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Where Are You Going Where Have You Been Arnold Friend Character Analysis

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Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been” focuses on how the character Arnold Friend actually defies the common archetype of enemy and instead acts as a savior, rescuing Connie from her misery. Connie, a fifteen year old girl, frequently goes out with her friends to escape from her family. One day when her parents are gone, a man, Arnold Friend, appears in her driveway requesting that she goes with him for a ride. She is persistent in staying at home, but eventually gives into him and goes with him because Connie’s life at home is not great. Her mother is always complaining about Connie’s actions and one day “Connie’s mother kept picking on her until Connie wished her mother was dead and she herself was dead and it …show more content…

She does not get affection from her family, and feels isolated from them. Connie first receives affection from Arnold when he asks her “You wanta come for a ride” (Oates 8). No one has ever offered Connie any affection. Her family looks down on her as the disappointing child and she is just a young girl trying to be loved. Arnold asking her to come for a ride and seeking to spend time with her is the attention she is missing in her daily life. She views something as small as a car ride exciting and new because her family avoids giving her the opportunity to be in a situation where she can have adventures and feel love. At the end of the story, when Arnold is still trying to convince Connie to come in his car for a ride he tells her, “I’ll have my arms tight around you so you won’t need to try and get away and I’ll show you what love is like” (Oates 26) Arnold is only trying to provide Connie with the love she is lacking from her family. She does not know what love is and most of the time resents her family and the expectations she is expected to meet. Connie has never been close with anyone, so she does not understand how to give and receive

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130 Words | 1 Pages

Tragically, I think Connie is separated from her family toward the end of Oates' story. She is power to run with Arnold Friend and Ellie far away in the Country. She comes to ensure her family. Arnold Friend may sexually abuse her. I trust this due to the accompanying quote, "We'll go out to a pleasant field, out in the nation here where the aroma is so pleasant and it's sunny," Arnold-Friend said.

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518 Words | 3 Pages

She wants to have someone by her side all the time. Arnold Friend tempts Connie because he knows what he can do to manipulate the mind of a young girl and make her do what he wants her to

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1190 Words | 5 Pages

In Joyce Carol Oates fictional short story “Where Are You Going, Where Have You Been?” the majority of the story lies beneath the surface. More specifically than just the story, you realize that there is more to the character Arnold Friend than what may appear. The author has always remained silent and ambiguous about the real meaning of Arnold Friend’s true nature and she leaves room for the readers to make their own interpretation of him. Readers can analyze Arnold Friend and see him as the devil, he could just be the personification of popular music imagined by Connie in a dream, but Arnold Friend could also be the result of drug use.

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778 Words | 4 Pages

In Joyce Carol Oates’s Where Are You Going, Where Have You Been , there certainly is no clear cut way to interpret the story. Oates includes symbolism throughout the story that adds depth and requires the reader to look farther into the reasons behind the details that are included the work. She writes about a fifteen year old girl, Connie, who becomes a victim of Arnold Friend while left home alone . Where Are You Going, Where Have You Been was written in 1966, a time during which a social revolution for American women was in full swing. This empowerment that woman had, as they pushed for complete gender equality, inspired the character of Connie.

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1126 Words | 5 Pages

Through Connie, Oates describes Arnold’s attire, “She recognized most things about him, the tight jeans that showed his thighs and buttocks and the greasy leather boots and the tight shirt…” (Oates 164). Connie realizes that he is not truly a teenager and that this could possible end bad. After realizing Arnold Friend is not a kid, Connie becomes ill: “Connie felt a wave of dizziness rise in her at this sight and she stared at him as if waiting for something to change the shock of the moment….” (Oates 165)

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1137 Words | 5 Pages

However, this is countered when Connie notes that “he was much older—thirty, maybe more” (315), a fact that frightens her. What Arnold is to Connie is a challenge of her want to be an adult, and a trail of her ability to deal with adult issue. Such as a man who singles her out sexual reason. Her wish to be an adult is something she seeks while passively avoiding it. Her avoidance is marked by day dreams of puppy love romance, like a typical teenager; yet, her attractive flaunt to be mature is presented as if she seeks to be an

