Landscape art Essays

to the subject of art, Thomas Cole is a name that will forever play a large role in the history of American art. Cole had invented a new style of art, the Hudson River School, which Americans had the right to call their own. This American art movement started in Catskill, New York, Which is where Cole’s beautiful painting The Clove, Catskills was created. This painting by Cole provides its own story to its viewers visually with its color, line and composition. This work of art was significant to

May 2015 Honors American Literature Mrs. Phillips Thomas Cole was a painter who influenced the American landscape painters of his time and is the founding father of the Hudson River School. Cole was born on February 1,1801 in Bolten-le-Moors, Lancashire, England. When he was seventeen, in 1818, his family immigrated to the United States from England. The Cole family first lived in Philadelphia, where Thomas worked as a wood engraver. After Philadelphia, Cole lived in Steubenville, Ohio

Impressionism was an art method during the late 1800’s and was universally known for its use of color to show how important light is in the world. The time period that impressionism was painted was small, only about 20 years. It started in the 1860’s and ended in the 1880’s. Some of the world's most well-known painters lived during this era of art. Vincent Van Gogh was one of the most famous painters who painted in that era, even if his paintings became famous only after his death. Most of the artists

boarding school at Lavenham before enrolling in a school in Dedham. When Constable was young, he met with George Beaumont, which led to his career as an artist. Constable was inspired by Claude Lorrain’s landscape painting and later became known as the most accomplished landscape painter. Constable married Maria Bicknell in 1816. He did not sell his first painting until he was 39 years old. In 1821 he showed “The

Peter Bruegel the Elder: The Harvesters The Baroque period of art was praised for its introduction to beautifully rendered details, emotion seeking subjects, and its drama specific compositions. One of the most prominent art figures during this era was Peter Bruegel the Elder who captured the significance of everyday peasantry life between the 16th and 17th century. Peter Bruegel was apart of a Netherlandish family who were also active artists for generations. During the later 1520’s into the 1530’s

Sabra Mousty Thomas Cole, 1801-1848 was a well known painter of his time. Many of his artworks were landscapes as he had a passion for the wilderness and environmental impacts. This is apparent particularly in his painting Distant View of Niagara Falls. Thomas Cole expertly captured one of the wonders of North America. Distant View of Niagara Falls was painted in 1930 is on display at The Art Institute of Chicago. In this painting we see two Native Americans on the cliff edge looking at the massive

Impressionism Impressionism was developed by Monet, Renoir, Pissaro, and Degas. It's characterized by subject and technique. Most are landscapes or urban scenes painted in vivid colors with rapid brushstrokes, giving paintings texture, rather than details. Women in the Garden This garden scene shows four people enjoying nature. The woman to the right is picking more flowers. The woman in the front is sitting on the ground, holding an umbrella to shade the sun. On the left, two women are observing

aspects of the American landscape and also shared a specific genre of painting. Their focus shifted across the continent and many tried to capture the beauty of the uncultivated west. Thomas Cole and Asher B. Durand were two very significant Hudson River School artists whose almost invisible brushstrokes and muted palette defined the art of the American landscape for society in the mid-nineteenth century. Previously, Europe had been the center for art and controlled what art was accepted, but the United

The Life of Landscape Painter Thomas Cole Thomas Cole was in influential painter during the Romantic art period and who, with his love of nature, established the Hudson River School. His landscape works encompass a theme of the beauty and wildness of nature. Cole created several paintings and also some series of paintings. His work focused on the Catskill mountains and surrounding areas, where he lived. Many allegorical and symbolic references are found in his paintings because his art tells stories

