Kelly McGillis Essays

The sixth page of the statement of the witness Anita Nemeth from 28th March 2018 On 27th July 2016 or 28th July 2016 the police arrested my husband in Belfast for the reason of being extradited to Slovakia, and before happening so, he will be held in the custody. Also during this period, when the husband was in the custody and I was alone with my son, Tibor Kozlik came to me with his son Patrik Horvath. This was at the address 12 Seaview Street, Belfast. Parik Horvath told me that some kind of dangerous

The comparison of Douglas Adam’s novel The Hitchhiker’s Guide to the Galaxy written in 1979 and James Cameron’s 2009 film Avatar examines the consequences of valuing technology and a transformation of an individual through self-actualisation. Despite the difference in the transition from the 1970s, the beginning of modern computing to the 21st century, the period of Digital Revolution and the increasing rise in Third World consumerism, some aspects of human nature remain consistent. Both texts explore

The Character Evolution Of Jeff and the Realizations he Faces Rear Window by Alfred Hitchcock is a film full of symbolism and motifs that provides viewers with a bigger meaning. It shows these rhetorical appeals through Hitchcock’s eyes that would not be recognized if not analyzed. Through these appeals I have recognized the window as being a symbol and marriage and binoculars as motifs. After understanding much more than what the eye initially sees when viewing this film, there is a fine line between

“We’ve become a nation of peeping toms,” states James Stewart’s nurse, played by Thelma Ritter, in Alfred Hitchcock’s 1954 film Rear Window. Ritter’s comment ironically foreshadows events later in the film, but simultaneously provides a critique of the voyeuristic nature of cinema itself. Rear Window’s marketing campaign and public reception both center on the notion of ‘peeping,’ but present differing standpoints on Hitchcock’s exhibition and apparent promotion of the morbid curiosity at the root

Alfred Hitchcock’s film “Rear Window” illustrates the ideas on how jeff’s vo yeuristic behaviour coincide throughout the movie. The obsession of the protaganist in observing his neighbourhood resulted in solving a murder cause and helps to fix his relationships to his fiancé. This motion suggest that Hitchcock take a stance on Jeffries voyeurism as this character gained a lot of positive outcome through this impulsive and unworrying behaviour. The author also used some supporting characters like

It had been claimed that Ned Kelly had taken up arms in April 1878 for the intention of shooting police but as six months had passed since the alleged shooting of Constable Fitzpatrick (who would later be dismissed from the police force as a liar, drunkard and perjurer) and the Stringybark Creek tragedy, there was not a robbery or any other offence reported of having been committed by Ned or his brother Dan. After his mother was convicted (and two innocent men) for aiding and abetting in the shooting

People seem naturally curious of others, Hitchcock discusses the idea of privacy and a human’s natural interest in others’ private lives. Rear Window becomes a classic film not just as a Hitchcock film but an introspective idea about human nature. Hitchcock uses the medium to show a part of him and the curiosities he wants to delve into with the concept of voyeurism. Using film techniques, such as the placement of the camera to the music, Hitchcock becomes transcendent with the genre of thriller

Rear Window (1984) directed by Alfred Hitchcock depicts an injured and house-ridden photographer peering out into the local neighbourhood and discovering something gruesome. The film explores many themes such as voyeurism and morality in a grey light that leaves the audience unclear of what morals the film suggests. However, Rear Window morals strongly suggest that individuals must not delve into the personal affairs of others. Characters in the film such as Tom Doyle and Stella provide a voice of

In Rear Window, Alfred Hitchcock explores the ambiguous nature of voyeurism, yet argues human nature vindicates the “harm in looking”. To reel audiences into the debate, Hitchcock presents them with the commonplace, knee-jerk response to voyeurism for consideration. Situating the viewer into the cynical protagonist’s perspective, the structure of the set enables the audience to “look” from Jeff’s rear window into the screens of his neighbours as a source of entertainment. Yet, Hitchcock elucidates

Rear Window is a film that is developed with the style of subjective treatment or subjective camera shots. Subjective treatment as stated before is more of a personal shot where one is observing the action unfold through a characters point of view. As a matter of fact that is also what a subjective treatment is called, a point of view shot. Versus the use of objective treatment that is used in the film Rear Window too. Objective treatment however, deals more with the physical aspect of a movie. As

