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What Are The Conventions Of Sherlock Holmes Mise En Scene

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Sherlock Holmes is a 2009 crime and mystery movie directed by Guy Ritchie, based on the characters created in the book series by Arthur Conan Doyle. This trailer explores the concepts of the crime and mystery genre through the use of conventions such as suspense, good vs evil, and intelligence over force. Guy Ritchie also uses techniques like mise en scene, film techniques, setting, characterisation, sound and lighting. When a sequence of murders threaten the streets of London, Sherlock Holmes, played by Robert Downey Jr., is forced to race against the clock with his faithful partner John Watson, played by Jude law, in order to stop the city from destruction. Although the movie is presented as a crime and mystery film, the trailer depicts the film to have an action and thriller component to it as well resulting in a wider target audience range.

Sherlock Holmes uses the technique of mise en scene to convey the conventions of setting and characterization of the crime and mystery genre. 19th century costumes and set design, articulated body language, facial expressions and dim lighting is used to illustrate the characters personalities and set the mood. Guy Ritchie has also put red herrings in the set design to lead the audience to a false conclusion. The horse-driven carriages …show more content…

evil in the film. Guy Ritchie uses a combination of dark lighting, non-diegetic dramatic sound effects and character voiceover whilst explaining the plot. The techniques used in these scenes suggest that Ritchie is trying to create a sense of suspense to make the viewers want to watch more and find out what happens next. This evokes the crime and mystery convention that gloomy dark murders happen in the beginning of the film while throughout the rest of the movie the audience is waiting in suspense to find out what had happened, and past events play a critical role in these

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Examples of Mise-en-scene include: setting, costumes, make up, lighting, set decorations and movements involved within a frame (Thompson & Bordwell 1999). Hayward (2000) comments that Mise-en-scene is known as an expressive tool that directors can use at their disposal. During the Hollywood golden age, many directors had either little or no control over their film scripts. Due to the use and introduction of Mise-en-scene, directors used this at their advantage, as they now had the power to control what appears in the shot and could now stage their shots to tell the story (Hayward 2000 & Karam 2001). This use also allowed directors to be deemed as

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