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Importance of symbolism
Essays on symbolism in literature
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Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.
The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).
The good believe that they can fight off the evil by believing that faith can win. They defeat Dracula by using a number of holy items. They use communion wafers, holy water, a crucifix, and more. Everyone has a conflict with the evil characters in the story. Dracula gets defeated in the end, we all knew this in the beginning because this is an obvious good versus evil kind of
According to Tadlock, Bram Stoker in Dracula uses the “force of God and His religious symbols to avail against the Un-dead.” For instance, the crucifix is the first Christian symbol to be introduced when an “old lady… [took] a crucifix from her neck [and] offered it to [Jonathan]” as a ward to protect him from Count Dracula’s potentially harmful attacks (Stoker 4). Also, Van Helsing’s and Dr. Seward’s attempts to defend Lucy Westenra and Mina Harker against Dracula’s attacks involve delving into Christian rituals, for it is implied that the vampire is powerless against all that is Holy (Tadlock). Helsing’s initial method of treatment for Lucy Westenra involves lacing her room with garlic (an action derived from religious superstitions), which he believes will act as a defense mechanism against the Count (Stoker 113).
Ray Bradbury 's “The Veldt” takes place in a house that can do anything the want which results in the main characters-George, Lydia, Peter, and Wendy Hadley not sharing a strong bond with their family. You end up having no connection to your family so you have trouble communicating and having feelings for them which results in even though the machines don’t have any feelings or connections having to machines more that other people this shows how when people use technology too much or machines. People become to rely on them too much which dehumanises them and Bradbury shows that by symbolism, imagery and dialogue. Ray Bradbury uses symbolism to show how machines dehumanise people. One example is what the lions actually mean, the lions represent
The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).
This is a popular symbol in the Catholic and Christian faith which demonstrates Jesus saving the earth from sin by His death on the cross. The crucifix is more than just a symbol that has a presence in the novel, but it is a symbol that gives hope. In the beginning of the story, when Jonathan is taking his initial journey to see Count Dracula, the people around him seem worried about his well-being. In response to this, an old lady came up to him, worried and handed him the crucifix from around her neck. Her faith and belief in the power of her Jesus gave her hope in his safety.
Bram Stoker’s Dracula, is a classic that has been enjoyed by readers for many years. It is one that involves fantasy, gore and even has the potential of scaring readers. It is a story that has been enjoyed and feared by readers for centuries. With that said, even though it is commonly known as a classic horror novel, it can also be seen as an erotica. Throughout the novel, Stoker incorporates sexual scenes, and scenes of desire that may or may not capture readers’ attention due to the presence of horror.
A battle between good and evil is a common plot to Dracula. The forces of evil, Count Dracula and other vampires (the un-dead), try to take over Britain. The novel heroes Dr. Van Helsing, Dr. John Seward, Johnathan Haker, Quincy Morris, and Arthur Holmwood are the first responders for this evil invasion of the British Empire. In the novel the characters Dracula and Van Helsing play a major role for being the leaders of their respective groups, therefore they controlled the actions of their groups. Dracula’s actions in the novel have the purpose to flourish the rise of the un-dead, while Van Helsing’s actions aim to preserve and protect the human race.
1. Introduction Madness as a theme plays an important role in Bram Stoker 's “Dracula”, almost every character at some point exhibits some kind of behaviour which could be connected with mental instability. “The working notes for the novel show that the idea of madness was present from an early stage; a cast list dating from the spring of 1890 includes a mad doctor and a mad patient who has ‘a theory of perpetual life’.” (Pedlar136). Even though, male and female characters are equally susceptible to madness, their actions and states which are similar in their nature are seen and dealt with in different ways.
II. Contrast of Science and Folklore “There are mysteries which men can only guess at, which age by age they may solve only in part. Believe me, we are now on the verge of one.” (Stoker 239) Victorian Britain moved from an agrarian into an industrial society and the industrialization brought new devices and technology that improved the Victorian lifestyle. Stoker’s
Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,
So when Dracula went into his coffin the doctor, Jonathan, and Jonathan’s father found Dracula and killed him with a stake and then saved Mina. This was similar to the way that Dracula was killed in the
The topic I have chosen for my essay is how Dracula is meant to remind society of the importance of religion, specifically Christianity, in Stoker’s time. I intend to do this through analyzing symbols in Dracula, drawing connections between these symbols and Christianity, and analyzing the implications Stoker attempts to make. I chose this topic because vampires and their sacrilegious implications, such as burning when touching a cross, have always been of interest to me, hence why I chose to study Dracula in the first place. My thesis is: Stoker uses Count Dracula as symbol to represent what society may become if they abandon religious beliefs.
Harker is a guest in Dracula 's castle and when he cannot sleep anymore he gets up to shave, hanging his mirror up on the wall of the bathroom. In that moment Dracula places his hand on hand on his back and Harker hears Dracula’s voice say to him “Good morning” (Stoker, 31), mimicking a very intimate moment that couples often experience together when they wake up. Then Harker continues on to say, “I started, for it amazed me that I had not seen him, since the reflection of the glass covered the whole room behind me” (31.) The fact that Dracula cannot be seen in a mirror, particularly Harker’s mirror, is not shocking due to Van Helsing’s rules (309) that a vampire has no reflection, yet Stoker seems to be suggesting through this simple “rule,” that Dracula’s true identity is erased or invisible. Dracula cannot be seen in a mirror, and just as Dracula is invisible those who are not conventional in their sexuality, especially those who identify closely with bisexuality are often silenced, forgotten, and identities labeled