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Use Of Verbal Irony In The Cask Of Amontillado

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Recommended: Reflection about cask of amontillado by edgar allan/poe

In his short story “The Cask of Amontillado,” Edgar Allan Poe digs deep into the depths of the human mind and explores the darker territories of human life. Poe suffered many losses during his life, and these loses allowed him to write about the downward spiral that accompanies the human mind. Throughout this story, Poe masters the use of verbal irony. One of the first times that Poe utilizes verbal irony is Montresor's encounters with Fortunato in the streets during the last day of the Carnival season. Montresor says, “' My dear Fortunato, you are luckily met ,'” (5). At first the reader might assume that this encounter is one of two friends happily meeting. However, with further analysis, the reader is made aware of the verbal irony taking place here. One friend, Fortunato, is genuinely excited to see the other. But Montresor, on the other hand, is only faking the …show more content…

Fortunato has a terrible cough and Montresor says to him, “' Come, we will go back; your health is precious,'” (35). And, once again, Fortunato urges that they continue forward to the Amontillado. Fortunato makes the decisions that they need to continue walking deeper into the catacombs. Fortunato still has absolutely no clue of what fate lies ahead of him. He has no idea that his best friend is going to bury him alive. The irony in this situation lies in the fact that Montresor says that he is worried about his friend's health, even though he intends to kill this so called “friend.” Edgar Allan Poe masters the art of verbal irony, and “The Cask of Amontillado” is crammed full of it. The use of verbal irony only strengthens the story. Because of Poe's dark and depressing history, he is able to masterfully explore the deep places of the human conscience. His experiences and his mastery of verbal irony create a twisted mangle of dark layers that truly make this story a gripping

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In “The Cask of Amontillado” Edgar Allan Poe uses verbal irony to emphasize the evil intentions of Montresor. Poe uses several instances of irony to demonstrate that Forntunato’s death is imminent and Montresor knows all along. One example of irony being used is when Fortunato says “the cough is a mere nothing; it will not kill me. I shall not die of a cough. ”(119)

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Poe’s stories “Cask of Amontillado” and “The Tell-Tale Heart” display the dark romantic theme of a man’s soul by the development of the setting, plot, and characterization. As both stories begin, the initial device used to advance the theme is setting, which remains grim and sinister throughout the duration of both stories. Accompanying these physical details is the plot, each of which includes the murder of an innocent man. Most notably, the characterization of each piece’s narrator allows the audience to fully understand their internal struggle and its final resolution. While “Cask of Amontillado” contains an overall intriguing and unexpected plot as well as setting, the narrator’s characterization proves this story to conclude in a less

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In Edgar Allen Poe’s, “Cask of Amontillado”, Poe skillfully uses verbal irony in order to demonstrate the villainous intentions of Montresor. The first example of verbal irony is when Fortunato, the victim, toasts “to the buried that repose” and Montresor, the murderer, “And I to your long life”(page 119). By now the reader is beginning to understand. Montresor's murderous intentions by Poe’s verbally ironic statements about life and death. Another, example of verbal irony is the play of the word “masons”.

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In the “Cask of Amontillado” Montressor is a very angry and vengeful man. He says that he was insulted by Fortunato, but fails to give a reason as to why or how. He begins to enact his revenge by luring Fortunato in with the rare wine and when his “friend” Fortunato is drunk, he t proceeds to bring him deeper and deeper underground, while telling him to turn around repeatedly. Once he reached a place where no one can hear them, Fortunato walked into what he thought was another corridor, but it would turn out to be his grave! For as soon as Fortunato hit the wall, Montressor chains him against it.

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In the short story ,”Cask of Amontillado,” there are many examples of irony used by Poe throughout the story. In the story, the Narrator’s biggest challenge is to get revenge on Fortunato for “one thousand injuries,” but he has to plan how he’s going to do it successfully without getting caught. When the Narrator randomly runs into Fortunato, the author states that, “My dear Fortunato, you are luckily met.” (Poe 59). This is an example of verbal irony because the Narrator didn’t mean it was lucky for Fortunato because he was just telling us how he vowed revenge on him.

