken part in receiving vaccines and therapy that comes from the research. R. Alta Charo begins by talking about the argument over the antiabortionist activist who pretended to be a research company representative and gave out false, edited information from a Planned Parenthood video that goes over the services they provide.
Jane requests to return to the Reed house, after learning about her cousin’s suicide and her aunt, Mrs. Reed’s, illness; however Rochester questions, “And what good can you do her… you say she cast you off,” Jane replies, “Yes, sir, but that is long ago; and when her circumstances were very different: I could not be easy to neglect her wishes now” (Brontë 227). Jane looks beyond that Mrs. Reed “cast[ed] her off,” implying that she has grown to let go of grudges and developed a mature mentality. The irony of Jane’s inability to “neglect her wishes,” infers how the injustice treatment of Mrs. Reed unaffectedly brings Jane to look past the situation by visiting the Reeds in a time of sorrow. In addition, Rochester attempts to convince his wedded Jane to stay with him, after learning about his mad wife; Rochester claims that his father had “sent [him] out to Jamaica, to espouse a bride already courted for” him but only so his brother and father to get “thirty thousand pounds,” Rochester further admits to Jane that “you know now that I had but a hideous demon. I was wrong to attempt to deceive you…
She falls in love with the man that she gets to know on the inside, not by what is on the outside. She falls in love with the man who speaks French to her and tries to spoil her any chance that he gets. Rochester said to Jane “My bride is here," he said, again drawing me to him, "because my equal is here, and my likeness. Jane, will you marry me?” (Bronte, 87).
Mrs. Reed likewise separates Jane from the Reeds’ social circle by confining her to the nursery while her cousins spend their days in the drawing room (22) and calling Mr. Lloyd, the apothecary for “ailing servants,” instead of the family physician for Jane’s illness (15), thus placing her among the servants. However, the servants too reject Jane from their group—Miss Abbot told Jane that she is “less than a servant” because she does “nothing for [her] keep” (9). Jane thus
Certain ideas and concepts that are discussed in How to Read Literature Like a Professor by Thomas C. Foster are evident in the two pieces of literature Jane Eyre by Charlotte Bronte and The Metamorphosis by Franz Kafka. Foster opens with the popular quest story type and what are its elements. There must be a quester, a destination, a basic objective, obstacles, and a hidden significance. In Jane Eyre Jane’s experience at Lowood could be exemplified. Jane being the perfect quester at this point in the novel since she is young, unwise, and inexperienced in the real world.
Deception can prove to be a powerful tool—both in the real world and in literature. While it is typically viewed as malicious, some forms of deception can prove to be beneficial in the long run. This kind of deceit is very prevalent in Charlotte Brontë’s Jane Eyre. Mr. Rochester, specifically, spends a large portion of the story deceiving many characters, but most of his lies are directed towards Jane. At first, the façade he puts on seems questionable, but his motives behind his actions show that he had good intentions.
Romeo and Juliet is a great example of young love. Two teens at the age of fifteen and sixteen named Juliet Capulet and Romeo Montague fell in love with each other, but their families dislike each other, in fact have a feud. At a lovely party, hosted by the Capulets, Romeo was, at it says in the book, stalking his lover Rosaline. Rosaline told Romeo she didn’t want to be married or be in love. While Romeo was watching Rosaline dance, he notices a young beautiful lady.
To simply the question, does she choose the Prince, who is saintly, and on a mission to help others, or does she choose the Beast who hold so much passion, that it is hard to contain? When meeting a stranger you immediately take in their appearance and features, just as Jane does after coming face to face with Mr. Rochester for the first time, noting that he had a “dark face, with stern features and a heavy brow; his eyes and gathered eyebrows looked ireful and thwarted” (Bronte Ch.12). During this encounter it becomes obvious that Rochester is more than a little rough around the edges, being rude and abrupt, while openly judging Jane. Shortly after her encounter with Rochester, Jane realized that the craggy faced man is the wealthy owner of Thornfield Hall.
Both characters, venturing out of their gender roles, find ways to compliment and figure out who the other person really is, and, in the end, a burgeoning love fully blooms. When examining the gender roles of Mr. Rochester and Jane, both are a blend of each and life seems better when conventional gender roles are forgotten. In Rochester and Jane’s first meeting, the two begin to show their blended gender roles immediately. Rochester is first described as having a “dark face” with “stern features”, with a complexion that seems, “ireful and thwarted” (146).
Rochester was a major influence on Jane as this was a critical time she was maturing, yet she did not let him get in the way of her work. The work that was expected of her what always her top priority, Rochester was her second. “I believe he is of mine;—I am sure he is,—I feel akin to him,—I understand the language of his countenance and movements: though rank and wealth sever us widely, I have something in my brain and heart, in my blood and nerves, that assimilates me mentally to him” (Bronte 266). The relationship between Rochester and Jane was undeniable.
Jane constantly chooses to disbelieve that Miss. Bingley is trying to separate between her and Mr. Bingley. One example of Janes’ simplicity and falsehood in trusting her emotions is Miss. Bingley’s clear indications that Mr. Bingley should marry Ms. Darcy that are overlooked by Jane,“ My brother admires her greatly already; he will have frequent opportunity now of seeing her on the most intimate footing; her relations all wish the connection as much as his own; and a sister 's partiality is not misleading me, I think, when I call Charles most capable of engaging any woman 's heart.”
Before Rochester, and his influence, Jane had been accustomed to men in power such as John Reed and Mr. Brocklehurst. Their influences on Jane were more negative as they tore Jane down instead of putting her up. These figures allowed the arrival of a seemingly encouraging, kind, and adoring man such as Rochester to be a shock to Jane when she was first employed at Thornfeild. This stems Janes biggest growth from Rochester, the bettering of her self-esteem. Due to Rochester’s exaggerative language he constantly teaches her the value of her self-worth and her beauty.
Jane hated that Mr. Rochester bought pretty jewelleries and dresses for her;” the more he bought me, the more my cheek burned with a sense of annoyance and degradation” (Brontë, 321). One can interpret this as Jane worries that the marriage would lessen her independence and put her at an inferior position. The fact that Mr. Rochester buys her all these things makes Jane feel objectified, and she could not tolerate it. Once again, this signals the feministic opinions that the character of Jane is associated with. Jane and Mr. Rochester does not get married during this section of the book, due to the fact that he is already in a marriage.
Jane goes against the expected type by “refusing subservience, disagreeing with her superiors, standing up for her rights, and venturing creative thoughts” (Margaret, 1997, p. 325-346). She is not only successful in terms of wealth and position, but more importantly, in terms of family and love. These two needs that have evaded Jane for so long are finally hers. Adding to her victory is her ability to enjoy both without losing her hard-won independence. Everybody has the rights to pursue happiness, to pursue the true spirit of life, which can be seen from Jane Eyre’s struggle for independence and equality.
- Edward is an economically independent man with a favorable status and influential connections still looking for a profitable match. Jane will be the one in charge to unmask him to the audience: “I saw he was going to marry her [Blanche Ingram] for family, perhaps political reasons, because her rank and connections suited him” (Brontë 205) This manner of conduct converts Mr. Rochester from a hero into a villain, a perpetrator and “his project of