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Tragic Hero In Othello

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The Greek philosopher Aristotle was the first critic of literature to see the differences between moral and visual condition. He described a tragedy as “an imitation of an action of high importance, complete and of some amplitude: in language enhanced by distinct and varying beauties…by means of pity and fear effecting its purgation of these emotions” (qtd. in Kennedy & Gioia 856). This description completely embodies the representation of Shakespeare’s protagonist and play Othello. Aristotle’s recipe for a perfect tragic drama included three main ideas: hamartia, or a tragic flaw in the tragic hero’s character that brings about his downfall; katharsis, or a purgation of the audience’s emotions so that they feel that they have learned something from the play; and anagnorisis, or …show more content…

The Moorish General Othello is an accurate definition of a tragic hero. Not only is Othello a very successful general in the Venetian army, he is also seen as a respected, honorable, noble hearted man. These traits are admired greatly amongst the characters found within Othello. This includes Iago who admiringly states that Othello is “of a constant loving, noble nature [and] will prove to Desmona a most dear husband’ (2.1.290-292). In order to truly feel the tragic downfall, an understanding of “high estate” being not of royalty or of noble stature, but one that “gives him a place of dignity to fall from and perhaps makes his fall seem all the more a calamity” (Kennedy & Gioia 856) is needed. Since Othello enjoys a position of power and happiness at the beginning of the play, this status makes his downfall from beloved general to despised murderer infinitely more tragic and moving (Kennedy & Gioia

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In Othello, one of ten tragic plays created by the prominent William Shakespeare, Iago uses the power of his persuasion to exploit both Othello and Cassio to do his bidding. Othello and Cassio both have their own tragic flaws. It is very clear that Cassio’s tragic flaw is getting drunk too easily. Without this flaw, Iago’s plans would have never worked.

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One of the primary readings in Chapter 2 of our textbook is an excerpt from several chapters of a translation of Aristotle’s writing Poetics, from the fourth century B.C.E. A summary of the primary reading is as follows: Aristotle writes that a tragedy should be complete, a pleasing language, in a dramatic not narrative form, and should arouse pity and fear to accomplish ‘catharsis of emotions.’ He also tells us what a tragedy should not be. Plots should not be about a good man going from happiness to misery, or a bad man from going from misery to happiness, or extremely bad man from happiness into misery. A tragedy should be about a man who has a misfortune caused by his error in judgment. The perfect plot should contain just this single issue.

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Development of Othello The character of Othello transforms during the course of the play from a respected and revered general to a fallen and easily fooled man, due to the unfortunate sequence of events that transpire through both coincidence and Iago’s evil designs. He said that he wouldn’t be the jealous type unless he had seen it happen right in front of him, but with the help of Iago and a lot of coincidences it had happened in front of him. His judgment of the coincidence over ruled facts that could have changed the way it had ended drastically (Nwabueze, 167).

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He relies completely on what he believes to be his merit (through status) rather than loyalty, which Othello favors. Another proprietor of power is Othello, who is more unexpected than the other characters to wield it. “I fetch my life and being from men of royal siege, and my demerits may speak unbonneted to as proud a fortune as this that I have reached” (Shakespeare,1280). As he is a non-European character he has had to have undeniable levels of experience to be appointed to his position, yet even then he is

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The tragedy of Othello written by William Shakespeare presents the main character Othello as a respectable, honorable, and dignified man. However, because of his insecurities and good nature he is easily taken advantage of and manipulated by his alleged friends. Shakespeare is known for his exceptional ability to compose plays full of deceit, revenge, and jealousy. Jealousy is an underlying theme throughout the tragedy and has been represented by many of the main characters, such as Iago, Roderigo, and Othello. The topic of jealousy will ultimately lead to the demise of many characters throughout the tragedy.