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Poe carries verbal irony throughout the rest of the story, as well; Montresor refers to Fortunato as “my friend” in many instances, however, the reader knows

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In the short story by Edgar Allen Poe, there are countless examples of irony to convey Montresor’s unlawful act, while applying an additional layer of irony to sabotage his revenge. An example of situational irony Poe uses in the story is simply the name Fortunato. Fortunato is an Italian name that means good fortune or luck. This is an example of situational irony because his name means the complete opposite of what he actually was.

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Montresor asks Fortunato to use his expert wine test tasting skills to tell if a bottle of wine is authentic or not. Since Fortunato is an arrogant person, he does not suspect or have any suspicion to his ‘friends’ request. Once Montresor and Fortunato make their way down deep into the catacombs, Montresor tricks Fortunato into a corner. Then, Montresor handcuffs Fortunato to the wall. Fortunato is fasten to the wall with no escape.

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In “The Cask of Amontillado”, Edgar Allan Poe displays the theme of revenge and manipulation. The narrator Montresor pledges revenge on Fortunato for an insult that is never explained. He maintains an appearance of goodwill towards Fortunato and decides to make use of Fortunato's weakness for fine wines against him. During the carnival season, the narrator approaches Fortunato, telling him that he has come across something that could pass for Amontillado a rare and expensive wine. Fortunato being excited about the news insists on accompanying Montresor to the vaults to determine whether it is Amontillado or not.

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Edgar Allan Poe’s short story “The Cask of Amontillado” is the narrative of a man named Montresor who seeks vengeance against a man named Fortunato. Fortunato insults Montresor. Next, Montresor meet Fortunato at a carnival, eventually luring him into the catacombs of his home to bury Fortunato alive. Moreover, different types of irony are portrayed in this short story. Dramatic irony consists of the character in the story knowing less about his or her situation than the reader.

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Everybody will eventually want revenge on an old friend or just someone they know. Montressor, similar to many people in the world, wants revenge on one of his old friends, Fortunato. The story opens with, “The thousand injuries of Fortunato I had borne as best I could; but when he ventured upon insult, I vowed revenge” (Poe 212). In this statement, Montressor tells the reader what the cause of his revenge against Fortunato is. “The Cask of Amontillado”, written by Edgar Allen Poe, tells the story of how Montressor brings Fortunato into the catacombs to bury him alive.

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In the beginning of the story the author's choice of words in the descriptions makes the reader feel angry. Montresor tried to ignore Fortunato and his insults, but they were

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“The Use of Irony in "The Cask of Amontillado" Edgar Allan Poe is a phenomenal writer and makes many points in his writings. There are three different ways in Poe 's writing of "The Cask of Amontillado" that irony is used: verbal, situational and dramatic. Verbal irony can be seen when Montresor first sees Fortunato at the carnival. Situational irony is also used and can be seen between the meaning of Fortunato 's name and his destiny, as well as Montresor 's response to his own. The last way irony is used is dramatic irony, this can be seen by any reader, this occurs when Montresor tells Fortunato he is also a mason.

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In Edgar Allan Poe’s “The Cask of Amontillado,” irony is applied throughout to help foreshadow future and give more of an insight to the readers, all while adding some humor. Irony is divided into three main types: dramatic, situational, and verbal. Poe uses dramatic irony when he has Fortunato dress as a jester, “a tight-fitting parti-striped dress and his was surmounted by the conical cap and bells” (Poe). The get-up makes Fortunato looks foolish and foreshadows his actions of following Montresor into the catacombs to taste some wine. Montresor even compliments the outfit and says “My dear Fortunato, you are luckily met” (Poe), but it was not Fortunato who was in luck, but Montresor who would gain profit of their meeting.

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The first-person point-of-view found in Poe’s "The Cask of Amontillado" is essential in creating the central theme of the story. This style of narration is also important in this particular story, because when a murderous protagonist, Montresor, is allowed to tell the story from his own perspective, the reader obtains a disconcerting look into his mental composure from the initial conjuring of his plan to the end result. The style of narration develops the unsettling tone of the story by allowing the reader to become personally acquainted with the thoughts and intentions of the protagonist. The first person point of view allows certain ironies to become evident, and furthermore, “The Cask of Amontillado” would not have been as psychologically powerful were

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