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Wedding Gown History

1332 Words6 Pages

The wedding gown has a symbolic importance throughout religious history as a traditional garment, but it also holds a high romantic significance to the bride. Compared against every element that comes to mind that is within the fashion industry, the wedding gown holds a heritage that is purely unique, but also the bride always gains an emotional attachment to the dress of her dreams (McBride-Mellinger 1993, p. 9). It was upon entering the 20th century did the wedding gown become a garment that only completed life-cycle, before it was packaged carefully and put away for keepsake (McBride-Mellinger 1993, p. 20). This sets up the possibility of a wedding gown becoming a family heirloom, to pass down from bride to bride over generations. It is …show more content…

Foster (2003) explored rental bridal fashion as an alternate option to a bride having to purchase a wedding gown. They found that when it comes to shopping for a rental gown, they all appear to not fit any particular body shape, but have been designed and manufactured so that brides of different shapes and sizes have the accessibility to select the same gown - without having to go through the major alterations that are normally expected when purchasing a dress.

"A garment worn only once in a lifetime does not justify the exorbitant amount of funds to be invested into a timeless possession." (Johnson and B. Foster 2003, p. …show more content…

It was popularised for its availability of textiles such as muslin and cotton lace, but they also had available - eyelet-style dresses (McBride-Mellinger 1993, p. 41). Over the previous two decades in history, the trends for silk and tulle has transitioned into sourcing textiles that are from crop cultivation instead, which for a period of time, before demands were on the rise, could be seen as a more economical and ethical source. However, McBride-Mellinger (1993) explains that the emotional link that occurs when a bride selects her wedding gown was still a strong pull, even with the new [Mini] style craze available. Therefore, tradition still seemed to stay upheld in the 1970s, with '94 percent ' of brides opted for a white wedding gown, and additionally, '84 percent ' of bridal gowns that were bought had a floor-length

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Textile designers are influenced by a huge variety of inspirations, which can be reflected in the fabric decoration and fabric colouration used in their designs. For example, Collette Dinnigan’s choices of fabric decoration and colouration techniques are persuaded by feminity, Indian culture, as well as classic designs such as Yves Saint Laurent and Christian Dior. This can be seen in the pastel colour palette, soft embroidered embellishments and textural manipulations of her wedding dresses and formal wear garments, which are often heavily beaded using Indian techniques, similar to Dior. Dinnigan’s designs feature printed fabrics motivated by floral motifs and feminine colours, which also influence her application of floral lace fabrics, embroidery

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Contents Intro 2 Research 2 Sketching 2 Prototyping 3 Testing 3 Conclusion of design process 3 Intro Camilla Franks is an Australian fashion designer who has built a successful career in the industry. Her journey to success began with her struggling with cancer, which had inspired her to start creating kaftans. She first started her label Camilla in 2004 and she quickly gained recognition for her bold prints and vibrant colors. Her designs have been worn by people such as Oprah Winfrey and Beyoncé. Her brand is now sold all around the world and has now also started selling other things such as accessories, homeware and ready to wear instead of just kaftans.

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The models in the advertisement are far from average American women. The models represent the “ideal” American doll with tall, long legs; a “naturally” tanned complexion; and a waist size under 26 inches. Many Americans resonate with and aspire to achieve this image of beauty—regardless of how infeasible it may be. Consequently, when the Victoria’s Secret models kickbox, rock climb, or run on the beach, the audience desires the same look when they work out. So, the next time that a young woman shops for some new workout clothes, she buys from Victoria’s Secret because she’ll be one step closer to looking like a VS

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636 Words | 3 Pages

Here are your clothes all lying in disorder, yet you are going to be married almost immediately, and should not only be well dressed yourself, but should find

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During the 1920s women gained a freedom that they had not known before. Women were wearing new and shorter fashion styles (document 4). Before the 1920s women’s fashion included floor length dresses that were usually reworn every day. Wearing the same dress every day was seen as a normality during this time and owning too many dresses could have been considered frivolous. In the 1920s however many women owned multiple dresses that they did not have to wear every day or even week.

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With World War I coming to an end in late 1918, the country was focused on having a good time. Because of this, fashion went from tight and constricting clothing to unfitted clothing. Dresses became looser, with hemlines rising to knee length (Pendergast et al. 715). Dancing was also a large influence on fashion. Tassels, fringes, floaty layers and feathers became part of the dresses, to draw attention to the movements of the dances, and the shiny fabrics emphasised the dancers (Thorton).