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Othello’s Demise Othello, the lead character in William Shakespeare’s play Othello, is done in by the same character attributes, which propelled him to become a great military leader. He has accomplished great victories in battle to the likes, of no others. He is held in high regard throughout the nations as one of the greatest military leaders and is called upon to fight in the most challenging battles successfully. There is no deterrence, by Othello even though his is not of the same race or from the same country, whom he defends.

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In his work, The Poetics Aristotle reflects on the role of pity and fear in tragedy, stating, “Tragedy is essentially an imitation not of persons but of action and of life; of happiness and misery. Add human happiness or misery takes the form of action… Character gives us qualities, but it is in our actions that we are happy or the reverse… The tragic pleasure is that of pity and fear” (Aristotle, The Poetics). Aristotle is probing one to conclude that tragedy is characterized by the pity and fear one evokes when individuals go against their presumed character and commit detrimental acts. Throughout his play Macbeth, Shakespeare, reminisces on the actions that gravitate an audience to render both fear and pity, which characterize a tragedy.

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In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.

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The play’s protagonist and hero. Othello is the highly respected general of the armies of Venice, although he is not a native of Venice but rather a Moor, or North African. He is an eloquent and powerful figure, Othello shows to be a fearless soldier and general. and has been in the army for many years. He is used to the work of military life.

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Part A: We can say that there are four main conditions for a character to be a tragic one with reference to Aristotle’s Poetics. First character must be an extraordinary person or have extraordinary abilities. Secondly, character must be a good one who will make an error and have an eclipse after. Third, character must suffer from this error. Lastly, character must be consistent on his/her behaviour, audience must be able to believe in his/her goal.

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As humans we all have been where rumors have been spread about us or where we do the opposite. They, however, all tend to do some harm to us and it can cause certain conflicts to occur during the process. Death can be the outcome of something like this because this did happen to three innocent people. They were all wrapped up in a bed of lies that ended their lives sooner than expected. Thesis statement: Othello Desdemona and Emilia ended up with unfortunate deaths because of Othello 's integrity towards Iago.

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Othello’s character undergoes a significant change due to a series of events at the hands of Iago, the play’s antagonist to enhance the fact that even a valiant heroes can become corrupt. In the beginning of the play, Othello adores

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931 Words | 4 Pages

The common aim of playwrights of any time or location is to capture and hold the attention of their audience; this is what Shakespeare has clearly done. The tragedy of Othello, the Moor of Venice, is one of Shakespeare 's most renowned plays. Through construction of intriguing characters, exploration of universal themes, use of comic relief and a well-written script featuring a compelling plot, Shakespeare ensured the tragedy of Othello would hold the interest of the audience; despite being over four centuries old. It possesses so many conditions that can be accentuated to hit nerves with both a Shakespearean and modern audience. The entire plot of Othello is very much like the attitudes and methods of our modern day society.

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Parallels between Aristotle’s Poetics and Arthur Miller’s Death of a Salesman Aristotle wrote Poetics in 335BC and in that discourse he defined the elements of a tragedy and compared it to other plays like an Epic. Arthur Miller’s Death of a Salesman, which was written over two thousand years after Aristotle’s Poetics, can easily be considered a modern Aristotelian tragedy. Thereby, a study of Death of a Salesman can help us to understand Aristotle’s Poetics. First off, Aristotle defines a tragedy as “an imitation of an action that is serious and also, as having magnitude, complete in itself; in appropriate and pleasurable language;… in a dramatic rather than narrative form; with incidents arousing pity and fear, wherewith to accomplish a

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The conventions of tragedy and comedy, such as the tragedy in Oedipus Rex and the comedy in The Taming of the Shrew, can shape the way the play is developed. Thorough analysis can reveal these dramas to be discussions of human experience. As Laurence Olivier once said: “The office of drama is to exercise, possibly exhaust, human emotions. The purpose of comedy is to tickle those emotions into an expression of light relief; of tragedy, to wound them and bring relief of tears. Disgust and terror are the other points of the compass.”

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