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Analysis of cinematic techniques in tim burtons films
Analysis of cinematic techniques in tim burtons films
Analysis of cinematic techniques in tim burtons films
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Tim Burton is best known for directing movies that don’t fit the normal mold for movies. Most people just call them creepy and random, but they’re making a mistake, there’s actually a lot lot of consistencies between his movies. One of his movies, Edward Scissorhands, was written by Caroline Thompson and directed by Tim Burton, is about an old scientist’s human creation, Edward, but dies before he can finish the creation. Edward is left secluded in the dead scientist’s mansion, with scissors in the place of his hands. A saleswoman named Peg takes him home from the dead scientist’s mansion.
Tim Burton has used many stylistic techniques to give the audience an eerie and out of place feeling. For example in the film Edward Scissorhands, Tim makes suburban life look boring and pointless to the naked eye. In the film, the neighborhood appears plain and boring, filled with homes painted minty green or butter yellow. The castle where Edward thrived for years upon years is full of dust and spider webs as if the building hadn't been touched in years. We see these same style traits in the film Alice In Wonderland.
The first way Burton shows his thoughts in Edward Scissorhands is when he uses the tilt camera movement in order to add suspense and intrigue the person who is watching or the audience. For example, when Peg, the person who found him, starts walking up the stairs, Burton uses this camera movement to show the creepy adic Edward was staying in before bringing him to her neighborhood. This helps show Burton's ideas where intended to introduce the difference between Edward as a creepy and misleading looking person, and Pegs shine and heartwarming feeling. As a result, it shows why people that live in the neighborhood see Edward as a creepy person.
The film Edward Scissorhands, takes place in a suburban neighborhood with colorful houses and stereotypical neighbors who like to gossip about each other. While Edward is often given the impression that he is frightening and threatening because of his appearance, he uses his cursed hands as one his assets by grooming people’s hair and trimming down people’s plants into sculptures. Growing up, Tim Burton knew he had a creative mind and felt as though he was always misunderstood by others. Author Lynn Hirschberg expresses, “Burton has the manner of a precocious teenager who has spent a great deal of time happily alone.” As a kid, he did not have many friends and felt like an outcast (Hirschberg).
For example, Burton made Edward, in Edward Scissorhands, to be very pale , and in dark clothing. While everything else is colorful. Burton does this, because he feels that no matter what the family does to Edward he will always be different. This adds to the audiences understanding that outsiders do not need to be changed. Just accepted for who they are.
The unknown is often associated with danger because of society. Tim Burton would argue that the abnormal could often be the uttermost significant in life. Through color contrast and physically abnormal characters, Burton displays in his films that society wrongly teaches people to fear the unknown. Burton uses color contrast to show the isolation and the unknown of the outcast characters in his films. For instance, in Edward Scissorhands, Edward was introduced when Peg found him sitting in a corner all alone.
Tim burton, renowned for his incorporation of gothic styling into many of his films, throughs characters and themes to establish his noticeable signature in his films. In, Frankenweenie and Edward Scissorhands, the use of socially incompatible characters, unique identity traits, and contrasting a life of one that has conformed gives the both film a gothic identity with a sense of german expressionism tim burton autuer. Burton does this in order to communicate his thoughts on conformity and to
Tim Burton is well known film director. The movies that he has created are often described as mysterious, odd, and intriguing. Burton's movies use certain film techniques to create a certain feeling for the audience to experience. The three main techniques that Tim Burton usually uses is the lighting, camera angles, and sound techniques.
In conclusion, Tim Burton proceeds taking advantage of the cinematic techniques; lighting, sound, and camera movements creating a certain mood/tone. He uses each technique to reel in his audience. Tim Burton’s style is based on differences between things or people. However, Burton uses many more techniques than just these three, he uses all kinds to appeal to his
Tim Burton’s distinct style became evident in his very first films and stayed clear in his later film, while the plot of Burton’s films vary greatly his style stays pronounced. This can be seen across his many movies from Charlie and the Chocolate Factory, Edward Scissorhands, “Vincent”, and “Frankenweenie”. In all of these films his distinct style is developed through the use of a strong contrast of high and low key lighting to show contrast between characters and circumstances, a recurring motif of mobs antagonizing the antagonist, and the frequent use of shot reverse shots to show the development of the relationship between the outsider and the people on the inside. With the use of a contrast between high and low-key lighting, a recurring mob motif, and the use of shot-reverse-shots Tim Burton develops his hopelessly bleak style. One of the most evident cinematic techniques that Tim Burton uses to develop his hopelessly bleak style is the use of a strong contrast of high and low-key lighting or colors.
The film “Edward Scissorhands” directed by Tim Burton, released in 1991, is based on a creature’s everyday life in society and how he is treated differently to others. The way we see ourselves influences the way we interact with those around us. These experiences we have in the world shape our identity.
What does director Tim Burton’s Edward Scissorhands and Mary Shelley’s Frankenstein (1994), directed by Kenneth Branagh, have in common— a mutual underlying story; but their differences are what makes their tales all the more special. Edward Scissorhands is a retelling of Frankenstein, but with a slight twist. In Edward’s case instead of lacking companionship like Frankenstein’s monster, he lacks hands; and is received rather well by the surrounding community. Ironically, in both tales the characters share the same desire to be love; this ignites the question – why do humans want to be love? Are we only important as we are loved?
Tim Burton is one of the best directors to date. His ability to intertwine creepiness themes and tones into plots and the characters and still maintain the necessities to watch an enjoyable is unimaginable. Edward Scissorhands and Charlie and the Chocolate Factory are both adequately produced movie that show Tim Burton’s prodigal filmmaking abilities. The thematic elements are vivid and applicable to the scene to put actors and even the audience under suspense and eager to know their
Tim Burton uses camera movements, camera angles, and sound in Big Fish, Edward Scissorhands, and Charlie and the Chocolate Factory to create the right mood for the audience to feel. Creating the right mood allows the audience to connect to the movie and to be intrigued by the movie. In Edward Scissorhands, Burton uses camera movements to create a sad mood. In a flashback, the camera moves with the inventor, who made Edward, as he takes Edward's hands out of a box and walks over to Edward before he dies, without getting to put Edward's real hands on.
Tim Burton uses many different cinematic techniques to achieve very specific effects in his movies. The most important cinematic techniques that he uses to create his unique style are Non-Diegetic sound, lighting, eye level, and zoom. These techniques that can be seen in the films Charlie and the Chocolate Factory, Edward Scissorhands, and Corpse Bride, create the effects of sadness, dark moments, express the feeling of other without telling. He uses Non-Diegetic sound when he puts a song, he uses sad songs, happy songs, and more to show the feeling of the character, to give us like a hint of something that is going to happen, if it’s going to be bad or sad. He uses lighting to make the moment or scene sad or mysterious.
