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Viola In The Twelfth Night

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The movie She’s the Man, Viola dresses up as her brother Sebastian in order to prove that she is good enough to play on the boys soccer team. In the play, The Twelfth Night Viola dresses up as a boy in order to get a job for Duke Orsino. In the movie She’s the Man Viola’s soccer team gets cut due to not enough girls wanting to play. Leading her to wanting to join the boys soccer team. The coach for the team says that girls aren’t capable of playing on the boys team. So, she dresses up as her brother Sebastian and goes to the school Illyria to play on the boys soccer team and beat her old school 's team. In the play The Twelfth Night, Violas boat sinks, landing her in Illyria. In order to get a job for the Duke, she must disguise herself as a …show more content…

In the play Olivia falls in love with Cesario (Viola). The play says, “She loves me, sure; the cunning of her passion/ Invites me in this churlish messenger./ None of my lord 's ring! why, he sent her none./ I am the man: if it be so, as 'tis,/ Poor lady, she were better love a dream/” (Act II Scene ii). This part of the play is showing that Viola is finding out that Olivia is in love with her, she is shocked and confused. Leading to more problems in the play. In the movie, Sebastian (aka Viola) is assigned to be Olivia 's lab partner, making Duke jealous. Duke tells Sebastian to try and get Olivia to go out with him, only leading to more problems. Instead of Olivia falling in love with Duke, she falls in love with Sebastian, making Duke upset. Also, in the movie Olivia starts to like Sebastian (a.k.a Viola) because of how he is talking to her and understanding her. Additionally, in the movie Duke is in love with Olivia, therefore, when finding out that Olivia is in love with Sebastian (a.k.a Viola) he gets very mad at him and refuses to speak to him, and holds a grudge when they play soccer. These examples are showing that Viola is treated differently as a man as if she were a girl. Also, if she were to be herself then she wouldn’t have made the team, and the plot would have been shaped differently. In the movie, Malvolio comes into play as a spider. Malvolio was not

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Viola reveals that she was acting as Sabastian while he was away because her soccer team got cut, and she was showing how that girls can be better at soccer than boys. So she revealed that she was a girl by lifting up her shirt and Sabastian revealed that he was a boy by pulling his pants down. But Sabastian did not even know that his sister was acting as him for the whole two weeks while he was away playing in a band. The principle was shocked when Sabastian pulled his pants down and viola lifted her shirt up.

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Both of these quotes put Viola in a difficult situation, as she cannot deny this statement, nor can she easily accept what Orsino says as she isn’t really a ‘guy’. As both text’s gender topics revolve around the idea of the ideology of men superiority, in ‘Twelfth Night’ Orsino declares “Our fancies are more giddy and unfirm, more longing, wavering, sooner lost and worn, than women’s are.” In this quote, dramatic irony is evident, as Orsino contrarily states that men’s love is more ‘unfirm’ and changes more often than women’s, in which the audience knows Viola’s true identity, parallel with the statement. Opposingly, in ‘She’s the Man’ a coach states, “It’s a scientific fact, girls can’t beat boys! It’s as simple as that.”

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Lastly the movie in the play both reacted very weirdly to viola coming out they didn't freak out like was expected in both Twelfth night and She's the Man. The movie and the play are pretty much based off the same thing love, but the movie started off with soccer, where the play was just mainly about love and the shipwreck. Most parts in the movie and play have the same concept. There is a difference between the way they spoke back then versus how they speak right now. The play was written in more Shakespearean text like it was when the play was written and the movie has more modern language more like how people speak now.

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Sebastian arrives at a place near Olivia’s house. There, Feste confronts him. Thinking that he’s Cesario, he tries to take Sebastian into Olivia’s household, which creates a bit of confusion between the two since Sebastian is startled by Feste’s claims that he knows him. Earlier in the play, Sir Andrew Aguecheek who has developed a grudge against Cesario, starts a fight against Sebastian, mistaking him for Cesario, to prove that he is the best suited to be Olivia’s lover. This, however, was a grave mistake.

