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What Was The Impact Of Piracy On The Music Industry

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Many civilians probably have a low perception of the history and potential threats that erupt from music piracy. The act of digital piracy has significantly impacted the music industry. Before the creation of the Internet, the act of piracy was physically committed and has since changed to a digital world of limitless copies. According to Tyler (2013) throughout the past couple of decades, a move from the tradition record label model which includes CD’s and physical records for example to digital music and individual song files. Since the creation of the Internet, the cost of copying music is basically nothing. According to Yar (2013) the emergence of piracy commenced significantly between 1999 and 2011, where sales plummeted 53 percent, …show more content…

Since 1790 congress has focused on the economic incentives of what the potential protection copyright provides with the Copyright Act. In order to maximize beneficial works for society, congress extended protection to written musical configurations in 1897 to continue appropriate compensation. A number of benefits for authors of musical hard works arose from the creation of the Copyright Act of 1909. Benefits such as rights to reproduce distribute and publicly display works are just a few benefits of this act 1909. Original it was not deemed acceptable for not only the artists, but also the record label as well to license their works and receive payments for their creation of sound recordings until 1971. In the same year the Sound Recordings Act’s primary purpose was to ensure that unofficial copies, and handouts would be illegal under federal law. This act was carried over into the Copyright Act of 1976. Technology advancements continuously placed burdens on congress to continue to refine and adjust the Copyright Act. The right to perform copyrighted work publicly was granted by the Digital Performance Right in Sound Recording …show more content…

In the United Kingdom where breaking the law is harshly punished regardless of the crime, the provisions they have in place for committing piracy are much greater than the United States (Yar, 2013). It’s not secret that the music industry itself, has requested stronger legislation to combat this crime. According to Moseley (2010), the RIAA has worked on two campaigns in order to discourage the distribution of online music piracy. The RIAA two campaigns are comprised of attacking companies who assist in the illegal online music sharing, and individuals. Due to cost efficiency and ineffectiveness, the RIAA pulled from attacking individuals in 2008. After this in the mid of 2009, two cases were decided which proceeded through the entire trail procedure, Capitol Records, Inc. v. Thomas-Rasset and Sony BMG Music Entertainment v. Tenenbau. Not relevant to the campaign, these cases did clear up some uncertainties following copyright jurisprudence. In response to combating Napster, although it eventually was shut down, numerous other peer-to-peer sharing networks still

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Lawrence Lessig’s research on piracy and copyright laws suggest the issue began long before Napster’s free website of burning music for personal use. In fact, stolen content was first documented one hundred years ago when Thomas Edison’s inventions were stolen before copyright laws were in place. Moreover, Lessig compares piracy and loopholes throughout history. Thomas Edison’s phonographs and Henri Fourneaux’s player pianos (used to record music) forced copyright laws just as cable companies’ piracy techniques forced copyright laws.

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Because these downloads tend to take place in the comfort of our own home, the ramifications and moral wrongdoings are not as apparent as stealing something from a store. Downloading music goes against the intention of the internet and presents dangers through others takin advantage of it. The internet was never meant to be used to commit crimes. Because of this sense of comfort, people are more likely to download multiple songs (as was the case with LaHara, Thomas-Rassett and Tenenbaum) and this hurts not just the artists but the crew who produce their music. The three cases discussed are important examples of the consequences that come with illegal music downloading and steps the RIAA is taking to help prevent such illegal

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In the scholarly journal “Brave New World: How Test-Optional Policies Could (And Should) Change College Admissions,” written by William C. Hiss and Valerie W. Franks, Hiss and Franks concluded that students who do not send test scores to institutions tend to perform just as well as student’s that send test scores. Hiss and Franks shares their research from a total of 37,000 students from public and private institutions that were accepted to college without sending any test scores. These students were then studied closely by their high school grade point average (GPA), cumulative college GPA, and standardized test scores. The end results explained that there was a very small difference between submitters and non-submitters. Standardized test

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Piracy is, and always has been, a large concern for producers in the music and film industries. In his essay “Some Like it Hot,” 2016 Presidential Candidate Lawrence Lessig defends the principle of piracy on the claim that it founded the basis for “the birth of Hollywood, radio, cable TV, and (yes) the music industry.” Lessig elaborates on each industry in turn, clearly describing the varying copyright laws for the different industries in their perspective time periods, and demonstrates the means pirates used to evade these copyright laws, discussing the parallels and variances between them. His purpose in doing so is to clarify to readers that “even if some piracy is plainly wrong, not all piracy is.” This statement brings us to his focal

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Arguments, favors and oppositions Since Napster emerged, music sales in the U.S. have dropped 47 percent(RIAA,n.d.). However, Napster or any other music piracy is not to blame. In fact, music industry in 1980s and 90s was over-inflated(Swanson,2013). Artists receive a percentage of the music sales, and it is mostly between 12 and 14%(if you are a superstar, it can be 20%), after the deductions the retailer, the record company and the songwriter.

