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The breif of van gogh's influence
Vincent van gogh artist analysis
The breif of van gogh's influence
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The first art element that I feel is one of the most important to the artist pertaining to this painting is the use of line. There is an undefined, invisible vertical line that goes from left to right where the mountains meet the
The five elements used are line, shape, colour, texture and tone. Preston uses both types of lines in this piece, both organic which are the soft, curved and flowing lines in the mountains, and inorganic, structural lines, being the tree stumps. The most significant line direction that is used is diagonal, where the lines lead your eyes over the composition from the foreground and through the mountain ranges to the clouds in the far background. Both vertical and horizontal lines are also used for the trees and the horizon line. Preston has used both naturalistic and curvilinear shapes to give the landscape a realistic appearance, however, her shapes are also a little stylised and simplified to their essential character.
They all used interesting techniques to spark the interest of viewers and they used common landscapes in which people can relate to. The individuals were standing still in the paintings and not communicating with each
The painting depicts several homes, power lines with foliage growing up them, and a blue sky with white clouds. The use of oil works to Kroutel’s benefit in his use of it in this painting in particular, due to the both naturalism and abstractism pieces used. For example, the houses at the bottom of the artwork are not detail-oriented per se, but there is a very real sense to them, as if the viewer would be able to see houses similar to these walking down any street in Athens. On the contrary, the sky is painted in a very thick manner, with the brushstrokes left clearly visible. While in some cases, repetition works to create a pattern, in the case of Athens County/Vines,
The lighting in Red Hills with Flowers is dim because dawn was approaching. One might feel like they could not walk or reach into this painting because they would not feel like it had the right space to do so. The lines are curved to shape the mountains and the center of the
There was a focus point which is Saint Francis. Although the painting mainly consist of black and tan colors, the slight bright colors to balance of the black. This help bring out the details, such as the blessing on hands and the kneeling of people. Yet, the details were not too big that it would be too much to handle. This helps get the message across to the audience, like myself.
This acrylic painting was completed by Lawrence Smith, and is representational. Smith uses lines and color to divide the areas and to give each element its figure. He uses mostly cool colors (green and blue) which gives the painting a sort of calming effect. Smith uses proportion to show that the light house is further away by making the rocks larger and the trees smaller. He used shapes like triangles for the tree branches.
Viewing the painting, brightens the light in the artwork. There is a sense of reality as the light seems to move through the clouds. The faces of the characters are shown by light and there is an effect of light moving by walking in front of the scene. Emotions are evoked when one looks at this scene. There is a state of protection and safety.
The dust across the mid ground of the painting contrasts against the blue and green hues of the top third of the painting. The detail of the drover on his horse in the foreground of the painting shows how Roberts can have intricate details whilst maintaining a soft and smooth stroke line. This interprets the theme of ‘The Bush’ by comparing it to Australia’s inner core landscape. The green from the trees is perched above and away from the earthy tones below. The perfectly blue sky shows a hope in the distance indicating the help the drover needs in this story.
The portrayal of the flourishing plant life and bright sun adds charm to the village and puts the reader
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
Although the art piece is not extremely detailed, the details that are accented are of importance. The art piece itself is not very detailed with the sky and water parts. However the building figures are much more detailed as opposed to the boat figures. With the building figures, the onlooker can identify other boat figures set close to the buildings.
There is no source of natural light in the picture, and the direction of the artificial light is indiscernible. When a viewer first looks at the painting, they see the cow and man observing each other. Then, a viewer will notice the finer details of the smaller cow being milked, the man with a scythe in the town, and the sapling being held by gentle hands. The colors in the foreground are whites and greens, while in the background there are darker tones of green and black. The lines are curved and overlapping, suggesting wrinkles and folds in the cow and the
This helps to create a close up look at the view outside the window suggesting the intimacy between the artist and the habitat outside. This is because the focus is almost wholly given to the view outside the window. The view, which is embellished by the presence of flowers sitting on the windowsill, and creepers climbing on the railing, is located in the center of the composition. Despite the lack of a line of symmetry and any logic or geometric order, Matisse has been able to draw the attention of the viewer’s eye through the use of bright colours, almost fluorescent, which were used to portray the calm sea with its floating blue boats, and the sky tinted with the colours of the sunset. The calm sea at the horizon is painted with unreal tones of pink, sky blue, and violet whereas the boat, painted with tones of indigo, orange and green, seem to move along with the light breeze.
Research Topic: I have considered the idea of researching why trade jobs are not being filled in recent years. The number of college graduates with above average student loan debt is on the rise. I am worried that with this ongoing rate, that it will possibly cause another recession when the majority of the loans get defaulted. And by then, we would have companies laying off worker by the masses. I know folks at home who are employers of skill trade companies.