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Vietnam One Week's Dead Analysis

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In 1969, Life magazine, an extremely popular and influential magazine of the time, hires a new editor, and there is an obvious change in the type of stories they were printing. The stories become more anti-war, and they showcase the ways in which the war was affecting both the Vietnamese and the people at home in America. One extremely powerful and shocking piece they published titled "Vietnam: One Week 's Dead", showed over 200 young men who had been lost in the span of one full week in the conflict of Vietnam. There was no story, simply their picture, their name, their age, their hometown, and their ranking in the military. These photos were sent in by the families, and oftentimes showed the youth and joy of these passed men, with several …show more content…

Eddie Adams was a photojournalist who in 1968 captured one of the most infamous photographs of the Vietnam War. In his photo, "Police Commander Nguyen Ngoc killing Vietcong Operative Nguyen Van Lem", we see the exact moment of death for a Vietcong captain. The police chief of South Vietnam had decided to execute this man for capturing and killing dozens of unarmed innocent civilians. This photo was absolutely shocking to the American public, and even won the Pulitzer Prize for breaking new photography in 1969. Even though this was a staged photo, the complete brutality and pure atrociousness of the moment showed the American public just how deep the corruption of this war ran. To shoot a man in the head point blank in the middle of the street is not something that sat well with the American public. As said by Marien, "Some lasting images of the war experience were created only in photography" (368). This photo remains to this day one of the most recognizable photos of the war, and among the most tough to look at. This display of pure savagery showed how demoralizing and dehumanizing this conflict had become, and added to the ever growing anti-war sentiment. This photo was another example of how the war was consistently going against traditional American ideologies, and convinced the American people even more that this violence needed to

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Joe Rosenthal is a photographer whose photo, Raising the Flag on Iwo Jima, has become one of the most recognizable photos in American history. It became so famous that it won a Pulitzer Prize the same year it was taken, used to create the Marine Corps War Memorial, and used as the photo for a war-bond poster in 1945 which raised $26 billion (Pulitizer). As such, I argue that this photo illustrates the brutality of the fighting that occurred on not only Iwo Jima, but throughout World War II, and also makes a strong argument for the theory of liberalism. However, first it is important to identify what exactly makes this photo so revered and why it was selected.

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His 24-month long mission gave him the opportunity to use his journalism and educational experiences to cover the important roles that African American soldiers were playing in the Vietnam War. The military’s goal in this assignment was to show the American people and potential African American soldiers that African American soldiers were now treated equally. There was a stigma regarding the maltreatment of African Americans in the military, and with the passing of the Civil Rights Bill of 1964, the image of the African American soldier began to quickly change. The new breed of African American soldiers no longer tolerated bigotry and hatred. African American soldiers began uniting to combat the injustices in America as well as within the military overseas.

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Being diagnosed with paranoia from the event and under heavy medication Simpson after four failed attempts committed suicide in 1997. Haeberle’s pictures of the atrocities eventually became some the iconic symbols of the Vietnam war alongside famous Vietnam pictures as Eddie Adam’s 1968 photograph of the execution of a suspected Vietcong and Nick Ut’s 1972 image of a young Vietnamese girl running through a street after being scorched by napalm. These photographs tell compelling stories of defenseless women, and child be raped, and or killed, calling into question the American

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A mortified United States Marine observes the dead body of the North Vietnamese as a victim of the deadly Vietnam War in October of 1966, photographed by Larry Burrows. In the photograph you see a soldier with a gun wearing little and torn clothing while looking down at a dead body. The dead body has blood on his chest and hands and is located in the middle of a grassy area. The U.S. Marine is standing over the dead body implying that he is more powerful than the body which lies helpless on the ground while the focal point is on the Marine whose hands are framing the gun he’s holding. The green color of the grass and leaves gives the photo an eerie tone and makes the soldier look helpless and lost.

