Jiang Ji-li is walking home for lunch and passes the police station but, she does not continue on as usual. She ponders whether or not she should stop and change her name because an article was recently published about her family that exposed the fact that she is the grandchild of a landlord that once owned close to half of the city Nanjing. Jiang Ji- li is ashamed and annoyed by her classmate’s reaction to the report in the Workers Revolt. They all immediately turn on her by gossiping and teasing her.
Gene Luen Yang’s latest book, Dragon Hoops is a semi-autobiographical book about Gene's time traveling and novelizing the story of the O’Dowd Dragons and their quest to win state championships. Gene is the author of the award-winning autobiography American Born Chinese, a school math teacher, and a comic book nerd. In this essay. I will tell you about this book’s theme of “everyone has a story worth telling.”
Choreographer Alvin Ailey expresses the story of the labored, broken, yet courageous black woman, though lengthy arm extensions and torso contractions that are combined with his signature style of ballet, modern dance, and African technique. Alvin Ailey trained dancers have a way of dancing bigger than the audience could ever imagine by embodying the real life struggles Alvin himself witnessed This type of character outpouring births a spiritual intimacy or soul connection between dancer and choreography and finally audience and dancer. A dance genius in his own right, Alvin Ailey was born on January 5, 1931 in a small town in Texas. His 17-year-old mother would soon know the struggles of being a single mother in the segregated south just months after Alvin was born.
Balzac and the Little Chinese Seamstress, written by Dai Sijie, is set in 1971 during the China’s Cultural Revolution. The book starts with two boys, unnamed narrator and his friend Luo being sent from their hometown Chengdu to a small village in Phoenix Mountain to be “re-educated”. The book continues with them skillfully living through the harsh village life with their talent of storytelling and their western knowledge gained from books. Throughout the novel Balzac and the Little Chinese Seamstress, Dai Sijie illustrates different types of literature and how it transforms the character’s life, action and their personalities in both good and bad way. This book is one unique novel about two boys and one little girl’s transformation by the magical
(117, Foster) The work of “The Laughing Sutra” is an example of political writing with an engaging plot and interesting characters. Readers learn about China’s government and the control they had over their people while simultaneously empathizing with the characters. The power is within in the story because of the people, but the politics- the government and power structures- was only in the background. However, Hsun-ching’s life in China was not the only glimpse of political issues that emerged in the book.
Two protagonists of Amy Tan’s The Joy Luck Club, Lindo and Waverly Jong live the lives of a usual Chinese mother, and American daughter. They live through struggles, and although both go through journeys, there are key distinctions in which the Jong family does not complete the Hero’s Journey. The Jong family does not complete the Hero’s Journey, primarily due to their lack of sacrifice for the purpose
Tan expresses the life experiences of Chinese immigrants to the United States and attempts to depict the relationship of a mother and daughter through her significant piece of writing ‘The Joy Club’. Therefore, all these authors somehow portrayed their early struggles and their view point towards life from their literary
One day when the Liberation Army Dancer visited, Ji-Li told her dad that evening, “I [am] an Outstanding Student, an Excellent Young Pioneer, and even the da-dui-zhang, the student chairman of the whole school” (20). Explaining she was knowledgeable, through examples of her success, meant she knew that her political background would not get in her way of participating in the Cultural Revolution. A few years later, during the Cultural Revolution, Ji- Li was in junior high,
Many people face some kind of adversity in their lives, but only few are recognized to the same extent as Adeline’s experiences in the autobiography ‘Chinese Cinderella’, written by Ms. Adeline Yen Mah. ‘Chinese Cinderella’ suggests that mental strength is what is needed to overcome all forms of adversity in life. This essay will discuss the ways in which that Adeline uses intellectual power to overcome the difficulties in her life, the outcomes she achieved and the messages she portrays. The ways that Adeline uses mental strength to overcome adversity occurs through many different events in her childhood.
Mambo Girl (1957), a movie musical, follows Kailing, a talented young woman widely admired for her singing and dancing capabilities, as she searches for acceptance after learning the truth about her background. Shall We Dansu? (1996) follows Mr. Sugiyama, a Japanese accountant who goes on a secretive and intimate journey into the world of ballroom dance. Both Mambo Girl and Shall We Dansu? emphasize the close relationship between intimacy and Latin dance by linking Kailing and Mr. Sugiyama’s manners of dancing Latin to the emotional connection each has with other characters.
In Duong Thu Huong’s Paradise of the Blind, Hang has been placed on a path of self-sacrifice and duty by her family. Her life unfolds in stages- childhood, young adulthood, and her eventual role as an exported worker in Russia. With each of these shifts in her life comes a shift in setting and a shift in her emotional state. Hang’s changing emotional state depicts her “coming of age” and her growth as a character. Setting is important to creation of shift in the novel, and is often described in detail.
It came to dominate my understanding of the discussion on the social and historical scene and to restrict my ability to participate in that discussion.(444) If we go back and use the reference again of the electronic tool we can see the struggle of being at home and communicating with her family and having an influence of capitalistic viewpoints and living the life of a capitalist, then immediately having to communicate in a different language at school and being surrounded by socialistic views and living the life of a socialist. Her thoughts were constantly flip-flopping and this became very frustrating for her. If we bring all these struggles into one main purpose, Min-Zhan Lu’s mother falls into silence two months before her death and Min-Zhan Lu attempts to “fill up that silence with words that I have since come to by reflecting on my earlier experience as a student in China.(437) The struggles that she faced growing up in China as a student and her past experiences have really helped her overcome life obstacles and develop her as a better reader and writer.
The film, Mao’s Last Dancer utilises the narrative convention of plot to allow the audience to appreciate the film. In the film, the narrative convention of plot is used to provide an overview of the historical and sociocultural knowledge of China at the time. For example, the film’s plot is constructed in a non-linear timeline through which Li travels back and forwards via flashbacks. A prominent example of this is one of the film’s establishing scenes. In this scene, Li flashes back to a classroom in his home province.
Albert Einstein once said, “I believe the most important mission of the state is to protect the individual and make it possible for him to develop into a creative personality.” This quote is truly applicable to the short film “La Luna”. Throughout “La Luna,” a young boy named Bambino experiences many difficulties and arguments with his father, Papȧ, and his grandfather, Nonno. Bambino is coaxed into following alongside his father and grandfather’s footsteps-- sweeping away the stars. However, towards the end of the film, Bambino becomes confident with himself by taking risks and developing as his own person.
The most influential Chinese poets, Du Fu, grew up motherless. Although he didn’t have a complete family, but he used this as the motivation in his poem. He had provided creditable poems by his early teens that had been widely spread through the nation. However, during his later years, he was suffering from illness, and financial problems that he needed to face by himself. Arthur Cooper, interested in Chinese Culture and history, translated Night Thoughts Afloat.
