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In response to Mao Zedong’s Cultural Revolution, all texts focus on young women as they attempt to maneuver throughout the changing state. Mao’s attempted to preserve communist ideals after the failure of the Great Leap Forward by targeting the female youth. Red Azalea, Anchee Min endures tough labour on the farm while conforming to the Communist ideals of the female gender. Similarly, Rae Yang’s Spider Eaters focuses on the personal changes brought on by the Cultural Revolution. However, Wang Zheng’s Call me ‘Qingnian’ but not ‘funü’ was not written during the historical period.
Using a controlled and direct writing style Ha Jin have helped the readers to understand the theme of his short story more precisely. At the same time symbolisms used in the story conveys a direct approach to the theme. “In the center of the square stood a concrete statue of Chairman Mao, at whose feet peasants were napping with their backs on the warm granite and with their faces toward the sunny sky. A flock of pigeons perched on the chairman’s raised hand and forearm”, there are three symbolisms in these lines. First is the statue of Chairman Mao situated in the center of the city symbolizing the beliefs of Chinese people in communism.
Amy Tan’s autobiographical novel employs four different stories where mothers and their daughters retell in meetings their personal experiences on their relationships with one another. In this way, all mother characters are portrayed with their distinctive characteristics as the text follows. Suyuan Woo is one if the mothers and the most important one, as she created “The Joy Luck Club”, to which the tittle of the novel is attributed to. Tan depicts her typical human experiences of being good, terrible and a good-bad mother. Archetypical “characters display stereotypical personalities, behaviors and characteristics regardless of how unique they may appear at first glance as, character archetypes are used by many writers as devices to help present a story” .
Lost in Translation For first generation Americans, finding belonging in a new country can feel impossible. They are often caught between the traditions and ideals of the two differing countries. Raising a family in the new home with different values can lead to miscommunications or even a significant disconnect between parents and children. This is modeled well in Amy Tan’s The Joy Luck Club, particularly in the relationship between Ying Ying Saint Clair and her daughter Lena.
Stories are the foundation of relationships. They represent the shared lessons, the memories, and the feelings between people. But often times, those stories are mistakenly left unspoken; often times, the weight of the impending future mutes the stories, and what remains is nothing more than self-destructive questions and emotions that “add up to silence” (Lee. 23). In “A Story” by Li-Young Lee, Lee uses economic imagery of the transient present and the inevitable and fear-igniting future, a third person omniscient point of view that shifts between the father’s and son’s perspective and between the present and future, and emotional diction to depict the undying love between a father and a son shadowed by the fear of change and to illuminate the damage caused by silence and the differences between childhood and adulthood perception. “A Story” is essentially a pencil sketch of the juxtaposition between the father’s biggest fear and the beautiful present he is unable to enjoy.
“Money can’t buy happiness.” “Money isn’t everything, its just paper.” Anyone who has ever grown up without money and lamented about it has heard these kinds of phrases many times. In looking around our culture and society today it would be hard to say those statements are true. While everyone has problems, rich and poor alike, having money gives you access to more solutions to those problems.
In the book Wild Swans: Three Daughters of China by Jung Chang, the author talks about the stories of her grandmother and mother as well as herself during their journeys as women in China. The book discusses how gender roles, political ideology, and economic ideology in China change over time. During the entirety of Chinese history, many changes and continuities transpired and had crucial impacts on China. However, a great amount of change occurred during the time period from the 1900s to present day. These changes and continuities incorporate happenings in areas concerning the treatment of women, political structure, and economic capacity.
To be true to herself she feels that she must represent both women and not drift to either side. In lines 53 and 54 Song says, “You find you need China: your one fragile identification.” That explains how delicate of a situation it is not to leave her culture behind. Though emotional freedom brings strength, cultural heritage is a source of freedom, because acceptance of culture is a release and freedom is
The two important themes that I identified within this extract are beauty and love. Firstly, beauty is conveyed via descriptions of Ling’s wife. This is evident in the line “ une épouse et la prit très belle”. I think that the beauty of the wife mirrors the appreciation for aesthetics that is clearly evident in the text as if the wife herself, was as beautiful as one of Wang-Fô ‘s paintings. The latter theme is evident in the love for his wife as well.
Every person has the right to be and feel free. They have the right to be independent and live happily. Kate Chopin’s, “The Story of an Hour,” focuses on sixty minutes in the life of a young Mrs. Mallard. Upon learning of her husband’s death, Mrs. Mallard experiences a revelation about her future without a husband. Her life, due to heart problems, suddenly ends after she unexpectedly finds out her husband is actually alive.
However, this determination sometimes appears to be obsessive to the point of running her daughter’s life for her. Regardless, she is only trying to help, as she encourages Jing Mei by asserting “‘You can be best anything.’” (1). Because of this, it suggests that although she is very harsh on her daughter at times, it is only to make sure that Jing Mei can use her full potential and not end up losing everything like her
The Significance of Female Figures in Love in a Fallen City " In 1918, Lu Xun asserted that whenever the country seemed on the verge of collapse, Chinese men would thrust their women forward as sacrificial victims to obscure their own cowardice and helplessness in the face of the onslaught of aggressors and rebels" (Louie 15). Eileen Chang critiques the social status of females during the transitional period before the modern era in China throughout her novella Love in a Fallen City. Eileen Chang was influenced by the New Culture Movement in China, which promoted gender equality and education. Also, Eileen Chang 's mother who was a "self-possessed, westward-learning" (Zhang xi) female, enormously impacted her philosophy thoughts.
In the words of Jing-Mei in the last line of the story, “Together we look like our mother. Her same eyes, her same mouth, open in surprise to see, at last, her long-cherished wish” (Tan 159). Throughout her life, Suyuan, their mother, held onto the hope that she would see her daughters again. In this hope, she named Jing-Mei in connection to her sisters, keeping the “long-cherished wish” that someday her daughters would reconcile and complete their family circle. The occasion that
Chinese women suffer from the unfair notion for thousands of years. The basic requirements of being virtuous women are “Three Obediences and Four Virtues (三从四德)”. The “Three Obediences” were “obey your father before marriage (未嫁从父); obey your husband when married (既嫁从夫); and obey your sons in widowhood (夫死从子)”. And the “Four Virtues” were “Female virtues (妇德)”, “Female words (妇言)”, “Female appearances (妇容)” and “Female work (妇功)”. (Sun, 2015).
Qian zhao Alan Levinovitz Hum252 3/1/2016 The Interpretation of Kong Yiji In the Luxun’s short story of kongyiji, he described a person who lived in the Qing dynasty, which was a particular time. Kongyiji was scholar at that time, but he did not get a good score, so he didn’t have a work, money, and status. He usually went to the pub to drink, and he often was derision, because his work was to copy down the books for people who did not recognize words, however he usually stole books, so he had a bod reputation. At last, kongyiji was dead also because of that.