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Yashash Sthapit FYI 102 Engineering And Empire Dr. Jackie Holmes

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Yashash Sthapit FYI 102 Engineering and Empire Dr. Jackie Holmes. How a tale of galactic warfare hints at unlined racism. Star Wars is a fictional story of galactic warfare between two forces however George Lucas has sneakily added, in between the lines, a fantastic reproduction of orientalism of real life in the movie, making it relatable and gives an interesting play of politics. Orientalism and Engineering can be intersected in many ways. Part of the story takes us to Jedha, a foreign planet where the locals are aliens who eat slimy fish and other creatures caught from the ocean. A city on the planet was shown to be in ruins because of the colonization of the empire. They were mining Kyber crystals, a special type of resource found on the planet to fuel the Death Star. Lucas used the Death Star, a massive advanced technological weapon capable of destroying entire planets, as the power that the United States harnesses, possibly some sort of a bomb like the atom bombs dropped in Japan in 1945.. Lucas corresponded the city to an actual existing city in Saudi Arabia and the mining was interpreted for mining and digging for oil. …show more content…

Edward Said talks about orientalism in the Middle East part of the world. He points out the roles played by the middle-eastern people in Hollywood movies. When people watch movies where the people are treated as the desert people, fortune tellers or the people with magical abilities with lamps when rubbed will appear a genie who will fulfill one’s wishes, changing the way people view the culture in its entirety. As Hollywood evolved and events of the real world unfolded, the Islamic part of the world is portrayed as the bad guys and the people who spread terror amongst the US

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Presenter: Hi. Today I am going to be talking about how Muslims have been depicted in Hollywood after the events of 9/11. [PROJECTOR: IMAGES of the films that I have researched, fading in one by one as I am introducing them.] The films that I have chosen for my research are Iron Man (1), The Reluctant Fundamentalist (2), Zero Dark Thirty (3) and Argo (4).

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The term “magical negro” was first popularized by director and auteur Spike Lee and is defined as a black character with magical or spiritual abilities who aids a white protagonist. This group paper discusses the “magical negro” trope in film and how it relates to race and representation. In its examination of the stereotype an analysis of movies The Legend of Bagger Vance, Bruce Almighty, and Evan Almighty will cover how these films portray said stereotype and define any implications that come with it. One large aspect of the “magical negro” is how the black characters aid the white leads through the use of folk wisdom. A closer examination will showcase the difference between it and intelligence and demonstrate how problematic it can be.

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The marketing I found based on the film “Aladdin” which I felt focused attention to race, gender, and sexuality would be how most Disney movies are viewed by children the way that race is portrayed can have a negative effect on children learning. This essay summarizes the racial stereotypes in Disney movies. The paper will be focusing Disney’s Aladdin and how Arabian culture is portrayed in the movie. Research shows that Aladdin does racially stereotype Arabian, through the theme song, characters, and scenery appearance. The theme song shows racial stereotypes because of how the lyrics said, “Where they cut off your ear if they don’t like your face,” and it is offensive and barbaric to the Arabic community.

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Eastern culture people are usually thought about as being “villains” by the Western culture. Most Western people don’t know much about Eastern culture, or only hear the bad things that happen there on the news, and automatically assume Eastern people are evil. In many Hollywood films there has been Eastern people playing the roles of the bad ones. The movie Aladdin which is a kids film, has a theme song that isn’t painting a nice or real picture for kids. The song has a line that says “It’s barbaric, but hey, it’s home” that line is absolutely wrong, Eastern people and Eastern places are not cruel, however they are making kids at a young age believe that.

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Aladdin is like any other love story. The Rich girl that lives in a palace meets a “street rat” boy that can show her the ropes of real life? Typical. But it goes just beyond the love story, because it may be one of Disney’s most controversial movies ever made. Through the presentation of; characters and their traits, the music and lyrics, as well as language and dialect; Aladdin shows Middle Eastern culture through only racial stereotypes.

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This is the problem of the contemporary war movie– regardless how good it reconstructs the historical reality, it very often bears hallmarks of racism, because discrimination is inscribed in the everyday life of the past. Sometimes we should consider racist elements in war movies as the mindless reconstruction of the

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I decided to switch my artifact for the research paper from John Erick Dowdle’s No Escape (2015) to Francis Ford Coppola’s Apocalypse Now (1979) because I think this film is more suitable for what I want to research, which is how and why the media actively shapes Americans’ perception of historical events. I am also especially interested in the role Orientalism plays in this process. Unlike No Escape, Apocalypse Now has a lot more historical significance because it came out a few years after the Vietnam War (1955-1975) and is considered one of the most famous films about the Vietnam War. In addition to that, there is more room for debate about the significance of the film and its portrayal of Southeastern Asians.

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Mahfouz, as well as Said, shared a direct contact with the Arabian lifestyle because they grow up in that society. Mahfouz’s novel depicts the real world with the touches of the supernatural and mystic, but as a form of evil in the world not as exotic and uncivilized as the Europeans did. Mahfouz’s Arabian Nights and Days “takes new depths and insights as it picks up from where the ancient story ends” (Fayez 229). Mahfouz uses the Arabian Nights tales and Shahryar’s and Scheherazade’s society to portray the contemporary social and political issues of his people. Mahfouz aims to show various thematic concerns of the people of the East than the early versions left out.

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In “Some Are Born to Sweet Delight” written by Nadine Gordimer, foreigners and especially Arabs are portrayed as poor, secretive and different as opposed to the Westerners who are classified as “normal”. Gordimer represents this negative portrayal through the characterization of Rad and Vera. The negative representation of foreigners is made to underline and criticize the stereotypes and generalizations that Westerners tend to make about them. In this short story, Gordimer focuses on Arabs as her main representation of foreign populations.

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It is known that Arabian Nights has its origin in the eminent city and capital of Abbasid dynasty, Baghdad. In the days of this seventh century time period, the Islamic empire spread its huge cultural sphere from North Africa, India, Arabian Peninsula to Central Asia. Islam coexisted naturally with Christianity and Judaism, as well as Persian culture, Greek Hellenism and Indian civilization influenced its background. The distinctive nature of diversity in Islam accompanied by such cross-cultural activities had a great impact on the setting of “Aladdin and The Wonderful Lamp”. As mentioned earlier, the story is set in China therefore he was a Chinese lad.

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