ipl-logo

What Are The Stereotypes In Scrub Me Mama With A Boogie Beat

1062 Words5 Pages

‘Scrub me mama with a boogie beat’ 1941 song about a washerwomen from harlem NY (Don Rayes -song) clip directed by walter lantz (walter lantz cartoon studio) story by ben hardaway.

Teacher’s intro
Children’s cartoons are as much a tool for education as they are for entertainment. In Walter Lantz’s ‘Scrub me Mamma with a Boogie Beat’ of 1941, the representation of racial stereotypes reflects the sociocultural conditioning of its pre-civil rights movement makers. The use of the animated setting, a pastoral and degenerate scene, aligns with perceptions of African Americans being lazy and idle. The crafting of the ‘coon’ caricatures suggests that their race is primitive, and the lyrics of the song used to inspire fun into domestic chores, show …show more content…

This is shown through ‘Scrub Me Mamma with a Boogie Beat,’ a cartoon clip created by Ben Hardaway and produced by Walter Lantz in 1941. ‘Scrub Me Mamma with a Boogie Beat,’ is song about a mixed-race washerwomen travelling from Harlem, New York to a small southern town called ‘Lazy Town’. ‘Lazy Town’ is only populated by ‘lazy’ dark skinned people. With a catchy beat, the travelling washerwomen shows the people of ‘Lazy Town’ how they work down in Harlem. Hardaway and Lantz use visual techniques such as caricature, lyrical features, a southern pastoral setting and the presentation of black people to show African Americans in a negative light. By using these features, Hardaway and Lantz are able convince the easily persuaded younger generation to act in a bias way towards black …show more content…

This is shown through ‘Scrub Me Mamma with a Boogie Beat,’ a cartoon clip created by Ben Hardaway and produced by Walter Lantz in 1941. ‘Scrub Me Mamma with a Boogie Beat,’ is song about a mixed-race washerwomen travelling from Harlem, New York to a small southern town called ‘Lazy Town’. ‘Lazy Town’ is only populated by ‘lazy’ dark skinned people. With a catchy beat, the travelling washerwomen shows the people of ‘Lazy Town’ how to enjoy their domestic chores. Through the use of a 'coon' caricature, showing the dark skinned people with over exaggerated features, suggests that they are more closely related to primates and primitive in nature. Lyrical features are used to give the impression that caricatures are illiterate and uneducated. A southern pastoral setting which show a lack of urbanism and modernity. And Lastly, the use of presentation, it shows darker skinned people enjoying doing chores through song. By using these features, Hardaway and Lantz are able convince the easily persuaded younger generation to act in a bias way towards black people. Showing the younger generation cartoons which degrade African Americans will be harmful as they will grow up believing that it is okay to treat a person in a certain way purely based on the colour of their

Show More
Related

Disney Channel The Proud Family Analysis

1397 Words | 6 Pages

Research Problem Disney Channel’s The Proud Family (or TPF for the duration of this paper), is an animated show about a middle class African American family that focuses mainly on fourteen-year old Penny Proud. Her family includes her father Oscar, mother Trudy, grandmother Suga Mama and baby siblings BeBe and CeCe. These characters all live under the same roof. Other main characters include Penny’s friends Dijonay, LaCienega, Zoey and Sticky.

Read More

Essay On Blackface Minstrelsy

704 Words | 3 Pages

Name: Tutor: Course: Date: Legacy of Blackface Minstrelsy In the 19th century, the history of American entertainment had one popular and peculiar form that was referred to as the blackface minstrel act. The act was supposedly an American indigenous act that was performed by artists who were black faces.

Read More

Mammy And Collectibles Analysis

206 Words | 1 Pages

Kenneth Going describes the American custom associated with racial stereotyping. The Book Mammy and Uncle Mose: Black Collectibles and American Stereotyping illustrate the concept of racial inferiority of African Americans. Goings refine an understanding of the stages that indicate the history of stereotyping of the African American collectibles. Goings illustrates the African American emergence of art and reproduction which lacks a public image. According to Goings, the stereotyping of African American culture precisely points out the historical references about the origin of collectibles from the post-reconstruction era of the World War I. Goings states the emergence of particular racism which exaggerated physical features that enforced menial

Read More

Hazel V. Carby Analysis

220 Words | 1 Pages

Women’s Blues music in the 1920s and early 1930s served as liberation for the sexual and cultural politics of female sexuality in black women’s dissertation. Hazel V. Carby explores the ideology of the white feminist theory in her deposition, "It Jus Be 's Dat Way Sometime: The Sexual Politics of Women 's Blues", and critiques its views by focusing on the representation of feminism, sexuality, and power in black women’s blues music. She analyzes the sexual and cultural politics of black women who constructed themselves as sexual subjects through songs in blues music and explains how the representation of black female sexuality in black women’s fiction and in women’s blues differ from one another. Carby claims that these black women

Read More

Color Blind Ideology Summary

343 Words | 2 Pages

This article focuses on the color-blind ideology that allows white people to participate in and appropriate hip-hop culture. Rodriquez notes that they do so by using the guise of inclusivity of all races to justify their participation in hip hop and to adapt characteristics of the culture without respecting Black identity. He uses his own interviews of several white audience members of hip hop concerts who identified as participants of hip hop culture. Rodriquez identifies two groups resulting from social collectivity to reinforce his argument: consciously collective white groups, who actively reinforce racial segregation and passively collective white groups, who unknowingly unite and reinforce systematic racism through their adherence to color-blind ideology. The participants of his research are part of the latter, who unconsciously reinforce systematic racism through treating cultural objects, namely aspects of hip hop culture, as shareable products and experiences.

