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Truth In A Streetcar Named Desire

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The notion of truth comes up in many contexts, including philophy, science, and religion. Naturally, it is discussed in literature too. In The Bluest Eye and A Streetcar Named Desire, the reader in invited to reflect on this concept throught the different characters, who each have a different way of dealing with their very own vision of the “truth”.

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But not all characters deal with reality the same way, and, most importantly, not all characters consider the truth as purely realitity. Truth is a more complex things, and depends on education and personal experience.

In A Streetcar Named Desire, there’s a clear difference between how different characters see the truth according to their social background. Characters who represent the …show more content…

When Stanley discovers Blanche's past as a prostitute (or, at least, promiscuous), after actively looking for it, he feels entitled to expose her to the world, in this case Stella and Mitch, or else he would feel like lying to them. He then presents Blanche's past to Stella, in scene 7, not as a story but as a deconstruction of her different lies or omission of truth ; “lie number one […] lie number two”. This speech structure shows that he doesn't see the truth as something in itself, but rather as an absence of lies or omissions. He proves the lies wrong in order to create a clearer, more accurate picture of the reality. The only way someone can be truthful, according to Stanley, is by saying the whole truth and only that. Mitch feels the same way ; upon learning about Blanche's past, he confronts her and accuse her of having only said “lies, lies, inside and out, all lies”: if Blanche has lied, it means that she cannot be trusted about anything, and therefore everything she has ever said is to be assumed a lie, …show more content…

We see that, much like Stanley, the narrator Claudia and her sister Frieda are in a constant search for the truth. This is observed in their younger selves ; when they can't understand their mother's conversation, they “look for truth in timbre”, showing that before all what matters to them isn't the beauty of the whate is said or the poetry in it but if it is truthful, relevant to their quest of the complete and pure reality. In the older Claudia, the one that narrates the story, this quest is shown in the prologue, in which it is explicitely said that she “must take refuse in how”, meaning that the only way for her to find peace after all these years is to know the truth, which is once again the factual complete reality of what happened. To these characters, truth, knowing the facts rather than understanding the “why”, is what can set them free. Finding it and revealing it becomes their main motivation. For The Bluest Eye, it is even the reason for which the narrator writes the

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She also prefers keeping her past to herself because of all the problems she has had. She prefers for people to not find out what has happened and why she is the way it is. An example is when Blanche panicked because they took off the little paper covering the lamp which made the room dim and got pissed because she did not want to show how she looks. Stanley is shown to be the “manliest man” but he is unstable and irrational when he realizes what he has done when the damage has been done. For example, when Stanley physically abused Stella he realized what he had done when he was brought back to his senses.

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301617- A Streetcar Named Desire Lying as well as deception is a common theme in A Streetcar Named Desire for the characters. There is Blanche, whom, because of her deception and lying which has played a bigger role on the other characters than she goes and realizes. Blanche stated in scene two of A Streetcar

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In Scene 10, Blanche is begging Stanley to let her get by and he is not moving to let her through. Stanley says that he thinks Blanche would not be too bad to interfere with in a sexual way going back to Scene 6, when he would walk through the rooms in his underwear at night near Blanche. Blanche complained about the little bit of privacy she had in the house and that was exemplified when Stanley later picked her up and carried her into the bedroom. Blanche had thought in the beginning that her situation was frightful, but never to the degree in which she experienced towards the end of the

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In the play A Streetcar Named Desire by Tennessee Williams, the main characters, Blanche Dubois and Stanley Kowalski, share a great dislike and distrust towards one another, ultimately becoming the basis for the story’s conflict. Their common contemption stems from their contrasting personalities and backgrounds, their incompatibility of being able to function under the same environment, and inability to adapt to the situations they find themselves in. Although Blanche detests Stanley and the manner in which he behaves in, she realises that he is a necessary part for Stella’s life in New Orleans, an environment that greatly differs from the southern aristocracy that Stella and Blanche once lived in. Blanche expresses this idea by stating, “Oh,

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In A Streetcar Named Desire, there is an ongoing power struggle between Stanley and Blanche, which propels the narrative. Stanley has the power of masculine physicality and mentality whereas Blanche only has the power of her background, of which she feigns to be her class. As the battle between the two is predominantly over Stella, we begin to witness in scene 2, where Stanley openly accuses Blanche of hiding “legal papers connected with the plantation”. His aggressive nature, towards her, motivates the idea of his resentment towards her, as