Camera narration is crucial to the effect the movie has on its audience. It is noticed that the viewer rarely gets close to the apartments or characters across the courtyard. The viewpoint is mainly fixed to Jeff’s apartment, apart from a few occasions where the camera plunges out of the window. The fronts of the buildings facing the main street are never shown either; instead all of the action takes place within the mystery and secrecy of the backyard, hence the title name ‘Rear’ Window. Perhaps

People view a hero as someone who works to save people from any sort of evil. A hero is meant to be “perfect”. In contrast, an Aristotelian tragic hero suffers a single great flaw, leading to their ultimate downfall. The flaw is known as hubris, which is defined as excessive pride. These elements are found in William Shakespeare’s tragic play, Macbeth. Macbeth begins the play as a war hero, but in the end, he is killed for his evil ambitions. Throughout the play, Macbeth makes choices that affect

1) Three elements that are of great importance to a successful screenplay are sex, patriotism, and violence. These three elements are what brings in the audience to the movies. Sex is an element which sells very well and has a huge audience already. For instance, the Fifty Shades of Grey trilogy is surrounded by sex and captivates a huge audience to come in the theatre. Patriotism is also a great element because the audience is already rooting for somebody in the film. Patriotism also drives the

Someone once said, “Loyalty isn’t grey. It’s black and white. You’re either completely loyal, or not loyal at all. And people have to understand this. You can’t be loyal only when it serves you.” In the novel The Kite Runner by Khaled Hosseini expresses a main idea about loyalty. Throughout the story, the author shows us that a way to be good is to be loyal to family and friends. First of all, because Hassan showed his loyalties lay with Amir, he shows he is honorable. For example, when Hassan and

The film One Hour Photo directed by Mark Romanek contains a plot of a technician at a one-hour photo lab. The character's name is Sy Parrish is played by the famous Robin Williams. This middle-aged character is lonely and depressed, but his job makes him feel as though he knows a lot of people because of their photographs. Including his all time favorite family the Yorkin's. He has been developing their photos for an extensive time period. He has fancies that he would be the favorite uncle. Although

In the book, Murder in the Bayou, Ethan Brown takes the reader through the murky waters of Jennings, Louisiana as he recounts the gruesome history of eight female murders known as the Jeff Davis 8. With police records and witness accounts, Brown uncovers that the murders are anything but your regular killings. Instead, Brown hints at a unnerving and inappropriate relationship shared by The Jennings Police Department and Jenning’s street hustlers and drug dealers. According to Brown (2017), “The Jennings

The film 'Rear Window' (1954), directed by Alfred Hitchcock, is an examination of voyeurism as a moral dilemma faced by both individuals in an ordinary neighbourhood, and by the Government during a time when suspicion and paranoia were rampant in America. Hitchcock's own view on the topic is not immediately clear; he presents the idea of spying on others in both a positive and negative light. In doing so, he may be commenting on the ambiguity of what is right or wrong in such circumstances. Rear

In the movie Rear Window, the binoculars and camera Jeff used in the film are his own perspective of his fears and desires he has with Lisa. When he sees Thorwald and his wife through the binoculars, it represents Jeff’s greatest fear of a marriage gone wrong leading to the murder of a significant other. As he spies on Thorwald covering up the murder of his wife the audience sees through the binoculars lenses what Jeff fears the most if he starts a meaningful relationship with Lisa. These lenses

Introduction For the final deconstruction paper, I chose the opening of Meshes of the Afternoon a 1943 Hollywood film directed by Maya Deren and cinematographer Alexander Hamid up until the actor closes her eyes just before she sleeps and before the dream. The film concerns the main cinematic element of slow disclosure, while delving into the secondary elements of multi-angularity, camera movement, and familiar image. The paper will deconstruct the opening scene’s cinematic structure shot-by-shot

In Sidney Gottlieb’s article on “Alfred Hitchcock’s Rear Window: The Pleasure and Dangers of Looking”, they thoroughly explain how Hitchcocks direction of the movie such as filming angles lures the audience in being about the same position as the characters, by looking at the movie of people looking at people looking. They go into detail how looking can be both good and bad, with a bit of focus on the bad towards the end which correlates to the unwrapping of the crime in the movie and the onlocker