Lysistrata, the main character, is able to form this assembly of women because each of the women, including Lysistrata, share a common purpose. In fact, as we see in the definition, a common purpose or goal is the main basis for forming an assembly. A common goal is what changes individual refusals into assembly. So the
When amazing rocker chick Gwen Stefani first began her music career, she quickly became an inspiration to aspiring female singers. At just seventeen-years old, Stefani was a vocal powerhouse. Teenage girls attempted to emulate this courageous young woman. They wanted to be an independent, talented, young woman who could support herself, all on her own. Gwen Stefani paved the way for a certain type of independent woman.
Her grace, power, and overall determination gained the respect from all the women. Close to the beginning of the poem Lysistrata states "But if the women gather together here—the Boeotian women, the Peloponnesian women, and ourselves—together we'll be able to rescue Greece." (I. 39). She uses the word rescue to show how detrimental this war is and Lysistrata knew if everyone came together the war would end. She knew what the war was all about and ultimately she knew it was wrong.
In Euripides’s The Bacchae and in William Shakespeare’s As You Like It, I found the gender roles in these particular plays to be very interesting because this was my first exposure to cross-dressing in works of literature. In The Bacchae, women play a huge role because women are often portrayed as feminine and inferior in many past works, however, in The Bacchae, the women of Thebes decide to rebel against the men and join the Greek God of grape harvesting, wine, fertility, and partying, in the woods. The women were manipulated by Dionysus and were turned into maenads because they joined Dionysus and rejected the norms for women, to stay in their place and they all went from the first world they were living in, Thebes, to the second world,
What is worth mentioning in Sophocles’ play is that he not only showed the weak side of women but also the strong ones. For example, Ismene is the traditional role of women in ancient Greek—coward, fear of men power and feeble. For Ismene, "we must remember we were born women, not meant to strive with men" (Antigone). She even chose to die with Antigone while hearing her sentence, for she was afraid that she would be alone, she could not be able to fight against Creon, this men-dominant society. In contrast, her sister Antigone presents the “women power”.
Much of the preservations in the play are for men who have even denied the women their privacy. Susan Glaspell shows women as weak and only able to do weak responsibilities such as housekeeping and staying at their
Throughout history, men have always dominated. They never let a woman rise to power or have the same rights. This sexism has been ingrained in society for thousands of years, so much so that it has defined some of the most famous works of literature, including A Midsummer Night’s Dream. This play was written during the Elizabethan Era, an era in which a woman had all the power imaginable (Queen Elizabeth), and yet, women were still severely discriminated against. Women had no say whatsoever in their society; they were not allowed to vote and they had very few legal rights (Papp, Joseph, Kirkland).
In Lysistrata, men and women were entangled in an unhealthy relationship; it was based on the objectification of human beings. They didn’t care about anything but sexual pleasure. Women didn’t give much thought about how men are using them as a sex object and men didn’t concern themselves about their wives, families or even household responsibilities. One of the most compelling examples in the play, that supports
Explaining why the women are being treated unfairly and the outcomes that can happen to women in the Greek society. How men are portrayed in Greek society. Explaining why men have different expectations than women and the political aspects of the male gender role in Greek society. The effects of the non-traditional roles the men and women played in the Medea play. Also, discuss the
Treating women with inferiority is a warning sign of a possibility of something being sexist. With inferiority playing a huge role throughout the book that makes the Iliad a sexist work. A work like
There are three types of conflict present in the lives of all people. Struggles are necessary in real and fictional narratives to advance the storyline and to help one reach their goals. These obstacles are particularly abundant in action stories. A classic adventure story, Richard Connell’s “The Most Dangerous Game” demonstrates the aforementioned three types of conflicts, man versus nature, man versus man, and man versus self. Conflict between man and nature is exhibited in the short story “The Most Dangerous Game”.
The relationships between gender and power in A Doll’s House and Lysistrata ‘One is not born, but, rather becomes a woman’. Lysistrata and A Doll’s House both present the disadvantaged position of women in their respective societies. The two plays present the relationship between gender and power and follow two women who go to extremes to become liberated from the restraints of their oppressive and dominating patriarchal society. Therefore, it is clear that both Nora and Lysistrata demonstrate the potential for women 's power and resistance in situations of male dominance in a hegemonic patriarchy. In order to prove this, it is important to look at the relationship between man and power, woman and power and the ways in which Nora and Lysistrata embody this power in the two plays.
Their tough archetypes were always present in many plays and reinforced the idea of male superiority. This fact held true, especially for a certain tragic classic by William Shakespeare. There was a misogynistic mentality towards women in Romeo and Juliet, evident through the way women were shown as objects, portrayed as weak, and made to seem unable to dictate their own lives. Men in Romeo and Juliet could be seen acting like owners towards women. Women were seen as nothing more than possessions, as illustrated when Romeo first described Juliet as, “My lady…/my love” (II.ii.10).
This piece of literature demonstrates the roles for men as the dominant gender and women as submissive, which are obsolete stereotypes. Shakespeare portrays the roles of the dominant males when Egeus tells, “as she is mine, I may dispose of her, which shall be either to this gentleman or to her death, according to our law immediately provided in that case” (1. 1. 42-45). He states this to let readers know that Hermia will not marry Lysander, and he gets the final decision. He gives her options, which are to marry him or die.
In William Shakespeare’s A Midsummer Night’s Dream, the female characters' desire to question the law of Athens and select their own husbands drives most of the conflict in the play. In a way, Hermia, Helena, and Titania are the protagonists of the play because each of their desires are being thwarted by the patriarchal structure of the society in which they live. The way the women try to overcome such hurdles does not sit well with the men. Accordingly, the men get on edge when their patriarchy is disrupted, so they make strict laws to try and keep the women under their control.
