The first art element that I feel is one of the most important to the artist pertaining to this painting is the use of line. There is an undefined, invisible vertical line that goes from left to right where the mountains meet the
This image is a representation of the individual as it is of two people, however this painting could be a precursor of the enlightenment
The painting was created with the purpose of recording history, as it is not done in deep detail or extreme accuracy. The painting depicts the English arriving upon a shoreline spotted with aboriginals. The aboriginals appear to seem outnumber the English and portrayed with a sense of urgency - their positioning erratic. The body language of the aboriginal figures portray a sense of curiosity, they are not formal or entirely defensive but instead reaching out to the British with others clumped together watching cautiously. The British are painted in a more formal manner, wearing blue jackets and hats.
Reflections, shadows, and earthly objects can be portrayed in this painting as well. Although they are both telling stories about
During the 19th century there were a series of reform movements that occurred. Some of these reformation movements included; the Women’s Right Movement, Abolitionism (Slavery), The Romantic Art Movement and many more. The 19th century Romantic Art Movement was a time that artists and writers allowed nature to have a heavy influence on their works. In the 19th century, Thomas Cole was a romantic artist that expressed nature through his works. Some of these works include, The Voyage of Life, Romantic Landscape with Ruined Tower, and The Subsiding of Waters of the Deluge.
Thomas Cole was originally born in Lancashire, England in 1801. In 1818 he and his parents moved to America. Cole’s father wanted him to be a lawyer. However, Cole self-thought himself in the art where he found his true passion on painting. Cole always found picturesque landscapes for which showed interest at an early age.
In the time during Westward Expansion was the time of new beginnings in America and it was time to move forward in land. America wanted to be superior to the rest of the countries around them. They went through many challegements to buy Louisiana Territory and explore its land around it as well. The country even almost went into bankruptcy and was almost sold to the French, but hopefully that did not happened. They even with success of land came trouble with greedy with expansion.
The drawing depicts a setting which takes place at night. The rays of light emitted by the sun barely scrapes the sky. A river flows down, slightly to the right of the painting. A few bushes and shrubs grow around the arid desert, while large strands of grass flow with the wind around the river.
Expansion has played a large part in American history, coming with a collection of problems and triumphs. Walter LaFeber discusses American Expansionism through U.S. policymaking even discussing how and why he believes it should be more conservative as he claims this to be the backbone of all of his writings.1 Also it’s important to define how he uses the term expansionism as he states “I have used the term expansionism in discussing American attempts to find trade and investment opportunities in areas where the United States did not want to exert formal political control”.2 The New Empire: An Interpretation of American Expansion 1860-1898 by Walter LaFeber, examined the period of 1860-1898 of the “American overseas empire” by addressing the
But, nature does not exclude humans, human excludes themselves from nature. Within the “mists of [the] chopping sea of civilized life, such are the clouds and storms and quicksands and thousand and one items to be allowed for”(277). He uses clouds and storms and quicksands to convey that civilized life includes the same negativity included in the connotation of those conditions, but nonetheless, those too are apart of nature. The purpose of utilizing imagery is so evoke images people already have to connect with them on that level to make them understand that they must find a harmony and balance in the world. So, in order to restore order within one’s individual life, one must defy the social norms that distance themselves from nature to find harmony with it.
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
The painting depicts what seems to be a panoramic view from afar but looking closely each aperture and objects make up the impressions of faces. From the left side there seems to be an aperture looking over a big cliff with branches of trees. This cliff and branches make up the face of an old person. The rock exposures within the cliff form the illusions of wrinkles, wrinkly lips and a long and untreated mustache. The branches give the effect of baldness, contributing to the overall appearance of an old man’s face.
In both pictures we are able to identify Humanism, Individualism, and Secularism whether or not if it is a famous painting or
When was the idea of music appreciated? Was it in 325 when the spread of Christianity spurred the development of European music? Maybe in 1430 when the Renaissance period began and the rebirth of both Greek and Roman classic styles harmonized as one melody? Perhaps it was in 1600, the Baroque period that had highly strict musical forms for ornamental works? Many believe that the birth of the deaf German composer, Ludwig van Beethoven was the major musical figure that led us to one of the greatest periods of music between the Classical and Romance eras, the Viennese Classic.
There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the