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Two Days in October is a documentary that covers the multidimensional story of the battle of Ong Thanh in Vietnam and the student protests at the University of Wisconsin-Madison. This film shows examples of different techniques used that assist journalists when telling the story of October, 1967. The way they tell the story of the of the student protest at the University of Wisconsin-Madison and the front line of the Vietnam War exposes some of the nuances and demonstrates that the topic was not as simplistic as people viewed it at the time. While using similar techniques to what was used in the documentary “Two Days in October”, Journalists of today can also demonstrate the complexity of multidimensional stories. These are stories that are not black and white, but that look at everyone’s perspective and ideals.

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The novel Five Days at Memorial by Sheri Fink gives an inside view of what happened at Memorial Hospital during Hurricane Katrina (2005); a disaster inside of a disaster. The lack of preparedness or ethical decision making is quite disappointing, considering Memorial hospital is located in New Orleans, Louisiana. New Orleans is well below sea level, and experiences frequent hurricanes and flooding. Memorial hospital itself had little to no plan for evacuating patients once the storm hit. Without power, many of the patients, especially those who were ventilator dependent, became at risk of death.

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often, people had a glimpse into the very negative nightly from their homes. Many families with fathers.” When the war was publically telecasted, individuals got the genuine perspective of the truth. After seeing something as traumatizing as that it scared many Americans to not trust the government. In the event that the government had been coming clean, it wouldn't have been such a manipulating occasion since we knew.

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In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.

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According to document E, American public were disappointed with their government because they were responding with National guard to protesters. Protests in the Kent State University lead to death of four youth which more heightened tension between Americans. These students just wanted to show their point of view about the Vietnam War but it lead to violence and tragedy as long as the government wanted to silence people. Apparently, John Filo felt agony while he was taking that photo since he was a journalism student at Kent State University. New generation of Americans started realizing that the Vietnam War was a mistake.

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The Vietnam war began in 1963 with the approval of a military coup in Vietnam. There was a generational rebellion to the Vietnam war. All three of the Kennedy, Johnson, and Nixon administrations were impacted severely by the war and envisioned different ways of ending the war. Kennedy’s administration justified Vietnam war as a test, Johnson continued the war, and Nixon finally ended the war. Kennedy’s administration was impacted by the Vietnam war.

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Many of them including the scene of an officer dragging a farmer, Vietnamese prisoners and so on. The most popular ones may be the impacts of Agent Orange, the napalm bombs, etc… Those pictures will certainly show you the horrifying experience during the war. If the photograph is not enough to show you the past, there is a lot of room recreating the prisons or the special building based on the “tiger cages”. It was a unique prison by the French used on Con Dao Island in 1940.

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Grady ran as fast as he could, back to the campsite. He ran straight to his mother and told her what happened. The family ran down the mountain into a little cave that they had passed on the way up the mountain. They waited until they knew that the bears were gone for sure. They walked back up to the campsite only to find all their stuff destroyed.

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It was quintessential for journalistic photography to be dramatic and illustrative which largely thrived on the mercy of print media. Magazine journalist W. Eugene Smith has made an individual stamp through his photographic essay. His Nurse Midwife (1951) and A Man of Mercy (1954) helped to refine the idea of photo essay. Robert Capa was another magazine photojournalist who was popular for his combat images during World War II. Working for Life, he mixed photography of Hollywood icons like Grace Kelly, Gary Cooper and Ingrid Bergman with location photographs from Paris, Japan and

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For the duration of his essay “The Stranger in the Photo is Me”, Pulitzer Prize-winning journalist and professor Donald M. Murray depicts his train of thought while flipping through an old family photo album. While describing his experience, Murray carries the reader through the story of his childhood, describing snapshots of some of his favorite memories growing up. Throughout the piece, he shifts back and forth between a family oriented, humorous tone and a nostalgic, regretful one and by doing so, he parallels the true experience of looking through a family photo album. Murray expresses a more serious tone while reflecting on a certain photograph of him in uniform from the beginning of World War II and goes on to explain how in his opinion,

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