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Twelfth Night Research Paper

668 Words3 Pages

The story of Twelfth Night has a main focus of love, the play itself is a romantic comedy. Shakespeare examines different types of love: true love, friendship, and the idea of love. Shakespeare carefully illustrates the emotion of love with a lot of detail, and you will notice that most of the characters are only in love with the idea of love. Twelfth Night consist of many different types of love and many different people loving everyone and anyone , however most of the characters do not care to believe that their feelings toward the other characters are fake. They are being easily fooled by themselves and others around them. There are certain moments in the play though where the emotion of love is true, and the two people involved feel a very strong connection to the other. …show more content…

Although she is acting like the opposite gender and is unknown to the people who live there, she hopes to win Orsino’s heart. Viola was in more then one love scenario, except this time she did not share the feelings, because of that things did not come as planned. While Cesario was trying to tell Olivia how Orsino felt about her, Olivia only grew to love Cesario. Viola was now caught in a terrible situation and because she was speaking about how she actually felt towards Orsino, Olivia believed it was for her and she thought she was in love. Another case of true love is more family oriented. Which is Viola and Sebastian’s love for one another since they are siblings. Their bond only grew stronger since they believed the other was dead and yet they still loved each

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By doing so Olivia believes Viola to be the young man named Cesario, and falls in love with him. This then causes even more confusion as Viola, a.ka. Cesario, finds herself in love with Orsino, yet Orsino is in love with Olivia who believes to be in love with a man named Cesario.

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Love is not the only important subject in this play, but it is a major contributor to how the characters both suffer and find happiness and comfort during this play. It can also be considered the main drive for the characters, as the characters fight and chase one another for love (Rieger, 2009). Readers of the play are able to visualize the love portrayed in this play as being legitimate and sincere, which is

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Through this technique, the audience knows what’s happening and can interpret that Viola is deceiving Olivia. This is seen as deception by Viola not telling the whole truth about who she is. This is supported by Viola’s appearance as a man but still hiding the truth. Through this quote, it’s conveyed that Viola’s hinting to Olivia she’s not what she seems to be which is leading Olivia to question why Viola is saying this and how impactful Viola’s appearance has been to manipulate the reality of who she is because of her deception toward Olivia.

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The power of true love is evident in the play, the depiction of love reveals its true nature as in its pursuit it causes the characters to become irrational. True love in this play stems conflict from the troubles of romance by the actions of the lovers. The friendship between Hermia and Helena is at stake because of the romantic love that exists between the different parties in the play. Helena mistakes her obsession with Demetrius with love even though he is very rude to her.

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Love has the power to make a person irrational and foolish. During love, a person tends to face many obstacles. There are many forms of love. In the play, A Midsummer Night’s Dream, Shakespeare portrays the different kinds of love through the couples. True love is presented through the love of Hermia and Lysander.

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In the story it shows a love triangle between Orsino, Cesario (Viola), and Olivia. Cesario falls in love with Orsino, Viola is in love with Cesario, and Orsino is still in love with Olivia. The characters in the story all show happiness and joy throughout because it’s a story that ends in love unlike Romeo and Juliet where it ends in a tragedy. As said in Twelfth Night, “Its central plot concerns a love triangle between the Illyrian nobleman Orsino, his beloved but unattainable Olivia, and the shipwrecked Viola.” (Lee

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“Oh, when mine eyes did see Olivia first, Methought she purged the air of pestilence. That instant was I turned into a hart, And my desires, like fell and cruel hounds, E'er since pursue me.” Orsino has already seen Olivia’s face once, and the sight of her has captivated him to such an extent that his romantic imagination persuades him that he will suffer if Olivia doesn’t consent to be his wife. Thus, he tries to convey various messages of love to Olivia through Cesario hoping to convince her about his love and affection. However, the Duke isn’t overly desperate for Olivia’s love as he isn’t ready to accept her excuses and refusals as

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The fact that Orsino dismisses Olivia’s wishes to be left alone and considers his love for her to be more important than the love she had for her brother shows a sense of selfishness. In Act 2 scene 4 Viola suggests that Olivia may not be able to love him and Orsino replies with “I cannot be so answered” (2.4.97). The preceding Quote reveals the amount of arrogance that Orsino has and that he thinks that because of his authority and position as duke he cannot be denied access to what he wants. That quote also reveals that Orsino does not care what Olivia wants as long as his wishes are met. The fact that Orsino sends his servants to pursue Olivia for him reveals a sense of carelessness in his moral conduct.

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It is evident from the phrase “O, when mine eyes did see Olivia first,/Methought she purg’d the air of pestilence!” (I.i.18-19) that Orsino’s love for Olivia is based on a physical attraction rather than an informed, intimate one in which Orsino’s feelings are validated by spending enough time with her to develop a deep connection. Orsino’s illusory love provides a weak foundation on which he tries to build a relationship during the course of the play, which as we see, fails to earn Olivia’s affections. To find ‘true’ and realistic love in the play, Orsino needs to be cured of his artificial

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Within the play, Shakespeare uses many different forms of love, as love is seen as the dominant theme that runs throughout it. There are many different forms of love presented in the play but the most obvious of those being romantic love as seen between Romeo and Juliet, where both are willing to do anything for each other. This type of love is also seen between Romeo and Rosaline but the major difference between Romeo’s love for Rosaline and his love for Juliet is the fact that it is “for doting not for loving”. This unrequited, almost non-existent love plays a major role in the novel. Even though the idea of the romantic love could be seen as the most pertinent kind of love, Shakespeare threads many other kinds of love throughout the novel,

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One of the main themes in Twelfth Night is Shakespeare's exploration of love. Typically, during Elizabethan times, courtly love was simply arranged however a large majority of Shakespeare's plays explore the deeper complications and conflicts of love using the themes of obsession and melancholy. Throughout Twelfth Night, Shakespeare mocks the superficiality of love between characters within the upper class status spectrum and the hyperbolic nature of their expressionism. He combats the chaos love can create and digs beyond the surface depth where only the simplicity of marriage is conveyed. Although Orsino is portrayed to adore Olivia, his devotion is undermined by his inconsistency and shallowness while Olivia, emerges to be driven by lustful

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The drama starts to unfold when ‘Cesario, ' Viola, falls in love with Orsino, who is in love with Olivia. Orsino does not know that Viola is a woman and sends her to persuade Olivia on his behalf. The play gets even more interesting when Olivia falls for Cesario, who is Viola. The play also focuses on the suffering he goes through in the hands of his associate servants. Many literary critics today are interested in the twist of the plot and subplot and also the themes of affection, sexuality, and gender roles.

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Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.

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