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Yolngu Boy Essay Questions

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Despite living in a time of formal equality respecting all forms of cultures, religions and genders, Indigenous Australian youth are still confronted by multitudinous challenges growing up in contemporary Australian society. This essay explores the film, ‘Yolngu Boy’ to gain an understanding of some of the issues and challenges Indigenous Australian youth face today. The reasons investigated are why the Australian Indigenous Australian youth are continuously being affected, connected and interdependent to both a dominate White culture and Indigenous Australian culture. Long histories of colonisation and discrimination have resulted in marginalisation of Indigenous Australians and Torres Straight Islanders from dominant societies (GrantCraft, …show more content…

The way Indigenous Australian youths in the film are connected to their ancestors and Indigenous Australians culture and history is through Lorrpu, who is traditional and wants to follow in the paths of his ancestors of becoming a man. Lorrpu is exceedingly connected to his traditional routes within his tribe, and he looks forward to becoming a man from his forthcoming ceremony by having approval from the most powerful elder, Darwu, just like his previous ancestors and generations did. Lorrpu is more of the traditional youth in the film and does not have much aspiration for the Western culture. Through the film, Lorrpu is seen as the leaders of his friends, Botj and Milika since they were children. Lorrpu always dreamed of him and his friends becoming the best spear fisherman, lurking slowly through the water, and always catching the biggest and finest fish. This shows how Indigenous Australian youths are still connected to their cultural influences by their traditions, previous ancestors and generations and discovering their identity. Also, this discovers that the boys are following their traditional tribal rituals by spear fishing and …show more content…

This has occurred in harsh stereotypes, marginalisation, racism and colonisation which still greatly affect the Indigenous Australian youth of today. Currently, both Western and Indigenous Australian cultures are interdependent by society’s law, media and education. However, the Indigenous Australians are connected to their culture by being influenced by their family and elders of their community and their culture beliefs and traditions. Although the two cultures are interdependent by law, media and education, and more actions need to be taken in order to ensure that racism, colonisation, discrimination, marginalisation and stereotypes in social change is greatly needed before the Indigenous Australians lose their identity and

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This relationship displays an interdependence unique to the Aboriginal and Western cultures, as the success of both ethnicities are reliant upon one another. The motion picture, ‘Yolngu Boy’, exhibits this correlation through the character of Milika. Milika, a young Indigenous boy, struggles to form his identity within the traditional customs, as he wishes to utilise his athletic abilities to pursue a career in the Australian Football League. This sporting competition provides Milika with opportunities outside of the remote community he hales from, while his athleticism contributes immensely to the quality of sport the modern Australian society thrives off

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"The Australian Dream," a thought-provoking documentary directed by Daniel Gordon, skillfully constructs voices that lead viewers to question the values of Australian society. Through the adept use of visual and audio techniques, as well as documentary conventions like interviews and montages, the film exposes the painful realities faced by Indigenous Australians, challenging the widely-held notion of an inclusive Australian Dream. In this essay, we will explore how the construction of voice in "The Australian Dream" has shaped our response to the concept of the Australian Dream and shed light on the deep-rooted racism that continues to plague the nation. By delving into the vulnerability of Indigenous Australians and scrutinizing the role

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For instance, a Queensland study on the ethnicity of young people moved on has found that Indigenous background represent the 37% of respondents, despite the fact that Indigenous youth only accounts for the 4% of Queensland youth population (Spooner 2000, 27). This over-representation may be resulted from the ‘moral panic’ framed in our society and ideal to govern the risk in our society. According to White (1999, 39), the greater surveillance and intervention of Indigenous young people in public places is due to their high levels of contact with the criminal justice system. The overrepresentation of indigenous people in the criminal justice system may cause their generalisation as a greater threat for public order compared to others in society, which may lead their representation as ‘moral panic’ and the increase in community’s anxiety of this group.

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In Engaging and empowering aboriginal youth: A toolkit for service providers the author explains the importance of our shared history and recognizing this. “Within our shared history of colonization and assimilation, there is an obligation of the part of individuals and organizations in the dominant culture to find ways to balance out historical wrongs by helping to bring wider recognition to the immense value of indigenous knowledge and ways of practice” (Crooks, Chiodo, & Thomas, 2009, p. 3). To take an approach of respect and look at the history in which youth today may be dealing with. This can be done by changing program to make sure it is socially, and culturally appropriate.

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