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Analyzing fairy tales
Analyzing fairy tales
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Setting Hawaii Back On Track Hawaiian History Kumu Chun, Kalea Yung and Mya Perez April 2, 2024 Imagine ruling an entire kingdom at just 11 years old. A young boy under the name of Kauikeouli, or King Kamehameha III, took the throne of Hawaii in such tender years. He witnessed massive changes and navigated through challenges to leave an indelible mark on Hawaiian history. His reign is a story of resilience and transformation!
The book is infused with the belief that powerful gods and goddesses interfere with moral beings. The author describes family as loyalty. Odysseus' quest to return home to his family shows his great devotion towards his wife and son. Penolope shows her loyalty by longing to be reunited with her husband and refusing to get remarried. Society in the book is reflected on ancient Greek values and norms.
“The Odyssey,” written by Greek poet Homer is an epic tale depicting the brutally enduring quest home of the Greek hero, Odysseus. Within this heroic story, women play a very large and pivotal role in Odysseus’s trip home from the Trojan War. In his attempt to get back to his wife, Penelope, Odysseus’s progress is constantly hindered by the intervention of women who will do anything in order to either convince the heroic figure to stay with them or have him killed. The intentions of the women in the epic are all very different but one of the most prominent roles lies in the seductresses and the alluring women who will deeply influence Odysseus. Most importantly, Penelope plays a large role in portraying the importance of women’s roles in the story.
Defeating the villain, saving the princess, and conquering fears; These are all plot archetypes of well known myths, legends, fables, and fairy tales. The myth of Hercules, a Greek demigod hero, is a shining example of this where these archetypes are demonstrated. Hercules followed the three main parts of the hero’s journey archetype in his classic story passed down from generation to generation in ancient Greek culture; The call to action, the trials, and the return home to a changed world.
We have all lived in the world of fairy tales and imagination but have we ever really focused on what intrigues us about these stories? The hero’s sacrifices and the villain’s decisive plots intrigue us the most in stories but these characteristics are what makes a character known for as a hero, villain and this is known as archetypes. This analyzation revolves around, The Princess Bride and archetypes that some of its character’s qualify of. According to my analysis, Westley portrays the hero, Prince Humperdinck portrays the villain/shadow and Dread Pirate Roberts portrays the Threshold Guardian. The first archetype that I have analyzed is a hero and I have identified Westley as the hero because he sacrifices many things in order to achieve his goal, a hero’s trademark.
In spite of the fact that Homer’s Odyssey is an epic story of a man’s gallant journey, women play a huge part throughout. Their unique yet controversial personalities, intentions, and relationships are vital to the development of this epic and adventurous journey of Odysseus. The poem by Homer was written at a time when women had an inferior position in society, yet that didn’t stop them from being any less influential. All of the women throughout the Odyssey possess different qualities, but all of them help to define the role of the ideal woman.
In the epic poem, The Odyssey, by Homer, there are many female characters who play the role of a villain. Calypso, Scylla, Charybdis, and the sirens are among the women with the largest, negative impacts on Odysseus’ journey home. Though some women, such as Athena, Eurycleia, and Penelope, are loyal to Odysseus throughout the poem. With such a wide range of female characters, they all contribute different things throughout the book, whether the impact of their actions is negative or positive. Regardless of the outcomes, Homer has quite a modern view of female representation in his poem.
Women are depicted as “trophy” to men and nothing more. Throughout the epic a sense of bravado and machoism is played out, giving off a man’s world feeling which women and little or no real reason to be wanted. To understand the epic and the roles in which women played, one may not have to look further than how the book has been put together. First and foremost, the book is being told through the eyes of a man (good luck ladies).
To accomplish this analyzation I have structured this paper into an intro paragraph, four body paragraphs, and a conclusion paragraph. The first body paragraph explains how Penelope’s forced marriage with Odysseus supports the patriarchy. The second paragraph analyzes Penelope’s character, and how the story diminishes her character to make men seem more powerful. The third paragraph dives into the relationship with the suitors and Penelope. I analyze how Penelope uses her situation to her advantage, and how that undermines the patriarchy.
However, these contrasts between their personal thinking built most of valuable points in Odysseus' epic journey, and making a more intense story. To some extent, these women are not foolish at all because at least they are successful at leading people to believe that waiting is meaningful. The whole story happened during the dark centuries of women in Greece, when their value was limited behind men. However The “Odyssey” gives an opportunity to horror their role, also rejecting all erroneous preconceptions about the woman. Penelope -- a typical woman who represents for an image of a devoted wife, a mother of family and she is also an image of how women was treated at Greece.
Upon being left by her husband during a decade-long journey, Penelope’s depressed character, like Hecuba’s character, accentuates the misery of women during that time. Once stripped of the only source of power and happiness they had—men in society—women were deemed miserable, useless, and awful in society. Penelope spent years waiting for Odysseus, and the audience watches as a beautiful, popular woman, weeps over her missing husband and lives a long, melancholy life. Penelope grows impatient and stagnantly miserable; she begins to wish for death, for life was not worth living without her husband in her life. She begs, “How I wish chaste Artemis would give me a death so soft and now I would not go on in my heart, grieving all my life and longing for love of a husband excellent in every virtue.
Around the world, there are very different myths and folklore, each suiting a specific culture’s beliefs. Nonetheless, amongst those different narratives, there are certain elements, such as themes, character types, and design, that keep manifesting. These recurrences are labelled as archetypes. One type of archetypes is character archetypes. Prevalent in myths from Sigurd the Volsung to The Epic of Gilgamesh, character archetypes are types of characters that are conventional amidst literature.
The research paper begins with a brief introduction to Psychoanalytic theory followed by an analysis of the Disney film “Cinderella” which will enable the reader to understand and relate to how the film influences and
The Tempest is a captivating play that follows the afternoon of a wizard and his revenge plot against diplomats that banished him to a deserted island with his daughter. The themes nature and nurture are compared and contrasted in order to explain the various behaviors presented by each character. According to the theme of nature in The Tempest, people and things are categorized as either naturally good or bad. It is believed that bad nature should be controlled. Nurture is also predominantly displayed in the play through Caliban and Prospero.
Medea, the protagonist, is a woman driven by extreme emotions and extreme behaviors. Because of the passionate love she had for Jason, she sacrificed everything .. However, now his betrayal of her transformed the beautiful loving passion to uncontrollable anger, hatred and a desperate desire for revenge. Her violent and temperamental heart, previously devoted to Jason, now moving towards its doom.