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It is Blanche’s obsessive desire for a clean slate that ultimately drives her streetcar into destruction. With each lie she tells, the last lie becomes a reality to her, and once her delusional reality begins to fade, Blanche recedes into a dark hole where neither she or anyone else could ever truly see herself

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A streetcar named desire was written by Tennessee Williams in 1947, in purpose to show the “declining of the upper class and the domination of the bourgeois middle class in the U.S.A. where the south agriculture class could not compete with the industrialization.” Blanche Dubois the protagonist of our story, a southern beauty that is trapped by the restrictive laws of her society. But she broke them, and eventually put herself in a state, where she had no job and no house. So she had to go to her sister, Stella and live with her and her sister’s husband, Stanley. While staying there, she created a façade for her to hide her flaws and kept acting as a lady, where she is anything but that.

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A Streetcar Named Desire Literary Analysis The late 1940’s were characterized by the emergence out of World War II that led to a dependence on the idea of The American Dream, which meant men were working harder to achieve a more comforting lifestyle and opportunity while women were still fighting the oppression of caused by unequal representation. This idealistic dream is illustrated throughout Tennessee Williams’ “A Streetcar Named Desire”, which has a rigid dichotomy between illusion and reality revealed throughout multiple characters and their dysfunctional lives that are a direct result between fantasy and actuality. Illusion is taken advantage of as an alternative to the unfair circumstances that the characters in “A Streetcar Named

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Stella accepts her willingly, however, Stanley begins to hear rumors. Blanche starts to date one of Stanley’s friends, Mitch, but when Stanley informs him about her past, Mitch basically tells her

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The themes of violence and power in ‘A Streetcar Named Desire’ hold an important role in the criticism of 1940s American society. Conflicts perpetuated by violence and power, such as abusive relationships and violent oppression are projected through the characters within the play.  Williams uses these conflicts to highlight his criticisms of faltering values and social norms, from the perspective of an individual constrained by the expectations of a strict, Southern society. To begin with, there is an indefinite violence between men and women within ‘A Streetcar Named Desire’. Stanley Kowalski, a focal character, is the epitome of male dominance and primitive aggression.

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William’s play A Streetcar Named Desire presents a variety of perspectives on relationships, especially addressing the idea that bonds which aren’t bound by trust, loyalty and lust in an even balance will inevitably fail. Tennessee Williams uses the interaction between his characters, predominantly Blanche, Mitch, Stella and Stanley; to express a variety of ideas regarding relationships. These connections can be witnessed in scenes 2, 3, 6 and 11, through the use of stage directions, dialogue and expressionism to display different perspectives of character interaction. Trust acts as the foundation to any relationship, establishing a strong link between individuals and without it, the connection will eventually disintegrate.

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Tennessee Williams wrote “A Streetcar Named Desire” (Williams, 1947) It is based in New Orleans a new cosmopolitan city which is poor but has raffish charm. The past is representing old south in America 1900’s and present is representing new America post world war 2 in 1940’s. Past and present are intertwined throughout the play in the characters Stanley, Blanche, Stella and mitch. Gender roles show that males are the dominant and rule the house which Stanley is prime example as he brings home food and we learn of one time when he got cross and he smashed the light bulbs.

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In A Streetcar Named Desire, the author Tennessee Williams exaggerates and dramatizes fantasy’s incapability to overcome reality through an observation of the boundary between Blanches exterior and interior conveying the theme that illusion and fantasy are often better than reality. Blanche, who hides her version of the past, alters her present and her relationship with her suitor Mitch and her sister, Stella. Blanche was surrounded by death in her past, her relatives and husband have passed away, leaving her with no legacy left to continue. The money has exhausted; the values are falling apart and she is alienated and unable to survive in the harsh reality of modern society. Throughout the novel Williams juxtaposed Blanche’s delusions with

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“A Streetcar Named Desire” is a very elegant film in which the Southern gothic culture is demonstrated profoundly. Tennessee Williams uses the characters in the play to bring about a sense of how corrupt society truly was in the 1940’s in the South. The 1940’s was marked by an immense amount of violence, alcoholism, and poverty. Women at the time were treated as objects rather than people. Throughout the play Tennessee Williams relates the aspects of Southern society to the characters in the play.

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