Truth In The Things They Carried By Tim O Brien

No doubt the events and occurrences that took place during the Vietnam War were nothing short of gory, horrendous, and unimaginable, but is it true that the surreal horror of the war can only be captured and lived again through stories recounted by those involved in the war itself? First-hand accounts, real or made-up, are crucial to being able to experience the emotional and physical struggles the soldiers of the Vietnam War experienced. In The Things They Carried, Tim O’Brien states, “I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth” (171). This means that stories are the only way to capture one’s raw war experiences and emotions, so the best way the surreal horror of the war in Vietnam

This is one of the concepts that O’Brien expands on multiple times throughout The Things They Carried. In order to fully understand the surreal horror of the war in Vietnam, it is important to grasp the central idea of unexpected death. In The Things They Carried, the primary examples of unanticipated deaths come from men in O’Brien’s own platoon‒Ted Lavender, Curt Lemon, Lee Strunk, and Kiowa. It may have been war, and death may have been expected, but the death of a peer, colleague, or even a friend could never

This is the man O’Brien killed, or felt he killed. O’Brien implies that he never actually killed this man, but he still felt he was responsible for this man’s death. Being a young, fearful soldier, Tim O’Brien was too afraid to look at the faces and bodies that surrounded him and take responsibility for their deaths, which resulted in a future O’Brien writing, “And now, twenty years later, I’m left with faceless responsibility and faceless grief” (172). Through his stories, O’Brien is able to use his emotions and remorse to recreate his young self as a man who looked at these lifeless bodies and felt responsible for their fates. O’Brien can also utilize his emotions to fabricate a story that included his true thoughts and feelings when encountering death in Vietnam. “I can look at things I never looked at. I can attach faces to grief and love and pity and God. I can be brave. I can make myself feel again” (172). Even though O’Brien was too cowardly to look upon the faces of the fallen soldiers in Vietnam, through his stories, he is able to be brave and feel real pity and responsibility towards the fallen