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What Is The Relationship Between Romeo And Juliet

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Throughout his writing, William Shakespeare was never shy about conveying his beliefs. Shakespeare was a man who stood behind order and the maintenance of the status quo, as evidenced by his writings, and especially Twelfth Night, which features characters that interrupt society. Shakespeare makes it clear in his writing; interrupting business as usual is a cardinal sin. Although he allows characters like Viola, Orsino, and Antonio, to rock the boat for comedic effect, Shakespeare restores order by the end of the play. This is evidenced through the heroine Viola, her brother Sebastian, as well as Orsino and Olivia. When he approved of a society, or set of characters, Shakespeare would write them a happy ending in marriage. The survivor of …show more content…

(1.4.32-37) Orsino's description of "Cesario's" luscious mouth and sweet voice is pretty steamy. (You can check out a more detailed discussion of this quote by going to "Love.") Even though Orsino thinks "Cesario" is a boy, he's clearly attracted to his page's "girlish" features. Does this mean that Orsino is only attracted to "Cesario" because "he" is girly looking? Not necessarily. Even after Orsino knows the truth about Viola, he still calls her "boy" and "Cesario," as the two get cozy and prepare to celebrate their upcoming nuptials. This suggests that the Duke is also attracted to Viola's "boyish" charm. Part of Duke Orsino's function in the play, it seems, is to demonstrate how a person can be attracted to another's "feminine" and "masculine" features. Cesario, come, For so you shall be while you are a man. But when in other habits you are seen, Orsino's mistress, and his fancy's queen. (5.1.408-411) It's pretty striking that Duke Orsino calls Viola "Cesario," even after they are engaged and Viola's identity is revealed. Clearly, the Duke is not quite used to the idea that his "boy" is actually a girl. This passage also raises the question of whether or not Orsino is attracted to "Cesario" or "Viola" or

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Two fathers together, for the first time, wept for the deaths of their children as their grief-stricken faces shone in the dusty light inside the tomb. Pain seared equally through all hearts of the Capulets and Montagues, both distraught by the unexpected death of their beloved children. The star-crossed lovers, Romeo Montague and Juliet Capulet, recklessly fall in love despite their families’ raging feud. The couple’s newlywed lustful attitudes get them both, and many others, wistfully killed in William Shakespeare's incredible 16th century play, Romeo and Juliet. Due to the brilliant script of the play many question who is truly to blame for these abominable deaths.

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There are many modern renditions of the beloved Odyssey by Homer, but which one stays true to the original plot: O, Brother Where Art Thou? or The SpongeBob Movie? Though the two movies are aimed at different audiences, it is important that they both convey the same story of the centuries old tale. O, Brother Where Art Thou? followed The Odyssey’s storyline more closely than The SpongeBob Movie, and was easier to understand the messages being shown.

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When Cesario tells Olivia what Orsino told him to say Olivia says she can not love him. After this Olivia falls in love with Cesario and wants her servant Malvolio to go tell him to visit tomorrow.

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Viola’s aspirations are not to go against the social order as she is not a real servant but the play allows her to transgress and glide through the class mobility. She epitomizes social fluidity, transgressing the boundaries of specific roles in society. However her flexibility is asserted on her higher social status with which she begins the play. This once again proves that although the boundaries can be broken, only the elite bourgeoisie can truly permeate them completely. Malvolio remains ‘mad’ for admitting his love while Viola moves upwards to gain marriage.

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In order to capture a reader's attention, a story must be filled with alluding imagery and engrossed in the developing relationships between characters. In the Twelfth Night play, Shakespeare does an amazing job on grabbing the reader's attention and truly painting a picture of the deception and hardships characters are facing. Shakespeare uses some of the main characters like Orisino, Viola, and Maria, in order to develop the story overtime. Viola disguises herself as Cesario, the fool dressed up as a priest, and Maria misleads Malvolio (TN 1.2. 44-58).

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Character Analysis Viola is Twelfth Night 's gender-bending heroine. The survivor of a ship-wreck that separates her from her twin brother, Viola washes up on shore in Illyria, where she decides to cross-dress as a boy and take a job at Duke Orsino 's court. As the boy servant, "Cesario," Viola quickly becomes Orsino 's favorite page and is given the task of wooing Olivia on Orsino 's behalf. As "Cesario," Viola 's a little too good at her job and she finds herself in the middle of a messy love triangle when Olivia falls in love with "Cesario," who can 't return the Countess 's favors because Viola is in love with the Duke. Got that?

