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Write on the theme of classism of Wuthering heights by emily bronte
Social class and Gender issues in charlotte Bronte’s Jane Eyre
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Have you ever wanted to be pretty? In the book I read this summer, Uglies by Scott Westerfeld, that's all Tally Youngblood dreamed of as she would look out to new pretty town, but after her best friend Peris had turned pretty Tally soon grew alone, But Tally meets a young girl by the name of Shay who speaks of a place called the ‘Smoke’ where they follow their own rules and of a boy named daved. Tally learns to love herself being the way she is in the ‘Smoke’ and learns of other and there lives but it doesn't last long seeing as this was a very special circumstance soon tally learns the truth of her so called paradise.
Georgiana at first didn’t care that she had the mark on her face. She enjoyed the mark because she had been told by many people that “some fairy at her birth hour had laid her tiny hand upon the infant’s cheek”. But eventually, in her eyes it seemed like a devil had laid his hand upon her cheek. This fairy vs. devil symbolizes the way that Aylmer changes her point of view of the birthmark in a negative way. As the male authority figure Aylmer is convincing her to change her looks, whether she wants to or not.
Intro: Nathaniel Hawthorne’s fictional short story “The Birthmark” and The Twilight Zone’s darkly romantic episode “Eye of the Beholder” both use gothic elements and delve into the realm of science to explore concepts of beauty and perfection. Through their contrasting characterizations of the scientist and employments of irony and allusions, each work comes to its own conclusions about how to define and treat beauty. Body #1: The Birthmark From the very first paragraph, Hawthorne’s story revolves around Aylmer, a scientist who supposedly gives up his career to marry the beautiful woman of his dreams, Georgiana.
While the entire focus of the story is on Georgiana's one physical flaw, it is Aylmer who seems to be irreparably flawed. An embodiment of the concept of "playing god" and a man obsessed with attaining divine perfection, he becomes unreasonably fixated on his wife's one apparent imperfection, going so far as unconsciously wanting to kill her just to dispose of it. Aylmer has been characterized by critics both as a representation of the higher nature of man, the spirit and the divine, and as a representation of ironic imperfection. Hawthorne's narrator, otherwise having a voice of his own, describes him in a strangely reverential manner:"Aylmer's slender figure, and pale, intellectual face, were no less apt a type of the spiritual element"
Hawthorne uses imagery sense of smell to get readers to imagine the scene, “When Georgiana recovered consciousness she found herself breathing an atmosphere of penetrating fragrance, the gentle potency of which had recalled her from her deathlike faintness” (Hawthorne). “The Birthmark” also creates irony with “Aminadab, the less inferior man to Aylmer is the one who speaks sensible to Aylmer by disclaiming that if Georgiana was his wife, he would not try to remove the birthmark” (“The Birthmark”). The figurative language helps enhance the story. Nathaniel Hawthorne’s meaning for the story was a man’s strive to perfection only caused the death of his wife. Aylmer was too focused on what perfect could be, and Georgiana blindly agrees with him and decides to remove the birthmark, despite never having a problem with it.
When Aylmer and Georgiana got married, Georgiana was taken from her mothers home, making her complete dependent on Aylmer and his opinions. In addition to this, Aylmer’s belief hat he is better than God, and has the ability to remove Georgiana’s birthmark, creates inequality in their relationship. Finally, due to Georgiana’s obsession with what Aylmer thinks of her, paired with Aylmer's rude looks and comments, leads her to do something
Georgiana took note of Aylmer’s displeasure of the birthmark from the dream and through his stealthy stare, causing Georgina displeasure (Nathaniel Hawthorne 114). Aylmer’s further loathing of the birthmark, causes Georgiana to give up for the sake of his happiness. She tells, Aylmer after bringing up the conversation of the birthmark, “Either remove this dreadful hand, or take my wretched life!” (Nathaniel Hawthorne 114). Aylmer could have avoided tragedy, however he failed to listen to his assistant Aminadab, who stated he would “never part with that birthmark” (Nathaniel Hawthorne 114).
The first and most important use of symbolism we receive is that of the birthmark. We learn that, “in the centre of Georgians's left cheek, there was a singular mark, deeply interwoven, as it were, with the texture and substance of her face” (205). Upon further reading Hawthorne tells us that, “Its shape bore not a little similarity to the human hand” (205). Georgiana had a birthmark right in the middle of her left cheek that resembled a tiny hand in which Aylmer thought was very imperfect. The birthmark symbolizes mortality or an imperfection of
In the story “The Birthmark” by Nathaniel Hawthorne, he uses several techniques to help build his story. Hawthorne tells a story of a man of science whose name was Aylmer. He married a beautiful women named Georgiana, although she was quite beautiful she had a birthmark on her face which, in Aylmer’s eyes was an imperfection. Aylmer tries to perfect Georgiana, but in the end Aylmer’s attempts to change Georgiana causes him to lose her. Aylmer does not accept the idea of imperfections in people.
In the year 2105, the American culture is a society that thrives off of the obsession of materialism and gaining the approval of others. Culture tells us to worry about how many “likes” we get on a picture of ourselves or the number of comments that tell us how beautiful or handsome we are. Beauty will fade, but people are willing to do anything that they can to preserve it forever. From plastic surgeries for a thiner nose, to silly home remedies for a wrinkly face, we won’t stop until perfection is achieved. The writings of Nathaniel Hawthorne in the nineteenth century did not differ much from the American culture that we see today.
At the end of the story Aylmer regretted pressuring his wife to change herself and feels remorseful for what he did. The Birthmark follows the struggles of man versus nature and man versus self. The main character Aylmer suffered no not being about to accept the flaws of his wife but also the fact that he cannot do everything, mostly because it is not his place to do these things. As the story develops the need for Aylmer to reach perfection grows stronger and later kills his wife.
Aylmer’s views on perfection led to the demise of Georgiana. He skewed Georgiana’s views by making it seem that if she wasn’t perfect then he could not love her. Throughout the process Georgiana was scared of her husband’s actions but she was made to believe that what he was doing was normal so she went along with it.
Aylmer cannot escape the imperfection of his wife and has a dream where he tries to remove the mark, but it is
The Renaissance was a cultural movement that began in Florence, Italy. Later making a great impact on Europe. Starting around the 1350’s and ending mid 1600’s. The term “renaissance” derives from the French word defying as “re-birth”. This term was used refer to the re-birth of learning caused by the discovery of hundreds of Greek and Latin manuscripts which had once been lost, now had been unveiled during the renaissance.
When Aylmer demanded assistance from his servant, Aminadab, with Georgiana who was in a “lifeless form,” he muttered to himself: “If she were my wife, I’d never part with the birthmark” (Hawthorne 343). The ironic aspect of this part of the story is the servant, the scientist's personal laboratory rat, knew that the removal of such a tiny “defect” would end in a great loss. The “man of science,” the “philosopher,” the faith in man’s “ultimate control over nature,” all meant nothing. He could not see past his wife’s imperfection and look at what was truly important, her inner beauty. Destruction of beauty in this story, “The Birthmark,” is developed through the use of symbolism, conflict, and irony.