Read More

Analysis Of Alvin Ailey's Cry

2321 Words | 10 Pages

In 1971, Alvin Ailey choreographed Cry, a three part work solo dance set to gospel music that describes an emotional journey filled with struggle, hardships, defeat, survival and joy. It was intended as a birthday present to Alvin’s mother and a dedication to all black women everywhere. The first part of the dance is the struggle of trying to maintain pride irrespective of the opposition faced from outside. The second part reveals the sorrow within after the woman’s pride has been shattered into pieces and finally the third part is a spirited celebration of finding strength and joy in God. Even though cry was dedicated to only black women, i argue the notion that all women both black and white of the nineteenth century could relate

Read More

Blackface Minstrelsy In African-American Culture

664 Words | 3 Pages

There is a clear through-line in our nation’s history of blackface. As a detrimental tradition, the practice reflects a collectively low opinion of African-Americans, so much so that it became feasible to reduce an entire group of people to caricatures. When Rondrich describes minstrelsy as the “first truly American band” based on its origin within and its reflection of our past beliefs, I found it a sickeningly accurate statement. It is rather astonishing how music has been used to disseminate racially charged imagery—in this situation, Adorno’s fears of music perpetuating group-thought was startlingly supported. Beyond the racial elements, the growing popularity of blackface minstrelsy reflects how low-quality entertainment (more colloquially,

Read More

Blues Ain T No Mockin Bird Analysis

545 Words | 3 Pages

Stereotypes have changed throughout history. Toni Cade Bambara’s short story “Blues Ain’t No Mockin Bird” uses stereotypes to develop characters and set a realistic setting. Bambara sets her story in the rural South in the United States of America. With a house near some woods, Granny, Granddaddy Cain, and a group of their relatives enjoy a private life away from white people. In this time period, during the civil right movement, there was a distrust between the African-American community and the white people.

Read More

Analysis Of Hip-Hop's Betrayal Of Black Women

633 Words | 3 Pages

In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

Read More

Ma Rainey Black Bottom Analysis

1559 Words | 7 Pages

Ma Rainey’s Black Bottom, Or: A Closer Look At The Form and Construction Of Storytelling To The Tune Of The Blues Throughout history, many cultures have passed down stories through oral tradition. Though the manner in which spoken word is delivered has changed over time, the fundamental core of the timeless tradition has stayed the same; Words have power. They can be used to spread joy, hope, and keep entire cultures alive. August Wilson’s play, Ma Rainey’s Black Bottom, focuses on the power of the blues to tell the stories of numerous African-American individuals, as they struggle to find meaning and justice in an unfair society dominated by a hateful majority.

Read More

Rhetorical Devices In 'Just Walk On By' By Brent Staples

1013 Words | 5 Pages

Society in today’s world is very alike to society years ago, with different social classes and stereotypes. In “Just walk on by” by Brent staples, a variety of rhetorical devices are used in order to convey the message of how a black man is trying to show society that he is so much more than the color of his skin. The author explains how the character was characterized as violent and dangerous because he was black. Staples continues on a sort of journey with the character to show how he overcomes that stereotype, by whistling classical music to give the idea that he is mature and less threatening. Throughout the piece, Staples uses devices that will help the reader better understand the struggles that the character has to face on a daily basis.

Read More

Colorism In Zora Neale Hurston's Their Eyes Were Watching God

1012 Words | 5 Pages

The minds of black people have been brainwashed into thinking that people with more European features are more beautiful. Janie’s appearance models power, reflects society’s hypocrisy, and shows the distinction between the inner

Read More

Rhetorical Devices Used By Nas

635 Words | 3 Pages

“Black Zombie” by the rapper Nas is the tenth song on the 2002 album, The Lost Tapes. The song features smooth rapping from Nas, matched with a beat, and soul singers in the background. The song immediately dives into rapping channeling pathos by saying, “All we are Is dope dealers, and gastas and hoes?” The constant reference of “black zombie” is recalled many times as the author explains the social injustice of African Americans in this day. The rest of the song features many examples of pathos and logos to try and reach the targeted audience.

Read More

Analysis Of Danez Smith's Dinosaurs In The Hood

1302 Words | 6 Pages

As Smith uses his words to create a poetic trailer for this stereotype-free movie, he tells the story of a young African American boy. Rather than being focused on his color, he focuses on his

Read More

Hip Hop Culture In Mcbride's Hip Hop Planet By James Mcbride

921 Words | 4 Pages

Hip Hop was the wildfire that started in the South Bronx and whose flames leapt up around the world crying out for change. James McBride’s Hip Hop Planet focuses on his personal interactions with the development of Hip Hop culture and his changing interpretations of the world wide movement. Many of his encounters and mentions in the text concern young black males and his writing follows an evolution in the representation of this specific social group. He initially portrays them as arrogant, poor, and uneducated but eventually develops their image to include the positive effects of their culture in an attempt to negate their historical misrepresentation.

Read More

More about What Are The Stereotypes In Scrub Me Mama With A Boogie Beat

Related Topics

Open Document