Throughout The House on Mango Street, characters struggle to actualize their dreams of a meaningful life. Author Sandra Cisneros illustrates this theme through her inclusion of windows as a symbol for a longing of another life. In the novel The House on Mango Street, windows represent the book and it’s theme of struggling for satisfaction in life by acting both as a border to another life and a translucent gateway to the character’s hopes. Windows act as a border to the life the characters long for but are incapable of achieving. Esperanza tells her great-grandmother’s story in which she is whisked away from her previously eventful life only to “[look] out the window her whole life, the way so many women sit their sadness on an elbow” because “she couldn’t be all the things she wanted to be” (Cisneros 11).
Esperanza’s great-grandmother looks out the
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Because Esperanza is capable of finding love as she says, the window acts as a device that she can direct her hope through. While fantasizing about a different life, “away from Mango Street”, Esperanza describes a house that she would find nice, a house with “flowers and big windows … [that] would swing open, all the sky [coming] in” (Cisneros 82). Esperanza isn’t content with her current life and wishes for a life with something more, a life with a house to call home. The windows that bring in the sky in Esperanza’s dream home act as a symbol for significance in life, the windows are big because they are part of Esperanza’s hopes that she has been dreaming of through windows and the sky coming in represents Esperanza being wild and free from the bounds of her current unsatisfactory environment. Windows symbolize the novel’s theme of struggling to attain a gratifying life by acting as an object for the characters to direct their hope