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What is sandra cisneros writing style in a house on mango street
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The House On Mango Street is written in a series of vignettes to emphasize essential events in Esperanza's life. Each of these contain important literary choices made by Cisneros to emphasize different things of importance in the book. The vignette “Four Skinny Trees” is extremely prominent in the book. Here, the use of symbolism, personification, and diction illustrates Esperanza's growth from a child to a young women, and the strength she has.
In the book “The House on Mango Street” there are three major characters that influence Esperanzas ambitions for her future, and let her change and grow as a person. People such as Mama, Alicia, and Sally give Esperanza a glimpse of what it takes to have a good life, and how hard you have to work to escape poverty. Esperanza is really ashamed of being poor, and not being able to wear nice clothes, but she soon learns that it does not matter what people think about you, and that her values are more important. When Esperanza begins desiring boys, she comes upon a girl named Sally, who boys find beautiful.
Although there are a variety of characters throughout literature that have made sacrifices that expose their values, none of them come close in comparison to the sacrifices of Esperanza in Sandra Cisneros’ The House on Mango Street. The consistent sacrifices displayed through Esperanza’s self-image, innocence, and cynicism express the struggles and desire for feminine individuality and respect that begin for many in childhood and dissolve into adulthood. Not only does Esperanza display these sacrifices constantly throughout the novel, the author’s use of her character as a beacon of catharsis to the reader symbolically represents the majority of women. Much like other women, Esperanza constantly tries to find herself throughout her own sacrifices,
Sandra Cisrenos’ The House on Mango Street features vignettes that exemplify a connection between the identity of Esperanza, the protagonist, and the setting. Esperanza explains that the way people react to her house “makes me feel like nothing.” (Cisrenos 5). People in the story, such as a nun, judge Esperanza as a person through the dilapidated house that she lives in. Negative comments regarding her living conditions, such as the one by the nun, hurt Esperanza’s feelings, therefore lowering her self worth.
House on Mango Street analysis essay: Hopes and Dreams In the House on Mango Street, a novel by Sandra Cisneros, she suggests the notion that hopes and dreams can be obtained even when people are at the bottom of the totem pole as seen in Esperanza’s desire to live in a better place and find friends. One way that Sandra Cisneros suggests this theme is when Esperanza feels ashamed of her current house and knows “she has to have a real house. One she can point to and feel proud of (Cisneros 5) Another example is when Esperanza and the nun are talking and the nun asks where Esperanza lives and she is forced to “point to the the third floor, with the paint peeling”
Through Esperanza, the protagonist of The House on Mango Street by Sandra Cisneros, we see life in a poor, working-class neighborhood in Chicago. As a character, Esperanza is characterized by her longing for a better life, her desire for independence, and her sense of self-awareness. Despite their similar struggles and aspirations, the other women in the novella approach these challenges differently, illustrating the diversity in their community. The character of Esperanza is complex, as she struggles with questions of identity and self-expression. In spite of her gender, ethnicity, and social class limitations, she refuses to let them define her.
In the article "In Search of Identity in Cisneros 's The House on Mango Street” Maria Elena de Valdes describes Esperanza as “a young girl surrounded by examples of abused, defeated, worn-out women, but the woman she wants to be must be free’’ (de Valdes). Esperanza desires to be like the woman in the movies “with red red lips who is beautiful and cruel” (88). Esperanza witnesses the abuse of her female neighbors by their husbands and wants to become sexually independent, not subjugated by any man. Esperanza does not want to “grow up tame like the others who lay their necks on the threshold waiting for the ball and chain” (87). After dinner, Esperanza “leaves the table like a man, without putting back the chair or picking up the plate,” (89) revealing her aspiration to be strong and independent.
Many girls desire a female role model from a young age. The way these women are treated, and deal with this treatment can heavily impact the way young girls view themselves, and their future as well. Sandra Cisneros’ The House on Mango Street brings attention to issues of sexism and gender roles. This is done through a series of vignettes about the main character Esperanza navigating life by the example of her many role models. Each role model impacts Esperanza in a special way, Sally who is married at 13, Marin who is waiting to be rescued by a man, and Alicia who is balancing school and home responsibilities.
The short story “The devil and Tom Walker '' by Washington Irving represents the beliefs of the Dark Romanticism movement. In the story Tom has a strong ego and he makes decisions that he later regrets. Tom bargains with the devil to gain wealth; however, when he later regrets his decision, he becomes a violent church-goer. In the end, though, Tom is unable to fix his mistakes. Irving's story illustrates three major tenets of Dark Romanticism which includes the presence of the supernatural, the belief that nature is dark and evil, and the belief that individuals are prone to sin.
In Sandra Cisneros’ The House on Mango Street, Esperanza, a young girl from Mexico, describes the unfortunate fact of her and her family –consisting of Mama, Papa, Carlos, Kiki and Nenny, as well as Esperanza herself- moving to another neighborhood far away from where they lived in the past. The story tells what happens after the family moves to Mango Street as well as some information about each character that Esperanza meets during her journey including descriptions about herself and her family, stating that Esperanza is the narrator in the novel. The novel is viewed through Esperanza’s eyes, as she shows everything around her illiberally, from her culture to the people and events she faces. The method of narrating the story language wise
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
As she transitions into womanhood, Esperanza gains a new understanding of weighty concepts such as gender roles. On Mango Street, she is exposed to a variety of females who fill the role model and non-role model categories. Specifically, Esperanza’s observations of the characters, Marin, Sally, and Alicia, reveal the oppressive or often dangerous roles placed on women and how they ultimately influence the development of her identity. Like many of the women trapped on Mango Street because of negative societal roles, Esperanza’s
The trapped women on Mango Street, Cisneros depict a row of third-floor apartments as jail cells. Some of the women are stuck because of their husbands, but Esperanza implies that some of them could do more to change their situations. Her capacity for both empathy and pity grows as she understands their particular stories better than the story of her great-grandmother, whom she never met. Esperanza’s long-dead
Sandra Cisneros, the author of the book The House on the Mango Street, conveys that girls or women do not have as much freedom as guys do, the girls or women are always ruled or controlled by someone mostly male, and they always have to be the one to follow the rules. As Esperanza grows up she observes many girls who are in the conditions that they are not supposed to be in. The girls have no freedom and they are always supposed to listen to the guy in the family. One observation Esperanza observes is that girls are controlled by men all the time and because of listening to men those girls are locked inside. For example as Esperanza says, “And then Rafaela, who is still young but getting old from leaning out the window so much, gets locked indoors because her husband is afraid Rafaela will run away since she is too beautiful to look at” ( Cisneros # 79 ).
“No, this isn’t my house I say and shake my head as if shaking could undo the year I’ve lived here (Cisneros 106).” This quote shows Esperanza’s unwillingness of accepting her poor neighbourhood because of the violence and inequality that has happened in it. In the House on Mango Street, the author, Sandra Cisneros, shows that there is a direct link between inequality, violence and poverty. The House on Mango Street shows women are held back by the inequalities that they face. Cisneros shows that racism prevents individuals from receiving job opportunities which leads to poverty and violence.
