Botticelli’s Venus embodies the standard of female beauty through classical reference and contemporary concepts to the Italian Renaissance. Botticelli’s The Birth of Venus, ca. 1485, once hung in the villa of Lorenzo di Pierfrancesco de’ Medici at Castello. Without any prior familiarity, the spectator can determine that the woman is a godly figure with significance towards nature and fertility. Botticelli’s Venus stands as a topic of female beauty in the Renaissance time – representing social constructs in Botticelli’s life. Identifying specific visuals with Venus, she is the standard of visual arts and a status and sexuality of women. The composition is spacious, paralleled to Botticelli’s previous masterpiece (ca. 1478) Primavera; every figure