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726 Words | 3 Pages

Elizabethan weddings and marriages had a plethora of unique traditions, and they are both similar and different to modern day weddings. Every aspect was thoroughly thought out, from the “Crying of the Banns” all the way down to the elaborate wedding feast. Elizabethan society expected all men and women to get married at some point in their life, and when a couple got married the entire town usually attended. As a result, weddings were considered to be very meaningful and significant for the wife, groom, and both of their families.

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FSA Practice Essay: Clothing Over Time Clothing has existed in many cultures for thousands years, and clothes have advanced in their style and functionality over all of these years. From ready-made apparel used in the America Civil War to using computers to design clothes during the 21st century, clothing has come a long way from its origins. Preferences in clothing changed drastically as well, going from preferring style over comfort to comfort over style and back again countless times throughout the years. Overall, the evolution of clothing has been one of the biggest in terms of items for humans and will most likely grow even further into the future with new and better technology.

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167 Words | 1 Pages

When researching for some great programs that interested me in my field of fashion, David’s Bridals appealed to me the most. I am interested in the position of the Wedding Dress Sales Stylist. David’s Bridal is known for having the best selection of wedding dresses with different designer labels attached to them. Eventually I plan to design my own wedding dresses and purchase my own store. With the experience of becoming a member of the David’s Bridal team, being a stylist will allow me to be surrounded by new designs enabling me to create designs and patterns of my own.

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996 Words | 4 Pages

Formal gowns, worn mostly for evening events, were their most elaborate outfits. Women 's formal gowns during the first half of the 1920s were characterized by decoration.(Mulvagh, Jane,1988) The most glamorous evening gowns were covered in jewels or intricate beadwork and swept the floor. As the economies of Western countries began to recover after the end of World War I (1914–18), people were able to afford more lavish/ gorgeous clothes (thesaurus,2016). The wealthy women began to show off their their clothes because of all the money they’ve

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111 Words | 1 Pages

In the 1920s, the idea of swimming at the beach was still relatively new. Women showed off their body curve line by wearing the bathing suit. The suit had tubular shape with two thin shoulder straps or binding edges, neck dropped to low boat-shape or V shaped neckline. The bath suit was first made out of wool due to the prevailing theory that wool would keep the body warm underwater. However the wool was replace by knitted cotton or a stretchy jersey to give certain stretch and comfort for the wearer.

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692 Words | 3 Pages

A ban on silk was set into place in 1941. Nylon was sold but there was a very high demand which sold out within one day in 2 millions stores across the country. Material such as wool and rayon were available as these were quite cheap. No zips, turn ups or embellishment were allowed to be used and there was restrictions on the amount of pockets used on one item. These two dresses are very slim fitting as not as much material was allowed to be used.

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1464 Words | 6 Pages

The fabrics were imported from India and manufactured in the north of England which contributed to the expanding British textile trade. (White, M) However, the new fabrics were quickly available for the lower ranks of society and allowed ordinary men and women to copy their superiors. This led to what Lemire describes as democratization of fashion in Fashion’s Favourite. The influence of the new consumerist culture was therefore reflected in the new desire for fashion to appeal aesthetically as opposed to the mere usefulness of clothing.

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1196 Words | 5 Pages

We are constantly looking at the fashion industry for new trends, fashions and ideas in order to help us dress on a daily basis. Using traditional clothing from certain cultures and incorporating them into fashion is a frequently done. It does not have to seem completely negative, however one of the main harms is , it reduces the sentimentality and cultural significance once the style turns into a fashion fad. A culture trait that has significantly been used in the fashion industry is the use of the Native American Headdress. It is agreed that certain things are restricted to certain cultures such as wearing a sari to an Indian wedding and wearing a Hijab if you are a Muslim woman, and in showing respect to these cultures we do not dress up in there attire without cultural consciousness.

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After the birth of modern fashion, Baroque costumes disappeared for a long time, until 1980s, the western social economy once again entered the stage of vigorous development, in a piece of fertile land, hedonism again, "after the Baroque" back to life in this rich soil in 1980s. The success of the "Resurrection" let no longer leave the core areas of the Baroque high fashion. Retain the most classic Baroque elements, while simultaneously removing those who do not meet the demand of modern clothing dross! The heavy volume is too large; the stupid panniers disappeared (although until today, you can still see the total in the evening gown dress, but they all do not belong to the daily dress). The classic "X profile", "Y profile" has become more fashionable, more rich in the characteristics of the moment.

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