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Slaughterhouse five analysis essay
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This passage from Slaughterhouse Five by Kurt Vonnegut, takes place on the planet of Tralfamadore, where the tralfamadorian is talking about the concept of free will, which is apparently, unique to earthlings. The passage goes on to further say that out of hundreds of planets, only on earth does the idea of free will exist. This passage argues that faith is futile, due to our lack of control of situations that occur around us. The tralfamadorian cannot understand the concept of free will. Free will, is the ability to make one’s own choices, however Slaughterhouse Five suggests throughout the novel, that free will, is not as free thinking as what was once thought.
In the book SlaughterHouse-Five, the main character Billy Pilgrim, is an anti-hero who jump travels through time and past events in his mind. Billy’s definition of what is going on is that he has “come unstuck in time.” (Slaughterhouse-five 1) The looming question is if the travels that billy experiences are actually true. Could a person actually know what is going to happen before it does, or jump from one moment to the next…
In Kurt Vonnegut’s book Slaughterhouse-Five he introduces the reader to biblical, literary, and historical references. One of the first references alludes to the Bible. Vonnegut writes about how “Lot's wife… was told not to look back where all those people and their homes had been. But she did look back… [so] she was turned into a pillar of salt”(Vonnegut 21-2).
Kurt Vonnegut acquaints us with Paul Lazzaro, who is a prisoner of war fascinated by revenge. Lazzaro tells a story about a dog who tried to bite him. Wanting revenge, Lazzaro puts razor sharp springs into a steak and pretends to be friends with the dog. The dog eats the steak, laced with springs, and eventually, blood started coming from the dog’s insides. Lazzaro later says that the sweetest thing in life is revenge.
A motif refers to recurring ideas, thoughts, or images that act as an idea that sometimes turn out to be the central idea of the whole story/book. In the book, Slaughterhouse Five, Kurt Vonnegut frequently uses color motifs to strengthen the true meaning of the novel. The Motifs is to bring back the reader or the audience to the unifying idea that the author presents. The recurrence of “blue and ivory” and “orange and black” in Vonnegut's book are a lot more than they are perceived as.
The prisoners of War were placed in hundreds of the camps in towns all across the America. The prisoners had their own unique experience. Some of the prisoners enjoyed their time in America. However, There were other prisoners who did not enjoy their time in America they were waiting for the day to come when they could return home to their families. During the wars the prisoners who were sent to POWs camps were treated differently by gender.
In the book slaughterhouse five by Kurt vonnegut, there are many deaths that contribute to the book’s meaning as a whole, it represents how death is something that takes place in everyone's lives. Vonnegut writes “so it goes” after every death or near death experience that a character in the book encounters to show how inevitable death is. Vonnegut explains, “The plane crashed on top of sugarbush mountain, in vermont. Everybody was killed but Billy. So it goes” (25).
When someone believes that it’s possible to time travel and get abducted by aliens, they clearly have a mental disorder. Kurt Vonnegut’s novel, Slaughterhouse-Five, though it is a fictitious novel, it contains serious and real content. It has its sadistic humor, but it is truly a war story where the outcomes are not good. The protagonist, Billy Pilgrim, is said to be unstuck in time and is abducted by aliens. Though, there is a lot against the reality of that.
The next example of Intertexuality Vonnegut chose to incorporate in Slaughterhouse-Five proves acceptance of war and death as inevitable part of life. Serenity prayer is used twice in the novel: firstly it appears as a framework hanging on Billy’s office wall and for the second time Vonnegut sees it on the inside a chain locket hanging around Montana Wildhack’s neck. Vonnegut’s incidental incorporation of visual materials puts him at the beginning of more recent experimentations in intermediality from the combinations of photographs and text in the novels of W. G. Sebald to the combinations of text and drawings in the graphic novels of Art Spiegelman and Joe Sacco. In the following image is the drawing of the pendant worn by BillyPilgrim’s Tralfamadorian lover above her naked breasts: Fig.2. Illustration of serenity prayer on Montana Wildhack’s locket from Slaughterhouse-Five (used by permission of Dell Publishing, a division of Random House, Inc.)Page 139 Vonnegut knew that through different narrative techniques he can tell his readers how the author feels apart from that he also knew that using illustration as a narrative technique describes the readers what you want them to see.
This summer, what made me chose to read the book, Slaughterhouse-Five, by Kurt Vonnegut was that last year we studied World War II in AP US History and I found it very interesting, and saw it as an event where I could understand what the narrator Billy Pilgrim was talking about. The book connects with me personally because I have had an interest in joining the military. I have been out to the Air Force Academy a couple times and have spent a week there at a cadet summer camp. I am well on my way to getting my private pilot’s license and have a dream to become a fighter pilot some day, so a book on the experience of a soldier in World War II peaked my interest.
Billy Pilgrim and Piscine Patel are two incredibly different people, who were both put in extreme situations out of their control. They both had to decide how much they wanted to live and how much they were willing to fight for it, but they ended up having very different ways of coping with and handling their respective conflicts. Despite the apparent similarities in their stories, Pi showed great willingness to fight for his survival, while Billy seemed to simply take things as they came. Despite being incredibly different stories, Slaughterhouse Five and the Life of Pi have many similarities in the way they play with the idea of what is real, and the possibility of the protagonists’ coming up with alternative, more unbelievable scenarios to justify what has happened to them as something aside from human cruelty. In both cases we are left wondering what really happened, thinking perhaps the conflicts they claim to have dealt with are really figments of their own mind that they’ve convinced themselves were real so they would have something to blame the nature of their problems on.
Kurt Vonnegut’s style of diction is abstract and neutral throughout the novel of “Slaughterhouse Five”. The following is an example of this: “I took two little girls with me, my daughter, Nanny, and her best friend, Allison Mitchell. They had never been off Cape Cod before. When we saw a river, we had to stop so they could stand by it and think about it for a while. They had never seen water in that long and narrow, unsalted form before.
How did Kurt Vonnegut use postmodern approaches to create an antiwar antinovel in Slaughterhouse 5? When Slaughterhouse 5 was published, it could have been considered as an outsider in the literary world. In the midst of the Vietnam war, it was preaching antiwar notions, and in a time where straightforward linear storylines dominated the media, Slaughterhouse 5 presented a challenging nonlinear plot. The nonlinearity in plots would later on become a staple of postmodern literature but Kurt Vonnegut missed the peak of the postmodern era publishing the novel in 1969; a decade before the peak in the 1980's.
Storytelling has been the epitome of human expression for thousands of years. Along with musicians and artists, talented storytellers use their work to share ideas with others, often in an effort to evoke emotion or to persuade people to think similarly. Every element in a story is carefully crafted by the author in order to communicate a desired message to his or her audience. In Slaughterhouse-Five, Kurt Vonnegut incorporates irony into the story to express his belief that fighting wars is illogical.
Writing has always been an issue but yet interesting subject of mine. As hard as I try and write essays, and papers I just can’t get the hang of writing. But after taking this class, I did learn different writing technique and improved my writing proficiency, material body of formatting, and how to uncovering and properly use sources. Through class exams, essays, and a research paper, I was able to learn new writing skills. Although I have learned a variety of things, my writing still needs improvement.