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Olivia and Cesario are alone after shortly after Cesario has a conversation with Fool, Olivia is in love with Cesario as she confesses, “a murderous guilt shows not itself more soon/ Than love that would seem hid. Love’s night is noon” (TN. 3.1.151-152). Olivia is madly in love with Cesario, who Olivia thinks is a man, even though Cesario is actually just Viola, who is a woman in disguise.

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The question of why Olivia, after dramatically declaring her affections for Cesario, would so quickly jump to Sebastian after finding Viola’s true identity, is likely answered by the societal norms of the Elizabethan era. Cesario and Viola are two halves of one whole; by loving Cesario, Olivia loves Viola too. Upon meeting “him,” Olivia says “Thy tongue, thy face, thy limbs, actions and spirit/ Do give thee five-fold blazon” (1.5.297-298). She is attracted not just to Cesario’s mannerisms, but to Viola’s beauty, which shines through her male bravado. The “actions and spirit” which Olivia refers to are Viola’s ability to converse with Olivia woman-to-woman, unbeknownst to the countess.

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In literature, characters are incorporated into the work that both help the characters and hinder the characters. This is the case with William Shakespeare’s tragic play Romeo and Juliet. The play is about two lovers who are from feuding families, and eventually take their lives. The character in this case is Friar Lawrence, a religious monk who people of Verona look to for guidance. In the play, Shakespeare uses the character of Friar Laurence to create a figure that is both helpful and detrimental, by being a fatherly figure to Romeo and making mistakes, respectively, to the characters of the play.

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For a woman to show interests in current affairs, express opinions, write literature was unladylike. Viola, fending for herself, in distant land, disguises herself as a boy named Cesario. Cross-dressing, in Elizabethan society, was seen as highly immoral. Viola 's male disguise “allows her to escape the confinement of a single perspective and a single voice by momentarily unfixing sexual stereotypes (184)”(Melchoir). Furthermore, Viola’s situation in Twelfth Night is not typical of an Elizabethan woman because she proves herself to be capable and intelligent.

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Vanity, one of Twelfth Night 's major concerns, is displayed throughout the play by characters who are plagued with emotional conditions which prevent them from loving others. The lives of Illyria 's Duke Orsino and Countess Olivia, for example, remain circumscribed by vanity and narcissism. Similarly, Olivia 's steward, Malvolio, remains encumbered by vanity and narcissism, while Olivia 's Uncle Toby shows himself to be selfish, and his drinking partner, Sir Andrew, stands as a caricature of vanity. In contrast, Viola, an outsider shipwrecked upon Illyria 's shore, suffers solely from grief for her sea-drowned twin brother. In further contrast, Olivia 's lady-in-waiting, Maria, displays none of these characteristics, but instead operates as the play

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1095 Words | 5 Pages

Shakespeare was a famous author and poet that wrote extremely well-known texts, such as “Romeo and Juliet” and “Hamlet.” Shakespeare lived during the Renaissance when art and science advanced and he was one of the major contributors to this historical period. “Shakespeare Influences the way we speak now” by Hephzibah Anderson, “William Shakespeare’s Impact on Theatre” by Octane, and “How Outrage Built Over a Shakespearean Depiction of Trump” by Sara Krulwich suggest that Shakespeare had a great influence on many aspects of society, such as the phrases we use, style of theater, and is a figure of inspiration to many people. Shakespeare has contributed to many well-known phrases that are still used to this day, showing his significance in history.

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The first instance which supports the notion that a lapse of communication is responsible for the unsuccessful nature of heterosexual relationships is the case of Duke Orsino and Countess Olivia’s relationship. Both start the play preoccupied with their own concerns, Orsino is worried about finding love, specifically with Olivia, meanwhile she is busy mourning the death of her brother by refusing to marry anyone for seven years. However, it is Orsino’s obsession with seeking love and how he goes about pursuing Olivia that best exemplifies the problematic nature of a male and female’s relationship. Orsino opened the play by saying of love, “Give me excess of it, that, surfeiting, / The appetite may sicken and so die” (1.1.1-3), essentially saying that he so badly craves the feeling being in love gives him, that he would like in so great a quantity that it would end his life.

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It is even possible that her vow to retreat from society fueled her lack of interest in the duke who pursues her called Orsino. Olivia and Viola both have lost a brother, although Viola fortunately eventually finds her brother. Still, due to the fact both characters believe their brothers to be dead for the majority of the play, their attitudes are affected by this. Olivia in particular attempts to keep a good opinion of

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1043 Words | 5 Pages

Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.

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