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Vlad Drakul: The Monster In Bram Stoker's Dracula

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Vlad Drakul was born in approximately 1430 in the town of Sighișoara in central Romania. His first of three reigns as Prince of Wallachia began after he briefly seized the throne from his half-brother, Alexander, in 1448. Drakul was quickly unseated and spent eight years plotting to retake the throne, which he did again in 1456. In a battle with the Turks he was taken prisoner and regained the throne a third time after his release in 1476. Vlad Drakul was arguably the most famous vampire to ever live, known even to Muggles although they dismiss much of his story as simply a reign of cruelty. Rather than bite the necks of random victims, Drakul used his authority to imprison his dinner first. Then when he got hungry, he carried out an execution by impaling a prisoner and drinking from the wound, cementing his reputation as a tyrant while simultaneously creating a cover story for how the victims died. Drakul was a virulent anti-Christian who often targeted members of the clergy. Among his victims were two monks and their donkey. It is unknown if Drakul also drank the blood of the …show more content…

Taking advantage of the newly-invented printing press, the Council began circulating anonymous pamphlets, starting in German and spreading to other parts of Europe, describing Drakul as a "vampire," but including a mix of true and false information. For example, the Council included that vampires can be warded off with garlic in the hopes that superstitious Muggles would take it seriously and take steps to protect themselves, but the Council also made up some details to make vampires sound like fairy tales, such as that vampires can fly and (possibly to appease the Church) that vampires cannot bear to look at

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Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.

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The central idea of this excerpt from Dracula was the fear of the prisoner living in the castle of Count Dracula who felt trapped and alone. The authors use of first person point of view of the prisoner was able to develop this central idea of fear because prisoner was able to describe his feelings first hand living in the castle with the Count as well as emphasize the thoughts that were scattered inside of his head during this time. An example of the author using first person point of view to help develop the central idea of fear was when the prisoner had realized that he was helpless in the situation of his current living conditions. The prisoner said "I think I must have been mad for the time, for I have behaved much as a rat does in a trap" (lines 4-5).

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Sherry Yielding Karen Sanders English 1003 April 9, 2016 Vlad the Impaler and Bram Stoker’s Dracula Vlad the Impaler was a man who lived in and ruled Wallachia, a territory in modern-day Romania, in the 1400's. There are many differing myths and legends surrounding his life and also, his death. Was Vlad actually a vampire or simply a man with a figurative thirst for blood?

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Religion has always been a significant part of the human race in almost every culture, whether you have faith in one of many belief systems or not, it’s very essential to the boundaries set on what we are told to believe is good and bad, moral and immoral, and it continues to push that ideal to this day in many different forms; in writing, there of course are the religious texts used for each belief to set their own boundaries, but these beliefs can be useful in any form of writing beside from the most obvious, the novel Dracula, written by Bram Stoker, is no exception. The use of religious items in the novel is used to further enforce the constant idea of good overpowering evil. Throughout the book, the characters use religious items present

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Bram Stoker, describes one of the verbal taboos of the Victorian era, violence, through the representation of vampires as “monsters” through the point of view of their victims in his novel Dracula. Stoker portrays violence in three distinct categories- physical, visual and psychological. Each one of these categories is described by one of the antagonists in the Novel, with Count Dracula as the physical aspect of violence, his underlings, the female vampires as the visual and Renfield, the patient at Dr. Seward’s mental asylum, as the psychological aspect of violence. This essay looks at the portrayal of such Categorical violence as different renditions of a “monster” and considers why Stoker would segregate violence in such a manner.

