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Use Of Camera Angles In Gattaca

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In the making of the film Gattaca, the director Andrew Niccol uses the film technique of Camera Angles to represent the thesis of the movie. The definition of camera angles is the position of the camera to allow the viewer to understand the relationships between the characters can be found by looking on the internet or in a dictionary. The way that the director has manipulated the camera angle to represent the theme is unique compared to other movie directors. For example, at the beginning of the film, the director chooses to have large flakes of Vincent’s skin and hair falling to the floor. This scene shows how discrimination has changed from the looks of a person to the DNA of a person. A significant example to prove this theory is a quotation in the movie, “We now have discrimination down to a science.” Just to be treated as a regular human, Vincent has to scrub himself every morning and use Jerome’s DNA just to fit into the world that he lives on. …show more content…

Another example occurred when Vincent was only a child; he was born naturally, not scientifically like all the other babies., this means that his life will never be like all the other scientifically born children. At birth, Vincent is diagnosed with a heart disease, and because of that, his family has treated him differently than they treat Anton. For example, when Vincent fell, in this scene showed that Vincent fell less than a foot and how his mother came running over and fussing over it. The director decides to film this scene with the cameras low on the floor to signify that Vincent barely falls one foot, yet his mother came barging through the door to get to him. It’s okay to be protective of your child, but if he or she only falls one foot, there’s not going to be any serious

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This is actualized through camera edges, camera developments and separation. All through the movie camera points turn into an immediate medium for communicating the connections between characters. For example, the utilization of inclined edges amid a scene with Radio Raheem and Tony in the pizza parlor. As they are contending the camera seems, by all accounts, to be flip tumbling between the two. However, at inclined points, underlining the outrage and ill will among them.

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Similarly, the cinematography of Casablanca also strives to shape the viewer’s attention to the time and space of the story. The film employs a handheld movement of the camera in certain instances, to display the mise-en-scene in a genuine manner that emphasizes the setting and time of the movie. For example, evaluate the scene in the film when the camera sought to illustrate the workings of Rick’s establishment. The handheld movement of the camera explores the club in a manner that brings the viewer’s attention to the viewpoint camera. The point of view of the camera, at this point of the movie, demonstrating a human experience of observation, and fixates on investigating war uniforms of characters and their actions.

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For example, during the film Mr. Neville was always in charge of the girls or had some point of power over them, the use of camera angles showed this. During the first scene with Neville we saw the use of high shots to

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Summary: DNA makes us human. We are different in hight, color, shape but and the end we are bonded 99.9 percent. I choose to read “Seeing Beyond Our Differences” by Sherry White because she talks about how DNA make human all equal despite our nature laguage, gender, or sexual orientation. Sherry White,daughter of mix-races, she describes the diferenece of her parents skin color; mother; dark skin originally from india. she came to the United States in 1960 and married her father- a white boy from Indiana whose ancestors came from Germany in the mid-1800s and England in the mid-1600s.

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A strong example of this is when I stated, “This selection of detail explains how others receive a harsh treatment by the outside world, however, when the author details the relationship which Lutie has with the outside world and nature as a whole, it is described as much more gentle, although it still challenges her”. Although

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The camera angle is important when the man shot trying to escape falls before the French Vichy government head. The wide shot of the wall draws the viewer’s attention to the head of the Vichy French government, showing who is in charge in Casablanca and helping the Germans. A low camera angle draws attention to the

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The example from the movie is when the narrator is saying “ In the living room of their modest home, the dark-haired, 17 year-old, bespectacled VINCENT sits opposite his PARENTS, which shows how Vincent the main character in the movie has parents. He has a relationship with his family. So the other example which comes from the book Brave New World is when Helmholtz is laughing and saying “‘ You can’t expect me to keep a straight face about fathers and mothers”’ (Huxley 123). This quote shows how they have never been educated about parents and how they think it is not right to say those words, believing that the word father is funny and the word mother is a forbidden thing.

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For example, in the vignette Alicia Who Sees Mice, Esperanza’s friend Alicia studies at the University because she does not want to spend her entire life in a factory or slaving away in the kitchen. Her father, however, is not impressed with this inclination and is emotionally abusive to his daughter, “Close your eyes and they’ll go away, her father says, or You’re just imagining.” (37). Alicia, who stays up late at night to study and rises early to make tortillas sees mice everywhere, “behind the sink, beneath the four-clawed tub, under the swollen floorboards nobody fixes, in the corner of your eyes” (37). Alicia’s father believes that a woman’s place is rising early to cook and keep house, and he tries to manipulate his daughter by convincing her that the mice do not exist, that she is only seeing

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This is a remarkable technique that visually gives the viewers insight into both of the main characters’ lives. Most films only show the story from the point of view of one character, however, this movie is unique in that it shows two different perspectives- from Mia and from Sebastian. In addition, this switch in perspective provides more information about the characters and how seemingly parallel are Mia and Sebastian’s lives since both are struggling to make ends meet as they strive for their dreams. For example, Mia works as a barista in a coffee shop while Sebastian works in a classy restaurant as a pianist. Both of their bosses hinder their passion:

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The first camera angle that plays a significant role in the film is the low-angle shot. A low-angle shot is captured when on the vertical axis, the camera is low, looking up at the characters. According to Tarantino, “the significance of a low-angle shot facing up at the characters proves that the character themselves are superior” (Paris & Simrill 2013). The first examples of low angle shot occurs when Jules and Vincent approach Brett while he is eating breakfast in his home.

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Film takes photography to another level. Film, or the cinema “is objectivity in time.” For the first time with film “the image of things is likewise the image of their duration, change mummified as it were”. Bazin argues "only the impassive lens, stripping its object of all those ways of seeing it, those piled- up preconceptions, that spiritual dust and grime with which my eyes have covered it, are able to present it in all its virginal purity to my attention and consequently to my love.

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For example, during the book burning scene, a variety of high to mid-low shots are used to position the audience in the crowd or as one of the speakers up front. In addition, the way the objects in the scene are positioned and the frame are composed creates an intimidating effect. All the large Nazi flags are positioned symmetrically around the town square, yet the camera is framed slightly off centre, making the whole shot feel off and like something is wrong [Fig. 5]. This certainly shows that Percival utilizes Percival employs cinematic techniques such as camera angles and the framing of the shots used to communicate and allow the audience to explore the power of the human spirit when dealing with adversity in his film The Book

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