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What Is The Very First Of The Seven Deadly Sins That Salieri Admits To Being Guilty Of

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1. What is the very first of the seven deadly sins that Salieri admits to being guilty of?
Envy. Salieri confesses to Mozart that he is right and they both are poisoned with each other. Salieri says that since Mozart appeared he lived in Hell. Mozart didn’t have to work hard to compose all the pieces he composed and Salieri thought this wasn’t fair and that God was doing this to him. He tells to Mozart: “Whatever I did – you would fill the world! You left me with nothing!"
2. When Salieri first hears Mozart's music ('the solemn Adagio in E-flat"), how does he describe it, musically?
As Salieri describes the music, it started simply by the pulse in the lowest register by bassoons and basset horns – like a rusty squeezebox. The slowness gave it a sort of serenity. Then, there was a single high note on the oboe. Then clarinet joined and sweetened it into a phase of delight. The squeezebox groaned louder, and over it the higher instruments wailed. It seemed to Salieri as he heard the voice of God through Mozart’s music (as he calls through “the voice of an obscene child”) …show more content…

What does Mozart do, when he first meets Salieri, when he plays Salieri's "March of Welcome" on the keyboard? What does he end up starting to compose that will show up later in Mozart's works?
As Salieri starts to play “March of Welcome”, Mozart walks in, wearing an ornate surcoat, with dress sword. Mozart approaches the Emperor, bowls him and kneels. As Mozart says, by this time he’s working on German opera and h has already finished the first act. He has also already found excellent singer for the leading part - Katherina Cavalieri. Then he has a discussion with Salieri about this opera. He ends up composing The Marriage of Figaro that includes the well-known

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