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Yellow Wallpaper Sane

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What exactly defines one as “insane” versus “sane”, and where is the boundary between the two? Charlotte Perkins Gilman’s “The Yellow Wallpaper” explores exactly that: the short story initially seems to be a tale of a 19th century woman forced into the notorious rest cure popularized at the time by male doctors--however, as the plot progresses, it becomes a much deeper commentary not only on societal limitations imposed on women, but also on the blurred line separating sanity from insanity. Gilman explores the boundary between sanity and insanity with the usage of different literary elements; she expresses how the boundary is “paper-thin” through the usage of symbolism, shows the subtle conversion to insanity by utilizing a stream of consciousness …show more content…

Initially, the narrator is disgusted and irritated by the paper, claiming, “I never saw a worse paper in my life. One of those sprawling flamboyant patterns committing every artistic sin” (339). This reaction mirrors that of a sane person’s--fearing the unknown, they distance themselves from insanity and any iteration of it, seeing it as grotesque and shameful. Yet, as she spends more time in the room, she grows interested in the wallpaper and begins to investigate. She comes to the conclusion that: “I didn 't realize for a long time what the thing was that showed behind, that dim sub-pattern, but now I am quite sure it is a woman” (346). This observation also serves as the narrator recognizing the paper’s, or boundary’s, relevance to herself; she sees a “woman”--a reflection of herself--trapped behind the paper, confined by that thin line that separates herself from total insanity. Her behavior becomes obsessive: she keeps a constant vigil of the wallpaper at night, and claims that the woman behind the wallpaper “is all the time trying to climb through” (348). And the narrator aids her escape--as soon as she is given the opportunity: “I shook and she pulled, and before morning we had peeled off yards of that paper” (349). The destruction of the wallpaper is symbolic of her fully delving into the world of insanity. From this point

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The woman behind the wallpaper symbolizes her life right now and as a wife. Considered below her husband, she has no control over her life, and the shaking represents her trying to escape. However, her “escape” was descending into insanity as she wrote, “I’ve got out at last!... And I’ve pulled off most of the paper, so you can’t put me back!” (147).

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She proceeds to explain the contributing factors of the narrator succumbing to her “disease” of hysteria which was isolation from social interaction and the restriction of her own thoughts. She points out that the narrator is confined to a simple square room with nothing to offer in terms of mental health therapy. The narrator’s lack of the ability to interact with anything or anyone leads to infatuation with the wallpaper, which turns out to be “the

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During her time in the room she felt the room “at night in any kind of light, in twilight, candlelight, lamplight, and worst of all by moonlight, it becomes bars!” (Gilman 304). The narrator of the yellow wallpaper descends into madness to escape the cruel dominance of her society. As the story progresses the yellow wallpaper becomes a constant companion. She first dislikes the color and despises the pattern, but after closely studying the pattern “a strange, provoking, formless sort of figure that seems to skulk about behind that silly and conspicuous front design” and after obsessing over the painting she finds bars hidden.

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Emily Dickerson asserts “Much madness is a divinest Sense– To a discerning Eye–” which incorporates the idea that people who are different are given the title “mad”. Madness is described as a state of insanity, demonstrating foolish or unusual behaviors, or having a mental illness. In “The Yellow Wallpaper”, written by Charlotte Perkins Gilman, the author portrays a young woman who is struggling with depression and is driven to “madness” because of the failure of her peers to accept her condition/feelings. The Yellow Wallpaper was written in the Victorian Era when a woman's role in society was to be a wife and/or mother, while a man's role consisted of being the head of the household and the wife was their property. Exploited within this short story as the narrator's husband is controlling and conformation to society.

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1002 Words | 5 Pages

“Now why should that man have fainted? But he did, and right across my path by the wall, so that I had to creep over him every time!”(Gilman 244). The narrator describes herself becoming part of an inanimate object and escaping her confinement. When she becomes depressed after giving birth to her child, the narrator has strict orders to follow in order to “make her better.” As she follows the doctor’s commands and isolates herself from everyone and everything she loved, she loses her mental stability.

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618 Words | 3 Pages

Her relationship with the wallpaper is darker and more primal than Edna’s relationship with the sea. It stems from morbid curiosity brought on by her postpartum depression, which enticed the narrator into reflections about the nature of the paper and the woman trapped inside of it. The first instance where she viewed the wallpaper, she noticed that it was “One of those flamboyant patterns committing every artistic sin… The color is repellent, almost revolting; a smouldering unclean yellow, strangely faded by the slow-turning

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802 Words | 4 Pages

For one, she observed that “by daylight [the woman in the paper] is subdued, quiet” and that “it is the paper that keeps her so still”, and that the pattern is what keeps the narrator “quiet by the hour” and subdued as well (518). She continued to get progressively more and more obsessed and possessive of the room, even saying that she was actually “getting really fond of the room in spite of the wallpaper. Perhaps because of the wallpaper”, and when Jennie was looking at the pattern too, the narrator is determined that “nobody shall find it out but [her]self!” (515, 519). Towards the end of the story, she, although unknowingly, made a connection between herself and the woman in the wall paper, her marriage and the pattern in the wallpaper, the bars.

