The Ambassadors Analyst Hans Holbein is one of the most accomplished portraitists and artists of the 16th century. While he spent two periods of his life in England (1526-8 and 1532-43), he was portraying the nobility of the Tudor court. Holbein's famous portrait is called The Ambassadors, is located at the London, National Portrait Gallery. Holbein the creator of The Ambassadors did a nice piece of art. The man on the left side of the picture is Jean de Dinteville, a French Ambassador to the court
With the themes of humanism, rationalism, individualism, exploration, advances in science in the Renaissance period, Holbein tries to capture and incorporate these themes in the painting to express that moment in time. Furthermore with the beautiful, intricate detail and the use of symbolism help create a movement for humanity and make this painting
different colors. In Germany, it was usual for one leg to be yellow and the other black, slashed with taffeta. Slashing spread to women’s clothing, but was never as prevalent. To the left is a portrait of a young woman from the workshop of Hans Holbein the Younger, from Augsburg, Germany around 1540-45. It is a great example of red slashing in the woman’s sleeves. (Dresden) This extravagant fashion was more suitable for breeches than for large areas of fabric such as
In the novel Wolf Hall by Hillary Mantel, the author grants insight into the burning of a so-called “heretic” by the name of Joan Boughton through John Foxe, author of Foxe’s Book of Martyrs. The episode is described in improvised detail by Mantel from the view point of a young Thomas Cromwell. Mantel’s account includes the securing of Mrs. Boughton to the stake she would be burned at, the sound of her screams as the fire licked her flesh, the jeering of the crowd, the primal enjoyment had at this