Upon visiting the Huntsville Museum of Art, I was very surprised to find all of the tremendous galleries that were currently up at the museum. In addition, after exploring the entire museum there was one gallery that really intrigued me, and this was the gallery of Antoine Ponchin and his son Jos. Henri Ponchin. What made the Ponchin gallery so interesting to me was both the father and the son were landscape artist. Moreover, both Ponchins travelled to many locations to paint magnificent pictures

an American painter born in England during the 19th century. Cole became famous for his paintings of landscapes, including The Oxbow. The 130.8 by 193 centimeter painting was done in 1836 using oil paints on canvas. Painted originally in the United States, the symbolic piece now resides in the Metropolitan Museum of Art located in New York City. The painting by Cole obviously depicts a landscape, especially one of the iconic bend in the Hudson river, but in fact there is much more to the piece. It

Title: Tanana River Artist: David Mollett Medium: Fast Dry Alkyd Oil on Canvas Dimensions: n/a Date: Description David Mollett creates a work of art directly influenced by nature in his painting the Tanana River. The Alaska Range can be seen in the background, jagged, majestic and aged, covered with termination dust. The warmer ground below the range shows the result of cooler air flowing off the mountains, forming ground fog at the base of the mountains. The painting continues to draw you away

painting, and almost appear to have no rhyme or reason. However, these strokes, with their variety of direction, come together in the larger picture to create a landscape that expresses the movement of a seemingly still-from-afar subject. While painting a landscape with a naked eye, an artist could easily forget that every point in that landscape is moving and contains life. Cézanne clearly made it a point to maintain that life through his brush strokes; capturing the wind-driven trees or changes in the

When I visited the Virginia Museum of Fine Arts for this paper I wandered the majority of the museum looking for a piece and “The Quarry” called out to me right as I passed through the Gallery of American Art, but not wanting to miss out on a chance at another painting I toured the rest of the museum. However, in the end I came back two “The Quarry” drawn by its quiet, yet striking appearance with the light striking the cliff face. “The Quarry” painted by Romantic painter Robert S. Duncanson finished

In 1836, Thomas Cole created an astounding landscape painting titled The Oxbow, also known as View from Mount Holyoke, Northampton, Massachusetts after a Thunderstorm. During the time of this piece's composition, Manifest Destiny, a movement that focused on the belief of justified and inevitable westward expansion, was occurring throughout America ("Manifest Destiny"). In The Oxbow, Cole describes this movement through the eastern and western lands depicted in the image. Cole uses oil on canvas to

Hunter Manning Professor Winn Art 218 C F 5 November 2016 Oxcarts Hauling Stones The oil painting Oxcarts Hauling Stone by Leopold Mariotti displays a simplistic view of commoners working in an Italian countryside. Mariotti uses rough brush strokes but they are clean enough to clearly see the objects he is portraying. His painting is not specifically for someone who is paying him but most likely out of self interest. Leopold Mariotti is Italian so this may have been a scene which he saw and intrigued

Impression was the first movement to revolutionize the art world in the 19th- century, during this era, Artist rejected the intrinsic value of color. They denied that color is a permanent characteristic of painting. Instead they debated that color changes constantly depending upon the effects of light, reflection and weather (AML 96). To achieve this, The Impressionists loosened their brushwork and lightened their palettes to include pure, intense colors. The movement took place when Renoir, Monet

was an English painter in the 18th and 19th century. J.M.W. Turner is more commonly known for his interpretation of natural settings in Western history and for the quality of light in his paintings. He is also highly regarded for his “elevated landscape paintings” and for laying a “foundation for Impressionism.” For most of his later work he attempted to capture the spirit of expression

stylized in a manner that subtly but effectively perpetuates the feeling of disenchantment. The only color that jumps out in the painting is the golden field in the foreground. This richly colored piece of land is reminiscent of the idyllic American landscape and is set in contrast to the somber and defeated tones present in the rest of the

1. Located this side of the Kuiper Belt, but outside the asteroid belt are objects called centaurs, because they have characteristics of both asteroids and what other celestial objects? Ans. Comets 2. Discovered in 1699, it is now crossed by the world's longest highway built over water, and is connected to both the Mississippi River and the Gulf of Mexico. Name this large shallow lake in Louisiana. Ans. Lake Ponchartrain 3. Romare Bearden is famous for his work in what medium which included