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544 Words | 3 Pages

Passage Analysis #1 Charlotte Perkins Gilman, “The Yellow Wallpaper” Gilman, in this particular passage of “The Yellow Wallpaper,” explores the theme of female oppression through imagery and symbolism of the wall-paper. These elements of literature make the wall-paper come to life for both the narrator and the audience. “The front pattern does move”(55) personifies the wall-paper to be so animate and physically restraining that the woman behind it must shake it to attempt to escape. The italicization of “does” serves to further affirm that the wallpaper exhibits restrictive human-like behaviors - particularly those of dominant men in society. The narrator states that there are “a great many woman behind”(55), extending the metaphor to all Victorian women in the United States and others around the world who are oppressed.

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1096 Words | 5 Pages

The narrator is a woman who is imaginative trying to make her mind think and realize the meaning of the yellow wallpaper. She describes the wallpaper as, “repellant, almost revolting; smouldering unclean yellow, strangely faded by the slow turning sunlight” (Gilman 641). This specific wallpaper makes the narrator feel a certain way. At first, she does not like the color or how it looks. But then not having anything else to do in the room, she starts examining the wallpaper.

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Madness often occurs when somebody desires something that is not accessible to them. When somebody cannot have what they want most, they can go insane yearning for it. For example, if an individual struggling with alcoholism attempts to go sober, they will likely experience withdrawal symptoms because their body is so used to having alcohol that it has forgotten how to function without it. During this withdrawal period, the individual may crave alcohol to the point that their psychological instincts take over and they will do absolutely anything for a drink. In The Yellow Wallpaper by Charlotte Perkins Gilman, the narrator goes insane in her longing for freedom.

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797 Words | 4 Pages

She becomes obsessed with the patterns of the wallpaper, but she mainly notices a woman that she thinks is trying to free herself from the confines of the wall. During the day this woman is still, but when night time comes around, it seems as though the woman creeps around. Towards the end of the story, the narrator has a breakdown and thinks that she is this woman inside of the wallpaper, and begins to perform similar actions like creeping around. This meaning of this scene is simple cause and effect. Not only did she already have postpartum depression, but she is basically trapped in this house for a whole summer with nothing to do so she can heal.

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1008 Words | 5 Pages

Martin states that the narrator’s confinement in the upstairs bedroom fortifies her mental illness developing into “a frightening hallucinatory world constructed around the pattern of the yellow paper on the wall.” This shift in her identity happens as the shift in her disposition towards the wallpaper changes. The wallpaper is a visible metaphor that eventually becomes her identity. In the beginning of her stay in the bedroom she says the wallpaper is “committing artistic sin” (Par34) and can push anyone to “suddenly commit suicide” (Par35) These comments show her despise towards the wallpaper and the separation she originally has from it.

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814 Words | 4 Pages

The vast majority of people wouldn’t give the wallpaper much thought, however the narrator becomes obsessed with it. To the narrator, the wallpaper is alive and becomes the focus of all her time. Her overwhelming lure to the wallpaper becomes obvious when she first provides a very vivid description stating “It is dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide – plunge off at outrageous angles, destroy themselves in unheard of contradictions” (217-218). As she begins to lose her grip on reality, the narrator beings to see faces and eventually a woman within the wallpaper. At first, her description of seeing faces in the wallpaper seems like it could be her mind making since of the varying patterns or just part of her imagination.

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562 Words | 3 Pages

(678) in this statement she is challenging herself and this shows the reader she is facing some confusion. The yellow wallpaper in the main characters (the narrator) bedroom is a major point in the story. The yellow wallpaper plays a major role in the woman’s insanity. The woman’s obsession with the wallpaper creates her problem and affects her mind and judgment. This is shown in, “It dwells on my mind so!”

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1155 Words | 5 Pages

Enclosed to the four wall of this “big” room, the narrator says “the paint and paper look as if a boy’s school had used it” because “it is stripped off” indicating that males have attempted to distort women’s truth but somehow did not accomplish distorting the entire truth (Perkins Gilman, 43). When the narrator finally looked at the wall and the paint and paper on it, she was disgusted at the sight. The yellow wallpaper, she penned, secretly against the will of men, committed artistic sin and had lame uncertain curves that suddenly committed suicide when you followed them for a little distance. The narrator is forced to express her discomfort with the image to her husband, he sees it as an “excited fancy” that is provoked by the “imaginative power and habit of story making” by “a nervous weakness” like hers (Perkins Gilman, 46). Essentially, he believes that her sickness is worsening and the depth of her disease is the cause of the unexpected paranoia.

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