Cinematography Essays

  • Cinematography In Rashomon And Ida

    963 Words  | 4 Pages

    Merriam-Webster defines cinematography as, “the art, process, or job of filming movies,” and a large aspect of this art has to do with lighting, framing, and camera movement. In the films Rashomon (1950) and Ida (2013), cinematographers use these tools to tell their stories in a beautiful, complex way. Good acting, on its own, is a crucial component of filmmaking, but when combined with good cinematography classics are created. This paper will provide an analysis of the cinematography used to create the

  • Cinematography In The Graduate

    535 Words  | 3 Pages

    graduated from college. Benjamin is confused and lost young man who is uncertain of where his future is going to lead him to. The theme of loneliness and seclusion joined with the subject of confused love and sex is captured throughout the film with cinematography. The film opens with a close-up of Benjamin’s lost and zombie-like face and then slowly zooms out to show him in an airplane heading back home. In the beginning scenes of the film the camera shows Benjamin having

  • The Five C's Of Cinematic Analysis

    904 Words  | 4 Pages

    A book by Mascelli, J. V. called The Five C’s of Cinematography reveals the filming techniques of a motion picture. It is one of the most significant and influential book on filmmaking ever printed and the Five C’s which are Camera angles, Continuity, Cutting, Close-ups and composition; helps readers understand why certain visual or technical choice would trump over others. A Research article called Attention and the Evolution of Hollywood Film by Cutting, J. E., Delong, J. E., & Nothelfer has also

  • Cinematography In Birdman

    2106 Words  | 9 Pages

    Soh Wan Qing U1430464B Mr William Phuan CS8119: Cinematography in Birdman (2014) This essay talks about the use of cinematography in the scene where the protagonist – Riggan Thomson enters a room and had a conversation with his daughter in the film Birdman. Birdman is set in New York City in a time where theatre shows were losing their significance in the entertainment industry. The film is about Riggan trying to salvage his career through a Broadway show while his ego portrayed as Birdman threatens

  • Citizen Kane: Classic Hollywood Cinema

    509 Words  | 3 Pages

    the shooting is done also becomes very critical. The use of deep focus has provided a lot of insights into stage trainings that have enabled actors to become firmly placed in every scene. There is a perfect combination of acting techniques and cinematography. Apart from the deep focus

  • The Use Of Motifs In Citizen Kane

    502 Words  | 3 Pages

    the story. They can be seen through sounds, objects, costumes, the lighting, and even the camera angles. In this case, one motif that stuck out to me in the film was the repetitive nature of low angle shots. For a film that came out in 1941, the cinematography and camera work are incredible and very thoughtful. To capture the low angle shots, the camera would be

  • Cinematic Techniques In Citizen Kane

    1098 Words  | 5 Pages

    flashbacks to Kane 's life as well. The movie its self also has multiple narratives, with a little something that everyone can find a point to enjoy in the movie. Citizen Kane is the best film in existence because of the multiple techniques used in the cinematography, it spans multiple

  • Technicolor And Strip Color In The Wizard Of Oz

    398 Words  | 2 Pages

    the use of Technicolor and three-strip negatives you see that it was a big thing for a movie to have color and took a lot of time and energy to create such a film. The Wizard of Oz, also known as “Production #1060,” called for lush Technicolor cinematography and costly special effects. Technicolor was a look that

  • La La Land Film Analysis

    767 Words  | 4 Pages

    Damien Chazelle’s American musical film, La La Land (2016), with Director of Photography Linus Sandgren, won about six awards at the Oscars. One of the awards they received is in the Cinematography category. I personally agree with this voting because this beautifully-made film shows, not tells, the story. In the beginning of the film, the viewers see the story from Mia’s point of view, but the story later goes back and switches to Sebastian’s point of view. This is a remarkable technique that visually

  • Analyzing Orson Welles Citizen Kane: Classical Hollywood Realism

    1941 Words  | 8 Pages

    cinematic style. Although traditional realist aspects were implemented in the film, it is Welles’s departure from the classical continuity editing and cinematography that most effectively establishes realism. The unconventional techniques that Welles uses in Citizen Kane are deep focus cinematography and longer takes. The use of deep focus cinematography captured all objects in the frame, regardless of their