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Deception And Dishonesty In Shakespeare's Twelfth Night

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In his play, Twelfth Night, William Shakespeare has his characters participate in the practice of deception and dishonesty of others - after all, the foundation of Shakespeare’s play resides within a lie. One of the major deceptions in the play is executed by the Illyrian countess, Olivia, as she repeatedly claims to need solitude to mourn her brother’s death in order to avoid Duke Orsino and his obsession towards her. This deception contributes to the meaning of the work as a whole by adding the thematic message, deception and dishonesty is sometimes the better option when it comes to love.     From the beginning of the play, Olivia is introduced as the grieving countess that has recently lost a brother.

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The question of why Olivia, after dramatically declaring her affections for Cesario, would so quickly jump to Sebastian after finding Viola’s true identity, is likely answered by the societal norms of the Elizabethan era. Cesario and Viola are two halves of one whole; by loving Cesario, Olivia loves Viola too. Upon meeting “him,” Olivia says “Thy tongue, thy face, thy limbs, actions and spirit/ Do give thee five-fold blazon” (1.5.297-298). She is attracted not just to Cesario’s mannerisms, but to Viola’s beauty, which shines through her male bravado. The “actions and spirit” which Olivia refers to are Viola’s ability to converse with Olivia woman-to-woman, unbeknownst to the countess.

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For a woman to show interests in current affairs, express opinions, write literature was unladylike. Viola, fending for herself, in distant land, disguises herself as a boy named Cesario. Cross-dressing, in Elizabethan society, was seen as highly immoral. Viola 's male disguise “allows her to escape the confinement of a single perspective and a single voice by momentarily unfixing sexual stereotypes (184)”(Melchoir). Furthermore, Viola’s situation in Twelfth Night is not typical of an Elizabethan woman because she proves herself to be capable and intelligent.

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Vanity, one of Twelfth Night 's major concerns, is displayed throughout the play by characters who are plagued with emotional conditions which prevent them from loving others. The lives of Illyria 's Duke Orsino and Countess Olivia, for example, remain circumscribed by vanity and narcissism. Similarly, Olivia 's steward, Malvolio, remains encumbered by vanity and narcissism, while Olivia 's Uncle Toby shows himself to be selfish, and his drinking partner, Sir Andrew, stands as a caricature of vanity. In contrast, Viola, an outsider shipwrecked upon Illyria 's shore, suffers solely from grief for her sea-drowned twin brother. In further contrast, Olivia 's lady-in-waiting, Maria, displays none of these characteristics, but instead operates as the play

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The first instance which supports the notion that a lapse of communication is responsible for the unsuccessful nature of heterosexual relationships is the case of Duke Orsino and Countess Olivia’s relationship. Both start the play preoccupied with their own concerns, Orsino is worried about finding love, specifically with Olivia, meanwhile she is busy mourning the death of her brother by refusing to marry anyone for seven years. However, it is Orsino’s obsession with seeking love and how he goes about pursuing Olivia that best exemplifies the problematic nature of a male and female’s relationship. Orsino opened the play by saying of love, “Give me excess of it, that, surfeiting, / The appetite may sicken and so die” (1.1.1-3), essentially saying that he so badly craves the feeling being in love gives him, that he would like in so great a quantity that it would end his life.

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In Twelfth Night, Viola and Olivia are the central characters to the play’s plot. Each are young women that take approaches to dealing with the people around them, which are mainly men. There is much trickery that goes on in Twelfth Night, but the ending is for the most part happy. Viola marries Orsino and Olivia marries Sebastian, but the events leading up to this are more or less chaotic. Ultimately, I argue that while Olivia uses her higher social status in order to maintain control of herself and others, Viola resorts to trickery in order to bring about her desires.

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Shakespeare uses Viola (Cesario) as an example of a mechanism that can throw internal conflicts into temporary chaos. Viola willingly faces whatever comes in her way. Her love for Duke Orsino seems too constant and true, unlike the other characters in the play. The temporary chaos of the play is when Viola falls in love with Orsino, who falls in love with Olivia, who on the other hand falls in love with Viola’s disguise, Cesario. This love triangle is very complicated as none of them realize that Cesario is a woman, making this an internal conflict for Viola, as she cannot ‘truly’ love whom she wants.

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