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Dracula is an 1897 gothic novel written by Bram Stoker that tells the story of an English solicitor named Jonathan Harker who takes a business excursion to the town of Transylvania where he stays at the castle of Count Dracula. The story is a mysterious and eerie tale with a multitude of quirky and peculiar characters that all add to the grotesque atmosphere. Nosferatu is a 1922 film directed by F.W. Murnau set in the fictional German city of Wisborg which follows estate assistant Thomas Hutter as he ventures to Transylvania to sell a house to Count Orlok. The extremely influential German expressionist silent film utilizes light and shadow to bring a bleak and desolate tone to the film and creates an atmosphere that is equally stunning as it

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Vampires are a classic and incredibly versatile kind of monster across all kinds of media, certainly not just limited to videogames. A big part of that undoubtedly stems from how many cultures around the world have variations on the vampire present in their folklore – usually in the form of some sort of otherworldly something that swoops in and saps the life force of humans and/or animals before slipping off into the night when they've finished. Sometimes these beings are little more than monstrous animals, sometimes they're overdramatic goth fashion plates, and sometimes they're just regular people who like to chill out with a bloody mary every now and then. You can find a pretty diverse range of vampires in games of course. Maybe too diverse,

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Seeing is believing, especially when it comes to the supernatural. Throughout Dracula, by Bram Stoker, the clash between science and the supernatural is a recurring theme. At the time, London, England, was in the middle of modernizing society and the science behind it. This included the invention of the phonograph, typewriter, and the way people were thinking. Because of this new era, the English began to discharge the ideas of superstitions.

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Word Count: 1188 5. Describe the appearances Dracula makes throughout the novel. What does Stoker achieve by keeping his title character in the shadows for so much of the novel? In Bram Stoker’s 1897

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In the novel Dracula, author Bram Stoker creates a peculiar situation that pushes the main characters to decipher the supernatural from reality. Originally thought of as a myth, Dracula quickly becomes something more than the supernatural. By slowly building the conflict of Dracula himself, Stoker depicts all stages of the change from believing that Dracula is a fictitious character to being face to face with Dracula himself. As he terrorizes the lives of the characters in the novel, they soon come to the realization that Dracula is more than what they formerly believed, and in actuality he is their harsh reality.

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Dracula is about vampires in general, the myth, the mystery and the horror. Even though Dracula wasn’t the first vampire story, it was the first really popular one. Throughout the novel, the author, Bram Stoker, portrays many different aspects of women's roles in the 19th century. With the use of imagery and symbolism, the theme of sexuality and gender roles has an enormous presence in the novel. Social gender roles of women and men during the Victorian Era were very strict and looked upon differently than any other time period.

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The topic I have chosen for my essay is how Dracula is meant to remind society of the importance of religion, specifically Christianity, in Stoker’s time. I intend to do this through analyzing symbols in Dracula, drawing connections between these symbols and Christianity, and analyzing the implications Stoker attempts to make. I chose this topic because vampires and their sacrilegious implications, such as burning when touching a cross, have always been of interest to me, hence why I chose to study Dracula in the first place. My thesis is: Stoker uses Count Dracula as symbol to represent what society may become if they abandon religious beliefs.

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Dracula is a household name; however, the actual meaning is not as well known. The novel Dracula by Bram Stoker contains a unique story, one which due to the structure of the book there are multiple main characters. The book is written in the form of letters, allowing the focus to be on many different people and viewpoints. Dracula starts out with Jonathan Harker an, Englishman, who takes a trip to Transylvania to meet Count Dracula. On his way to the castle he is warned of the dangers of Dracula, however, Jonathan chooses to persist.

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Doubtless he created a model for the classical vampire which was developed by the ages. In 21st century Stephanie Meyer composed a romantic book using modificated vamp creatures. Mixture of classical personality of the villain and born in her dream figures of perfection. Described earlier differences present how vampires changed during time. In spite of all I cannot deny both ‘Dracula’ and ‘Twilight’ turned out to be World phenomenon.

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The classic vampire character from Bram Stoker’s novel Dracula was inspired by the 15th century prince Vlad Dracul III (The Legend of Dracula). Upon making his immortal antagonist, Count Dracula, Stoker drew on popular Central European folktales about the undead, as well as records of prince Vlad Dracul III (Was Dracula a Real Person). Vlad’s father, Vlad II, had joined the Ordo Dracul, Order of the Dragon, before the birth of his son. Upon his birth, Vlad III acquired the name Dracula, meaning “Son of the Dragon.” However, Dracula was not the only name he acquired in his lifetime.

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