Cinema of Japan Essays

Not only Samurai is popular in Japan, it also brings attention from the Western country towards its tradition. Since Seven Samurai (Shicinin no Samurai, 1954), directed by Akira Kurosawa known as the most reputed samurai film directors, became well known to the world, films associated with samurai then continue to appear throughout the visual world until the mid 1970s when it started to fade away. Thereafter, in the 21st century, samurai films slowly reappear in cinemas whereas the character role is

Akira Kurosawa’s film Rashomon is a frame story set in the Heian period of Japan. Based on a short narrative by Akutagawa Ryunosuke, Rashomon recounts the incident of a murder of a man and the rape of his wife. To investigate this tragedy, the film revolves around the eye-witness recollection of this occurrence through of several onlookers such as a woodcutter, a bandit, a samurai, and the samurai’s wife. To exemplify one of the witnesses, the first person to be summoned to testify is the woodcutter

Because of its regular top of the list in most film polls, Tokyo Story has gained a considerable reputation in the eyes of film lovers and critics over the years. The Japanese drama film was released in 1953, having been written by Kogo Noda and Yasujiro Ozu who is also the director of the film. Yasujiro Ozu is a described as a master of the art in filming who reigned in the period 1903 to 1963, he was entirely dedicated into his work which explains his success in the industry. The storyline of the

In 1985, Akira Kurosawa created Ran, a Japanese film adaption of Shakespeare’s tragedy, King Lear. The women in Ran are stronger and portrayed more feministically than in Shakespeare’s original play. Although Kurosawa changed the three main female characters to men, it was an action taken to accurately portray Japanese culture and should not be taken as offensive or antifeminist, in addition Kurosawa adds strong female characters that were not present in King Lear. In Shakespeare’s play, the three

Funny Games is a bruised forearm movie (your date seated beside you bruises your forearm by grabbing it too hard because the dude with the oversized chainsaw just completely feminised the hell out of that handsome jock). It is one of the most viscerally assaulting pictures ever produced; a film so utterly subversive in craft that rivals the greats of Hitchcock or Carpenter. “Funny Games” is a masterwork of horror, a film that pierces our minds with stunning imagery, symbolism, dark humour and, implicit

a work, being one of the first franchises to leave Japan after the Second World War. I would dare to say that it was the work that allowed Japan to resurface from its foundations and then become the power that it is now. Called Gojira in its original language, the Japanese, it is a fictitious monster very popular in the twentieth century film culture. It appeared for the first time in 1954, in the film 'Gojira', produced by Toho Studios in Japan. To date, he has participated in 37 films of Japanese

and Raise the Red Lantern. Through this film selection I will encompass important social contexts from Japan, China, and India. Each film I will talk about key futures that illustrate social and cultural components of each country, and how they are illustrated the cinema. Japan has played a large influence on the idea of what Asian cinema pertains to be. Many western viewers idealize Asian cinema as anime. However, throughout this class, we discovered that Japanese film industry much larger than just

cultural and social impacts of the Star Wars saga. I personally find this topic very interesting due to some of the stark similarities between some of Akira Kurosawa’s work and George Lucas's Star Wars and I hope to show them in this report. In 1910 Japan Arika’s father Isamu, a school teacher decided to start taking his son to see American Westerns like John Ford films instead of Japanese films. Isamu was open to western

regime) and South Korea (capitalist regime). In 19th century powerful nations: Japan, USA,

content was largely inaccessible to audiences outside of Japan in the early days of anime and was namely found at conventions and specialty stores. Yet as J-Pop/Rock continued to grow in marketability, more stores started to include these albums in their world music sections or with anime

blockbuster regarding the relations between North and South Korea (after Shiri, JSA and Silmido), broke the records of both budget with $12,8 millions and admissions with 11.74 million spectators in the country's cinemas and winnings bordering on $70 million. Furthermore, it was a success in Japan with $9,7 million earnings and it was also released in the United Stated, earning $1,1 million. A testament to the scale of the production are the years of research spent to ensure historic validity, the huge

The postwar Japanese cinema is regarded as the Golden Age of Japanese cinema. The films produced during that period also underwent a major transition since the start of the war. In the first part of this academic essay, I will touch on the brief history of films produced during the war and how the global, political and industrial development after the war helped to kickstart the film industry into the Golden Age. In addition to that, I will talk on how the change in conditions mentioned above led

Film Industry The film business or movie industry essentially thinks of the mechanical and business establishments of filmmaking, i.e., film creation organizations, film studios, cinematography, film generation, screenwriting, pre-generation, after creation, film celebrations, circulation; and performers, film chiefs and other film team personnel.If we can contemplate different elements or parts ,we will never turn out badly as this industry is enormous and the extension is immeasurable. In spite

put together and meaning, are integral to the film. Reflexivity in film is distinguished as a film that is self-aware. A film that is aware of the process that has been taken to produce a film, the illusion that is usually created in main stream cinema is not present instead the audience are made aware that the film is simply an illusion i.e. “The fictional nature of a story can be suspended only by a direct communicative act, which is not mediated by the conventions of the fiction itself. Reflexivity

The film Avatar is a movie with vivid colors and images. The director and writer of Avatar is James Cameron, he won best director, movie and best picture. In 2009 it was one of the highest grossing films that came out due to the fact that it was budgeted at over 237 million dollars. There were many scenarios portrayed in this movie, but the one that caught my attention the most was greed. I want to recount the scenes in avatar that depicts that greed was shown through the use of technology. The Avatar

The film Bicycle Thieves (1949) directed by Vittorio De Sica, is an Italian Neo-Realistic film set in post-war Italy. The film follows Antonio Ricci and his son Bruno on a quest to retrieve his stolen bike in an attempt to remove himself and his family from the cycle of poverty. Bicycle Thieves (1949) discusses themes of struggle and desperation causing one to sacrifice their morality and become the evil they initially fought. De Sica expresses such themes to the viewer through the culture of poverty

Film theory is a gathering of interpretative systems created after some time keeping in mind the end goal to see better the way movies are made and got. Film hypothesis is not an independent field: it acquires from the controls of logic, craftsmanship hypothesis, sociology, social hypothesis, brain science, artistic hypothesis, etymology, financial matters, and political science. Medium specificity: Early film scholars had two primary worries: to legitimize silver screen as a work of art and to

Author: Sangeetha Alwar Dialoguebaazi (flair for dialogues) is the backbone of Bollywood 's flamboyant personality. Right from bombastic and florid to pedestrian and monosyllabic, it 's all about saying the right words at the right time. From dances around trees to scantily clad women gyrating to tuneless music in nightclubs, in Bollywood, we have it all. It is one of the largest film production centres in the world. So the question of the reach and success of Bollywood is, lets face it, pointless

Imagine getting put in jail for nineteen years for stealing a loaf of bread. This is what Jean Valjean had to experience. Jean Valjean, the main character of Tom Hooper’s drama Les Miserables, gets out of prison, where he was put for stealing a loaf of bread, at the beginning of the movie. After being told that he’d be let out of jail, his dreams of living a normal life were utterly shattered within a couple seconds. This happened because Javert gave him a slip of paper marking him as a ‘dangerous’

Films are reflective of cultural values, with each genre representing a different facet. The Western genre is perhaps the most iconic; fueled by masculinity and valor, with smoking guns, dashing heroes, and wicked villains, watching these films is an exciting experience. Beneath their dramatic, riveting surface, is a compelling narrative form, upheld by numerous authors over the past hundreds of years. The basic form of the western involves a hero, a villain, and a woman. With the villain always