From the reading, I understand that in today’s culture that there are still race relations. Even though both groups of boys came from the same educational background and the same impoverished living conditions. I believe his study and findings are still prevalent in today’s society. In this essay, I will be breaking down the parts and discussing social conditions, poverty, self-esteem and motivation between two “groups’’, the Hallway Hangers and the Brothers.
The physical image of poverty portrayed by the family reflects The Great Depression’s toll on their livelihood. It is clearly and plainly displayed that the mother and her children are impoverished by the techniques of black and white color choice, and intricate, detailed texture. The hardship faced by the family is highlighted by the photograph being in black and white. This allows for the simplicity of their condition to be shown without the distractions a photograph in color would provide. The image is very detailed and defined by texture, to leave no question to whether the family lacks wealth or riches.
The bright colors and the deformed cartoonlike style in combination with the obvious history of racial mixing suggests the ugly past that is tied to biracial people who are both black and white. The painful and ugly history of rape and the mixing of blacks and whites within slavery is not only expressed through the figures but also through the use of bright colors that clash with each other and also through the cartoonlike distortion of the figures. The ‘ugly” style is meant to express the ugly and difficult history of biracial people. The style and color choice also addressed the subject of “passing” as another lighter race and the tendency of biracial people to choose their lighter skinned heritage over their black heritage. Robert Colescott was known for transgressively playing with themes of race and sex, he was very politically aware.
In his book, Founding Brothers, Joseph J. Ellis summarizes and investigates major post American Revolutionary events where founding father protagonists’s shape the developing nation. Ellis’s analyzation of these events provides an explanation and closure to some of the founding father’s interactions and deeds. In Founding Brothers, Ellis discusses the founding brothers’s goal of isolationism, their purposeful silence on the slave relations, and the competitive political interactions dominating their few acts of compassion and fellowship. Joseph Ellis explores and illuminates on the early American isolationism spearheaded by the founding brothers. Ellis defines the Founding Brothers’s prominent opinion favoring the avoidance of entanglement
Such as Staples’ anecdotes, however; we ourselves originate personalities for others just as quickly as them. Strangers maneuver the first impression of the individual, give off and vice-versa. Toni Morrison’s “Strangers” also presents a valid point, “The resources available to us for benign access to each other, for vaulting the mere blue air that separates us, are a few but powerful: language, image, and experience, which may involve both, one, or neither of the first two… Provoking language or eclipsing it, an image can determine not only what we know and feel but also what we believe.” (Morrison 78).
In “A Curious Study”: The Autobiography of an Ex-Colored Man, Pedagogy, and the Post-Plantation Imagination”’ Lisa Hinrichsen explores two interconnected themes in James Weldon Johnson’s historic novel. Hinrichsen argues that Johnson’s novel, The Autobiography of an Ex-Colored Man, an emphasis is placed on narratives that reflect plantation ideas and are, within the text, linked to classroom spaces. In addition, she argues that pedagogy and aesthetic appreciation affect the culture of the text’s society, resulting in the creation of objectification and the enforcement of knowledge and power’s inseparability in the racially divided society (176). To support her argument, Hinrichsen points to moments in which narratives about being, having, and
1)Hurston’s opening paragraph in “How it Feels to Be Colored Me” functions as a joke that aims to lessen the stigma around discussing race in the 1920s. The phrase “extenuating circumstances” is defined as lessening the seriousness of a situation and therefore reducing any consequence that may emerge from her controversial stance. Hurston’s assertion that her “grandfather on the mother’s side was not an Indian chief” is intended to bring humor to the African American tendency to claim Native American ancestry in order to raise their social status. Her sarcastic juxtaposition of accepting her color versus colored people distancing themselves from it creates a colloquial tone that illustrates her defiance of social stigmas and norms. This biting opening paragraph intrigues the reader and allows her audience to grasp the overall purpose of the
The Colored Museum is a satire about African American Culture which examines the influence of history on African Americans. George C. Wolfe uses political theater’s alienation effect to engage the audience into critical thought. The title “The Colored Museum” is a direct correlation between the word “Museum” where ancient artifacts are unchanged and “Colored”, a word from the past which is figurative for stopping time and escape. The Colored Museum has 11 exhibits which mock different aspects of African American history and culture. Wolfe also illustrates the affects of African Americans assimilation into the European culture with exhibits such as, “The Hairpiece”.
Wendell Berry’s poem, "My Great-Grandfather’s Slaves”, details his emotional enslavement to and relentless guilt about his great-grandfather’s slaves. He is extremely remorseful because his own family owned and mistreated other people. Berry feels personally connected to and responsible for the slaves. His shame is evident through his usage of literary devices like metaphors, irony, repetition, and juxtaposition. Berry’s powerful poem captures his true shame and emotional turmoil.
By providing this statement, Wallace furthers his argument that it is best to be self-aware of one’s thoughts. If one cannot exercise having control over one’s own thoughts, then adult life will be difficult. I. Wallace provides another description of a scenario of how people view everyday situations from a
Lone Survivor Author: is Marcus Lutterell, no have not read any other book from this author due to the fact he only wrote one book. Genre: The lone survivor is a nonfiction book; this book explains every event and tragedy that Marcus Lutterall experienced. The type of people that I would love to see read this book are the high school kids that don’t appreciate the military, that don’t stand for the pledge. Just to show them what the men do for them just so those unworthy kids can sit in that chair.
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
Wendell Phillips, a prominent white American abolitionist, gave an empowering and reverent speech regarding his admiration for former slave and Haitian general, Toussaint-Louverture. Phillips uses the power of figurative language and rhetorical devices to reveal an unmistakable abolitionist passion for African American rights, and attempts to ignite this enthusiasm into the hearts and minds of the audience through his zealous attitude. Phillips employs hyperbole, understatement, and metaphor to persuade the audience that the support of African American soldiers will be an influencing aspect in an impending American victory. The speech is rife with parallel structure and reference to historical allusions. This technique allows him to praise Toussaint-Louverture while also influencing and inspiring onlookers.
Thus, the Other and oneself “must learn to find the communication of consciousnesses in a single world [..] gathered together in a single world in which we all participate as anonymous subjects of perception” (Merleau-Ponty, 2013, pp 369). Meaning that one 's experience of the Other s intrinsically related to the Individual 's own experience and existence. Moreover, for Merleau-Ponty, there are three main characteristics which demonstrate the relation between the Individual and the
“The Tale of Three Brothers” was first presented in Harry Potter and the Deathly Hallows, the seventh and last book in the Harry Potter series written by J.K. Rowling. In the story arc, one of the main character, Hermione Granger, narrates the story from her copy of The Tales of Beedle the Bard. These tales were commonly read to children as bedtimes stories because they are “told to amuse rather than instruct” (Rowling 409). “The Three of Three Brothers” relates how three brothers cheated Death and received gifts from him. All these tokens combined would make the “Deathly Hallows”.
