Moving on, Blackfish uses a number of codes and conventions, such as archive footage and interviews, that helps bring together an argumentative frame, by Moving on, Blackfish uses a number of codes and conventions, such as archive footage and interviews, that helps bring together an argumentative frame, by helping to further dive into the case, covering what occurred at the issue.
This is done by covering the history/backstory of the killer whale, leading up to the incident at SeaWorld, with it helping to inform and educate the viewers on what actually happened for that particular event to occur, featuring interviews from fellow colleagues and employees at SeaWorld.
Following this, it helps to provide the necessary information about the killer
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helping to further dive into the case, covering what occurred at the issue.
This is done by covering the history/backstory of the killer whale, leading up to the incident at SeaWorld, with it helping to inform and educate the viewers on what actually happened for that particular event to occur, featuring interviews from fellow colleagues and employees at SeaWorld.
Following this, it helps to provide the necessary information about the killer whale and the death of Dawn Brancheau, to the viewers.
Furthermore, the documentary directly addresses the viewers through the use of interviews, which are presented formally, in order to help inform and express the opinions of experts/witnesses of the particular event. With them primarily being used to help provide the viewer’s necessary facts of the situation in which they help inform and capture an emotional response from the