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Who Is The Protagonist In Dracula

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‘An Angel or a Monster?’
The Paradox Surrounding the Mina Harker in Dracula
Victorian England valued purity and viewed their women in a state of perpetual childhood. This damages a woman’s sense of self and the ways in which civilisation viewed and treated women who conformed to or broke this stereotype. Bram Stokers’ Dracula, a fictional gothic novel, utilises the gothic genre, its tropes, themes, and motifs to encapsulate heavy themes of the real world, including the infamous concern of the ‘New Woman’ and all she entails.
The two main female characters, Mina and Lucy, are Stokers focal point in portraying how women in Victorian society were challenging the social norms and enhancing the perturbing concept of the New Woman. By focusing on …show more content…

The article, ‘"Dracula": Stoker's Response to the New Woman’, (1982) by Carol A. Senf, critically analyses the characters of Lucy and Mina, particularly the way that Lucy is portrayed as a New Woman whereas Mina places herself between the standard Victorian woman and New Woman. Mina enjoys playing into the stereotype of a housewife and takes on the role of a motherly figure to the other characters. However, her intelligence places her on the brink between New Woman and a platitudinal Victorian woman. Mina’s academic brilliance was a prevalent characteristic throughout Dracula. Stoker demonstrated her high intelligence by how her perception and logic helped the group defeat …show more content…

In reference to Havelock Ellis, he discussed the intimate relationships between women in Victorian society and how “when parted, long letters are written, often daily; they are full of affectionate expression of love.” Mina and Lucy’s writings fall under this idea as Nancy Sahli describes their writing as “a high degree of emotional, sensual, and even sexual

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Dracula presents itself as a gradually transforming tale about bravery in face of the hidden evils of the world. The changing pace from slow, vivid scenes to a rapid conclusion allows the novel to encompass many different themes. However, there are some passages that read the same at the start and at the end. From pages 251 to 254 Stoker applies his writing expertise to indeterminately explain Lucy’s fate. On page 251 Seward confusedly asks Van Helsing about his strange fit of laughter at the thought of Lucy’s death.

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842 Words | 4 Pages

The beloved novel “Dracula” by Bram Stoker is an influential piece of gothic literature. Horror stories typically portray the Victorian woman to be a helpless victim and to be sexually objectified, but the story “Dracula” continuously uses the character Mina Murray Harker to challenges these gender norms. Mina is one of the several protagonists in the story, and it is important to note that she is the only female in the protagonist group. She is engaged to a man named Jonathan Harker who is also in that group. Initially, she embodies the ideal Victorian woman who is gentle, maternalistic, and loyal to her husband, but as the story progresses, her character develops to show independence and take on a more active role in defeating the antagonist, Count Dracula.

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1161 Words | 5 Pages

Everybody knows the classic tale of Bram Stoker’s Dracula. It is most famous for its introduction of the character of Count Dracula into both deep-rooted and contemporary literature and media. One critic claimed,” Bram Stoker set the ground rules for what a vampire should be.” It follows the story of Jonathan Harker, an English solicitor who visits Count Dracula in his castle in Transylvania – soon realising that he is being kept as a prisoner. Dracula forms a liking to the character of Lucy which ultimately leads to her death.

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1196 Words | 5 Pages

Bram Stoker's Dracula is filled with interesting symbology and religious comparisons. Dracula is a gothic novel set in late 1800s Britain and Transylvania. Dracula is an epistolary, meaning it is told through a series of journal entries, news clippings, etc. It’s like the written version of found film. Dracula draws from many old myths for its villain and is the basis for the modern vampire.

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It may skew her thinking and at times be subjective. The intended audience is someone who is studying literature and interested in how women are portrayed in novels in the 19th century. The organization of the article allows anyone to be capable of reading it.

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901 Words | 4 Pages

The essay I chose to compare Dracula with was “Kiss Me With Those Red Lips: Gender and Inversion in Bram Stoker’s Dracula” by Christopher Craft. The essay explains the sexuality in Dracula, desire, gender, and even homosexuality. Craft mentions his essay gives an account of Stoker’s “vampire metaphor” (Craft 108). He highlights certain and very valid points in the story of Dracula that breaks the Victorian gender role, writing, “a pivotal anxiety of late Victorian culture.” (Craft 108).