  • Amores Perros Vs Bicycle Thieves Essay

    760 Words  | 4 Pages

    How do the two films compare and differ with regards to various realist traits: Amores Perros and Bicycle Thieves In this essay I will be comparing the two films: ‘Amores Perros’ and ‘Bicycle Thieves’. Amores Perros is a 2000 Mexican drama thriller, directed by Alejandro González Iñárritu. Bicycle Thieves is a 1948 Italian neorealism film directed by Vittorio de Sica. Both of these films are considered realism. I will compare the similarities and differences in regards to various realist traits

  • Citizen Kane: Film Vs Classical Hollywood Film

    607 Words  | 3 Pages

    From time to time, a movie comes along that breaks the mold of what a movie is suppose to be. It takes the audience to a new level on what is possible and how the story can be told in a completely different light, both figuratively and literally. In 1941, Olsen Welles accomplished this feat with his groundbreaking film “Citizen Kane”. Compared to many of the movies of the time, Citizen Kane’s narrative and technical aspects were dramatically different than the classical Hollywood cinema of the time

  • The French New Wave: A Film Movement In The 1960's

    1712 Words  | 7 Pages

    The French New Wave was a film movement in the 1950’ and 60’s that consisted of an explosion of new film techniques, values, and styles that became a defining moment of cinematic innovation that’s impact is still present in the modern film industry. An influx of new, young directors sought to narratively, ideologically and stylistically veer off from the dominant, traditional mainstream cinema production standards and redefine the French film industry. The movement didn’t happen overnight and its

  • Examples Of Mise En Scene In Citizen Kane

    565 Words  | 3 Pages

    Citizen Kane (Welles, 1941) was a movie ahead of its time. There were many techniques used to film the movie that had not been done as effectively before. One of the techniques used was deep-focus cinematography. Deep-focus is a technique where everything on camera is in focus; background, middle ground and fore ground. With the use of deep-focus, the mise-en-scène becomes more important. Mise-en-scène is everything the audience sees, hears, and experiences in the movie. It is the overall feel

  • Shot Analysis: Citizen Kane

    1038 Words  | 5 Pages

    Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides

  • Film Analysis: No Country For Old Men

    1482 Words  | 6 Pages

    Whenever a filmmaker has a task of making a scene, often times the main objective is to simply create a scene that can either be deeply metaphorical or very simplistic in its craft and form. This can derive from a simple shot/reverse shot on two characters to adding several objects that will overall pertain to the narrative of the film. For the Coen Brothers, they were able to achieve a sort of depth and complexity to a scene in its simplest form. Whether it is A Single Man, Fargo, or True Grit,

  • Cinematography In Casablanca

    485 Words  | 2 Pages

    The cinematography in Casablanca overall directs the audience’s attention while skillfully revealing not only the characters’ emotions, but the audience’s as well. The element of close-ups in this film’s cinematography is something that stood out to me from the very beginning. Throughout the entire film the use of close-ups directed the audience’s attention to the speaker as it would take a major distraction to unglue the audience’s eyes from the character’s that are being emphasized. The audience

  • Citizen Kane Research Paper

    1099 Words  | 5 Pages

    consecutive Sight & Sound polls of critics, until it was displaced by Vertigo in the 2012 poll. It topped the American Film Institute 's 100 Years ... 100 Movies list in 1998, as well as AFI 's 2007 update. Citizen Kane is particularly praised for its cinematography, music, and narrative structure, which were innovative for

  • Citizen Kane Critical Analysis

    1424 Words  | 6 Pages

    Citizen Kane is one of the most famous movies of all time. It was made in 1941 starring Orson Wells himself as the titular character. The film was also directed, co-written and produced by Wells who was 26 year old at the time. In this essay we are going to look at the movie itself offering a brief summary and a depiction of its themes, how the American culture of the time influenced the movie and its plot and we’ll finally examine what things make this movie particularly revolutionary for its time

  • Theme Of Manhood In Friendly Persuasion

    784 Words  | 4 Pages

    For every movie made, the writer has placed a main, central theme as the backbone of the entire movie. People can recognize this theme without much thought. In addition to this main theme, the writer places multiple subsequent themes into the film. These themes are less noticeable than their primary counterparts. The 1956 movie Friendly Persuasion contains multiple auxiliary themes, one of which being a boy’s steps to manhood. Today’s culture sees manhood as being strong, fighting and doing