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Hip-Hop Music's Attitude Towards Women

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Hip-hop is one of the most popular and profitable music industries in the world. For instance, Pitbul, Snoop Dogg and Kanye West . This fact is quite alarming since the general idea which hip-hop music is based on degrades women. This music promotes misogyny - a term used to express hatred and prejudice against women . Women are constantly humiliated and disrespected in hip-hop songs, which may influence society’s attitude towards them, especially among adolescents. First of all, , focusing only on their appearance, not mentioning their personality or intelligence. Second, many of the words used in the songs to address women are derogatory and . Finally, women are being presented as inferior to man by sending the message that . All in all, modern hip-hop music, containing the previously mentioned degrading elements, contributes to the further development of sexism in society. Many of the lyrics and videos of popular hip-hop songs show the tendency to portray …show more content…

The most frequent word that occurs in rap lyrics is "bitch" used equally by male and female artists, and less frequent but still widely used by male artists is “hoe” . Many active listeners to hip-hop music will argue that the lyrics should not be considered as derogatory, because they serve merely as an expressive tool and are not meant to be offensive or humiliating. However, there is no doubt that they create certain stereotypes and produce images which contribute to the further development of women’s oppression . The lyrics written by Dr. Dre perfectly illustrate this alarming occurrence: . The most derogatory words "bitch" and "hoe" are both present in the same verse. When young people hear these words uttered by their favorite artist they might begin to think that it is appropriate if they themselves use them to describe and address

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Bitch Bad Analysis Lupe Fiasco’s “Bitch Bad” directed by Gil Green, is conceptualized around how the perception from both males and females of females is impacted by mainstream rap in the modern hip-hop world. Fiasco develops this by telling stories in different scenes of the video and explains them out in the lyrics. Lupe Fiasco took an objectified approach to several sensitive issues and tried to rectify them by illustrating the detrimental messages delivered in media as an ethical appeal to his audience. He used examples from modern hip-hop and broke down the overarching meaning in attitudes developed in result to what mainstream media depicts. Text Breakdown

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Stereotypes in every context are bad, but in music you can generalize listeners based on the type of music they listen to which is unfair to the artist and the audience. There is a stereotype of rap music that the context only consists of money, sex, drugs and swearing. In the music video and song of “Gangsta`s Paradise” by Coolio, the lyrics and meaning behind the music video

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“Beyond Beats and Rhymes” Summary This movie was a broad discussion about hip-hop music (or more specifically gangster rap) and what kind of social issues the music not only showcases but seems to promote. The producer of this film, Byron Hunt, interviewed people involved in all aspects of the hip-hop industry, including famous rappers, to try to get to the bottom of this. Some of the most prominent issues discussed in the film were the over-sexualization of women, gun violence, and anti- homophobic attitudes. Hunt would ask those involved in the industry about why they think these themes are so prevalent.

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Following its birth, hip-hop promoted important social and political causes. Hip-Hop artists utilize their lyrics and videos to convey messages to their audiences. It has become common today to dismiss the impacts women have made on the hip-hop culture. Nevertheless, men have not only used hip-hop to promote important causes but also females. Since it's beginning Queen Latifah has used hip hop to promote issues important to females to an audiences who do not traditionally view females as significant leaders.

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In the film Hip Hop- Beyond Beats and Rhymes, Byron Hurt (director), talks about how men at a young age taught to be in control, strong, and dominant. Hegemony is being used on these music videos by showing that men should act this way, it is what a man should be. These stereotypes keep reoccurring in Hip Hop by using those words in their music put men in a box, on how one should act, how one should be, and how they should treat other people. Not only has Hip Hop reinforced how men should act, it has also reinforced women and how they are perceived in public. All these Hip Hop music videos have women half naked and they are submissive to the man.

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In her essay “hip hop’s betrayal of black women,” Jennifer McLune implies that “(h)ip-hop owes its success to the ideology of women-hating” (193). She does not agree with Kevin Powell’s article that hip-hop does not mean to “offend” black women, but instead artists are only letting out their temper throughout their music. McLune feels infuriated that many artists in hip hop (including black men) rap about their community and downgrade their own women. In the hip-hop genre, sexism is mainly used, not only by black men but also by many other race hip-hop artists. Artists assume that women-hating in their rap songs will be accepted by women, but do not realize that it is affecting all women.

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Most people believe that “lyrics should appeal to us, not degrade us” (Glidden3). There is controversy surrounding “some artists accused of rapping sexually inflammatory lyrics” (Encyclopedia4). The actions of a few is causing people to put a bad label on rap in a whole. This bias opinion is becoming the cause of listeners to believe that rap lyrics “are setting a bad example for kids and teens” (Glidden2). I can understand where this may lead to critics to misapply such distaste to the rap form, but “there are rap artists who don’t use offensive language or portray women in a negative light” (Glidden1).

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What seems to us now as excessive violence and misogyny in hip hop stems from a culture that has been consumed in a continuous battle against social and economic oppression since its early days. In the beginnings of hip hop, there was an explosion of defiance against the subjugation these artists had to experience on a daily basis. For many artists, rapping about guns and gang life was a reflection of daily life in the ghettos and inner-city housing projects. Not only did rap provide an outlet to voice the struggles of black youth, it also gave them a sense of pride. Before major hip hop groups such as NWA arrived on the scene, people would refuse to admit they were even from Compton.

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¨If Hip Hop has the ability to corrupt minds, it also has the ability to uplift them.¨ Hip hop music, also called rap music, is a music genre developed in the United States by African Americans consisting of a stylized rhythmic music that commonly accompanies rapping, a rhythmic and rhyming speech that is chanted. Mainstream hip hop culture is also filled with misogyny and negative images of women. These artists are unaware that sexism has been forced onto them through the brainwashing from the media, which is controlled by a patriarchal society. Conversely, feminism is the belief that both genders should have equal power.

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Hip-hop songs promote violent behavior and some of them drugs. And They used degrading lyrics towards women. An example of hip-hop songs promoting violence and bad behavior is this song: "You heard of us, official Queensbridge murderers. The mobb comes equipped for warfare beware.

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Sexism in Rap Music Adams, T. M., & Fuller, D. B. (2006). The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music. Journal of Black Studies, 36(6): 938-957. doi:10.1177/0021934704274072 The authors in the article The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music examine the use of sexist ideas in gangster rap and indicate the connection between popular rap music and the greater cultural image of how black women in history of the United States have been discriminated.

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