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And how does this case affect the future of file sharing and the music industry? In this paper, I will be examining the effect of illegal peer-to-peer file sharing on the music industry and how this case has changed the way we buy and share music today. Napster was founded in 1999 by college student, Shawn Fanning. This new program gave users access to

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If you have ever set out on your computer to purchase or play music off of sites like iTunes or Spotify, you know how simple it is to download your own music files, as well as share them at just the click of a button. Before these simple sites, music felt almost impossible to get. This issue inspired an 18-year old boy named Shawn Fanning to start a revolutionary company in 1999 called Napster. Let’s just say, Napster blew the rest of the sound and music industry out of the water.

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The industries copyright rules are very lenient. The author “Paul Grant” States that “At one time it was easy for the music industry and artists to keep control of their intellectual property (IP)” (Paul Grant, 1) now is n ot that time. The author “Paul Grant” States that “As technology has progressed, legal questions have been raised to how to enforce copyright law” (Paul Grant, 1) this can be quite problematic as technology is progressing as fast as it is. The author “Paul Grant” States that “Napster basically allows anyone who logs onto the service to open a part of their hard drive to the public in order to share their collection of MP3 files.”

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Laws, Rights, and Opposition: Samantha Kustin Steal This Film (2006) fails to effectively evaluate the laws pertaining to piracy and the arguments both from creators who want their content protected and from consumers who want content to be more accessible to the public. To combat piracy, intellectual property owners lobby in congress for more copyright laws and protections. Some of these anti-piracy laws include the Copyright Act of 1976 and the Digital Millennium Copyright Act of 1998. Although, consumers have the legal right to use copyrighted material so long as they have a license or the use is considered fair use.

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Internet piracy has been around as early as 1999 and has been growing bigger and bigger ever since. Recently this crime has become so large, that people in government positions are debating whether to persecute individuals who commit this offense. Research proves that prosecution should be enforced to whomever commits the felony of Internet piracy. The reasons include loss of money and loss of jobs. Which in all perspective hurts the economy overall.

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1140 Words | 5 Pages

The discussion of digital downloading and online piracy in Australia’s adapting music industry is featured in this report, as the contemporary issues facing artists of today is the rapid and continuous growth of social media, networking sites and online streaming services. The introduction of 21st Century style accessibility to music via the internet and various online resources which stream directly to users, has seen a gross decline in physical record sales as well as a decrease in performance sales. This increased popularity in subscription-based music streaming services has significantly affected and altered the way musicians are able to form a stable revenue, and is changing the way industry professionals approach artist management and

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694 Words | 3 Pages

Offers of such physical music have been declining as far back as truly an extended period of time. Various academic studies have credited the decrease of physical music arrangements to online music burglary, yet some distinctive studies have not found confirmation to support a negative relationship between online music robbery and physical music bargains. Interestingly and important, we have watched that while a hefty portion of the studies that discovered the negative relationship between online music theft and physical music deals utilized information before 2003, different studies that don't discover comparable results have utilized post-2003 information. Truth be told, there was a huge auxiliary change in the music market in 2003. Legitimate (iTunes-like) online channels for advanced music that permit customers to purchase individual tracks got to be accessible within that year.

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Although claims have been made that downloading music for free without paying is stealing and hurts profits, complaints seem to originate most commonly from record labels and a handful of the larger artists such as Def Leppard and Taylor Swift rather than from every artist who has free music on sites like Napster. When Napster came out on the internet and began to develop success, only then were they targeted by the music industry: when their success became a threat. Ian mentions how she was bombarded with return emails. In her original article, she states that a representative of RIAA, The Recording Industry Association of America, sent her a decent amount of data and statistics supporting their side of the issue as well as NARAS, but more bluntly stating that “downloads were ‘destroying sales,’ ‘ruining the music industry’ and

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2724 Words | 11 Pages

According to RIAA statistics, the blossom of the industry began with the comparison of offline and online sales. With the popularity of digital, music industry focused on new strategies to develop their companies. From the above analysis it can be understood that the Music industry in UK is flourishing. But it still may be assumed difficult target for a new company. Internet and new technologies are developing every day and decline more and more new entrants in the market.

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The music industry is indubitably one of the largest entertainment industries in world. Global recorded music sales raked in a total of US $15.7 billion in 2016 (International Federation of Phonographic Industry (IFPI), 2016). The music industry “consists of the companies and individuals that make money by creating and selling live music performances, sound recordings and music videos of songs and instrumental pieces” (The Audiopedia, 2016). Over time, the dissemination of music has evolved. In the past, vinyl records and compact discs were a common way to distribute recorded music.

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