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Literary analysis where are you going where have you been
Literary analysis where are you going where have you been
Literary analysis where are you going where have you been
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Character Trait Paragraph In “Where Have You Gone Charming Billy?” by Tim O’Brien, the narrator demonstrates imagination in his attempt to distract himself from stress. An example of the narrator’s imagination is when he revisits memories “camping with his father” (1). This shows his original thought process; he is envisioning his father instead of focusing on the current war, he is thinking of a fun point in his life.
It is said that Paul shows fear, but there is evidence that proves otherwise. One exap,le expressing bravery in the text is “Joey and I dug our heals into the mud about halfway down toward the bottom of the hole. We pulled and grabbed at kids as they made their way to the slippery incline to the top” Later on that day he
This chapter “The Ghost Soldiers”, showed us how Tim O’Brien and the other soldiers were dealing with the war both physically and psychologically. It also shows us how the Tim O'Brien behaved and felt when he was shot, wounded and had a bacteria infection on his butt and how the war changed the way he thought, and viewed the other soldiers around him. This chapter also contain a lot of psychological lens. From the way Tim O’Brien felt when he was shot and separated from his unit to a new unit to when he wanted revenge on Bobby Jorgenson for almost “killing” him.
He brings his experience from the bombing of Dresden and recalls his encounters during the tragedy. Through the subject of Billy, he describes the aftermath of man’s destructive power through the bombing, “It looked like Dresden after it was fire-bombed-like the surface of the moon” (). From this quote, he paints a true sight of war where nothing is left but dust. He relates this event to emphasize the fact that war is a place of sadness and despair and from Billy’s viewpoint he observes the hurtfulness and all the destructiveness of the world when the city of Dresden gets
In war, there is a winning side and a losing side, but both suffer casualties. Afflictions are not always dealt in death and physical pain, but also emotional damage. In Tim O’Brien’s The Things They Carried, he emphasizes war’s capabilities to change people. When Mary Anne, a sweet, innocent, all-American girl, arrives in Vietnam to be with her soldier boyfriend, change is inevitable, and she will eventually lose her naiveté. O’Brien utilizes personification, jarring imagery, hyperbole, and pathos to convey that war shatters all innocence, no matter how hard one may try to avoid the change.
In the novel The Things They Carried, Tim O’Brien expresses to the reader why the men went to the war and continued to fight it. In the first chapter, “The Things They Carried,” O’Brien states “It was not courage, exactly; the object was not valor. Rather they were too frightened to be cowards.” The soldiers went to war not because they were courageous and ready to fight, but because they felt the need to go. They were afraid and coped with their lack of courage by telling stories (to themselves or aloud) and applied humor to the situations they encountered.
War and its affinities have various emotional effects on different individuals, whether facing adversity within the war or when experiencing the psychological aftermath. Some people cave under the pressure when put in a situation where there is minimal hope or optimism. Two characters that experience
In Tim O'Brien's “Enemies” and “Friends”, O'Brien shows the effect the nature of war has on individuals and how war destroys and creates friendships. These two stories describe the relationship between two soldiers, Lee Strunk and Dave Jensen. In “Enemies”, friendship is broken over a fist fight about a stolen jackknife, which leaves Strunk with a broken nose and Jensen paranoid of whether or not Strunk’s revenge is coming. While in “Friends”, you see how the nature of war creates a bond of trust, even between people who first saw each other as enemies.
Hidden somewhere within the blurred lines of fiction and reality, lies a great war story trapped in the mind of a veteran. On a day to day basis, most are not willing to murder someone, but in the Vietnam War, America’s youth population was forced to after being pulled in by the draft. Author Tim O’Brien expertly blends the lines between fiction, reality, and their effects on psychological viewpoints in the series of short stories embedded within his novel, The Things They Carried. He forces the reader to rethink the purpose of storytelling and breaks down not only what it means to be human, but how mortality and experience influence the way we see our world. In general, he attempts to question why we choose to tell the stories in the way
Where Are You Going Where Have You Been? By Joyce Carol Oates Psychoanalytic Criticism Question How are id, ego and superego represented in “Where Are You Going? Where Have You Been?” By Joyce Carol Oates?
The True Weight of War “The Things They Carried,” by Tim O’Brien, brings to light the psychological impact of what soldiers go through during times of war. We learn that the effects of traumatic events weigh heavier on the minds of men than all of the provisions and equipment they shouldered. Wartime truly tests the human body and and mind, to the point where some men return home completely destroyed. Some soldiers have been driven to the point of mentally altering reality in order to survive day to day. An indefinite number of men became numb to the deaths of their comrades, and yet secretly desired to die and bring a conclusion to their misery.
Connie in Joyce Carol Oates’s story “Where Are You Going, Where Have You Been” desperately wants to be independent from her family, while Gregor Samsa in Kafka’s “The Metamorphosis” pathetically yearns for inclusion. In this story, Oates pays special attention to the mother-daughter relationship and the lack of meaningful communication between them. Connie's mother is an image of the future Connie doesn't want – the life of a domestic housewife. Connie has a love-hate relationship with her mother, with whom she identifies, but at the same time she has to distance herself from her mother in order to establish her independence. On the other hand, The Metamorphosis, a story by Franz Kafka, is about a man who has been transformed into a giant beetle
No one returns from war the same person who went. War opens an unbridgeable gap between soldiers and civilians. There’s no truth in war—just each soldier’s experience. “You can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil” (from “How to Tell a True War Story,” in O’Brien’s story collection “The Things They Carried”). Irony in modern American war literature takes many forms, and all risk the overfamiliarity that transforms style into cliché.
Billy Pilgrim’s introduction to the war was grim. Soon after his arrival, the regiment he was supposed to be a chaplain’s assistant for was under attack. Three soldiers from the regiment allowed him to follow them. The three soldiers all had
Tim O’Brien’s uncommon ending sentence that have caught many people by surprise in the story, “Where have you gone, Charming Billy?” which was wrote as a historical fiction that revolves around the Vietnamese war. It leads you to O’Brien’s perspective on why war is bad. The story also shows how things are not okay, even after the war. O’Brien shows the realities of war through repetition of thoughts about fear, how soldiers deal with it, and the effect it has on their actions.