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1417 Words | 6 Pages

Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle

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433 Words | 2 Pages

In Joyce Carol Oates’ “Where Are You Going, Where Have You Been?” Connie, a teenage girl who acts older than she actually is, argues with her family about how she dresses and acts. While sneaking out with friends one night, Connie encounters an older man named Arnold Friend who is convinced that he is her lover. One day while her family is not home, Connie is confronted by Arnold, asking and threatening her to come with him. The story ends with her going away with this strange man who showed up at her door, leaving the reader to ponder what will become of Connie.

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694 Words | 3 Pages

Oates’s biography explained her fiction writing as a mixture violence and sexual obsession. The writing style definitely fits the plot point of this story with both of her literary ingredients being present in not only Arnold Friend but in Connie as well. The Protagonist Connie is presented in a very self-centered way. She is obsessed with her looks and often fantasizes about all the boys she meets.

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817 Words | 4 Pages

Reluctantly, her parents allow her to stay home alone. A few hours later, a familiar gold jalopy pulls up to her house. The driver announces to Connie that his name is Arnold Friend. His unusual physical appearance, his tone of voice, and what he may symbolize frighten the Connie.

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477 Words | 2 Pages

Connie is being bullied by her mom every day. In the story, it states "Who are you? You think you're so pretty?"(pg. 1). Clearly, she felt a lot of insecurity from dealing with her mother. With Arnold, she probably felt a lot of attention something that she never had.

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1428 Words | 6 Pages

Home is where the heart is, but what if home is no longer safe? Joyce Carol Oates explores this concept in her 1966 short story, “Where Are You Going, Where Have You Been”. On surface level, this story appears to discuss a rebellious young girl named Connie and her confrontation with Arnold Friend, a stalker. The ending leaves the reader to assume that Arnold Friend plans to sexually assault the young girl.

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1777 Words | 8 Pages

‘Dracula’ is a modern play adapted, by Liz Lochhead, from the classic horror novel written by Bram Stoker. The play is set during the Victorian era and develops the key themes that were prevalent during this era such as sexual hypocrisy. Lochhead’s unusual approach places much more significance on the female characters, in particular, Mina and Lucy and puts much less significance on the more well-known and traditional main characters such as Dracula and Van Helsing. The power dynamics of the Victorian era conditioned men to be strong and women to be weak, innocent and fragile. As women had to be innocent and expressing sexual desires was seen as a form of corruption that made you guilty, women’s rational and natural desires were silenced and

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984 Words | 4 Pages

Connie’s first encounter with Friend was at a diner when he stated to Connie, “Gonna get you, baby”(pg.1142). Because Connie was use to this type of attention, she did not view it as strange that an older man was calling her in such away. However, if Connie had seen Friend as dangerous instead of just another man, her kidnapping might have been prevented. Later in the story when Friend showed up as Connie’s house, she walked outside and talked to him instead of questioning how he knew where she lived or calling the police. Oates described Connie's interaction with Friend by stating,“Connie liked the way he was dressed, which was the way all of them dressed: tight faded jeans stuffed into black, scuffed boots, a belt that pulled his waist in and showed how lean he was, and a white pullover shirt that was a little soiled and showed the hard muscles of his arms and shoulders”(pg.1145).

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854 Words | 4 Pages

Arnold Friend’s Biblical Allusions In “Where Are You Going, Where Have You Been?”, Joyce Carol Oates tells a story of a young, innocent teenage girl, Connie who enjoys listening to music and begins exploring her sexuality and being with boys “the way it was in the movies and promised in songs” (Oates 198). In fact she catches the attention of Arnold Friend one night while at the mall meeting up with a boy. Not knowing he would appear in her life, Arnold strangely shows up at her house assuming they made plans to get together. His character is seen as the devil.

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