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1218 Words | 5 Pages

In Dracula, Bram Stoker makes a contrast between two types of women in this novel. Women who are in the vampire state are vastly more powerful than the everyday human woman, but seem to still be subordinate. Towards the end of late 19th Century, the new woman develops toward the economic change as well as the sexual changes in society, with both men and women struggling to find a sense of this new order. The new woman was strong, finding a sense of independence and men were beginning to become terrified of their own woman. Stoker explains his idea behind the characters of the women in Dracula, he believes that “for women to deny their traditional role was to deny their womanhood, to challenge the distinctions between women and men upon which

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696 Words | 3 Pages

In the novel, women’s looks and behaviors are different of what was going on in the Victorian era. In the novel, Mina was the ideal Victorian woman. Mina was the wife and mother type of person, said to be marrying Jonathan. After all she had to deal with concerning Jonathan; she remained loyal and never gave up on him.

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Later, the men reluctantly allow her to be more involved with the pursuit of the Count because of her telepathic connection to him, but are reluctant to do so because they fear for her health. Because this novel was written during the Victorian era, there was a dramatic gender inequality between men and women, so for Mina to partake at all in their killing of the Count was unusual. Mina is capable and willing to help the men, but is only able to do so as an assistant by typing their diary entries. The gender roles of this time period play a role in who ultimately defeats Dracula, the group of men with Mina only as an onlooker. Although the male characters praise Mina for her help, she is not portrayed as a hero

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1350 Words | 6 Pages

At first glance, the novel Dracula by Bram Stoker appears to be a typical gothic horror novel set in the late 1890s that gives readers an exciting look into the fight between good and evil. Upon closer inspection, it becomes apparent that Dracula is a statement piece about gender roles and expectations for men and women during the Victorian age. Looking at the personalities, actions, and character development of each of the characters in Dracula bring to light startling revelations about Victorian society and how Stoker viewed the roles of men and women during this time period. To really understand Dracula, it is important to note that this novel was written during a time “of political and social upheaval, with anxieties not just about the

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3478 Words | 14 Pages

Trinity Lam ENG 1302 Professor Loubser May 3, 2023 Dracula and the Anxieties of Victorian Culture Bram Stoker’s novel, Dracula, explores Victorian anxieties prevalent during the era that the book was written in. In contrast to Western uniformity, the cultural norms in England at the time were outmoded and constrictive; old and conservative values were highly respected and frequently connected with modesty and purity. With the Protestant ideals of Victorian society largely influencing the narrative, Stoker's work tackles the tension between yielding to one's desires and fighting them. Feminist Criticism is a School of Literary Criticism that refers to the masculine language used to subsume the role of women and construct a representation of

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1253 Words | 6 Pages

Gothic horror novel Dracula, the title character makes only several relatively short appearances, some of which are while in disguise. Throughout the novel, Stoker keeps Count Dracula in the shadows, both literally and figuratively. This essay will describe these appearances and analyze Stoker’s use of them to determine what effect they might have on the impression of the character and the novel overall. It will be claimed that by keeping his title character hidden for much of the novel, Stoker’s Dracula is made much more frightening to the reader. Human beings tend to fear the unknown, and by leaving Dracula to the imagination,

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667 Words | 3 Pages

In the novel Dracula, Bram Stoker highlights the theme of sexuality that challenge ideas of sex to both the female and male characters. The author objectifies the female characters in the novel to be over sexualized and portrays sex to empower women. Stoker may present the theme of female sexuality; however, he demonstrates gender inequality triumphs at the end leaving women in the shadows again. Women in the eighteenth century hardly had any type of power outside of overseeing the household and they probably contained much less power expressing any type of sexual emotions. Stoker’s novel gives readers a different perspective of the female sexuality as if almost empowering women and stating that they too can be sexual creatures like men.

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1329 Words | 6 Pages

During the Victorian period in which Dracula was written, morals and ethics were often strictly enforced. Some of the morals that were upheld had to do with personal duty, hard work, honesty, as well as sexual proprietary. It was very important during this period that one was proper in their sexual behaviors and conventional in whom they had sexual relations with. However, during this period, many authors sought to challenge the ‘norm’ with ideas of reform and change and Bram Stoker was no exception to this. In his novel, Dracula, Stoker provides a critique of this rigidity in his portrayal of Dracula and Dracula’s relationship with Jonathan Harker.

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891 Words | 4 Pages

With the controversial topic of weapons brought into public light, different aspects on the subject may become universal. Although weapons are generally seen as dangerous and unnecessary to most, others view weapons as a means of lawful defense against everyday dangers. In 2007, there were 32 people killed in the Virginia Tech college shooting. This, although caused by unregulated gun licences, could have been helped by the presence of another weapon as a means of defense and may have lessened the number of casualties during this incident; however, one could also argue that the presence of a gun on campus may make the event of a college shooting more conceivable. Being able to access guns and utilizing them when there is a threat present can cause confusion for the authorities.

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