Liminality Essays

Liminality can be defined as being in a state of transition. This transition can be in the form of time and or space. In organizations, liminality can be termed as a process of changing the function, size, structure, and hierarchy from one state to another. Science and technological advancement have rendered the operations and working environments within many organizations obsolete within a short period. These changes require organizations to adjust rapidly to these changes in order to remain competitive

Fluidity is the flow of everything where a man can become a dog, and that dog can become tree. That there is no specific category between us and other living things. While the concept of permeability is that there are no barriers. Where objects can talk to us and accept or decline us. Or like the world where there are spirits. An example of this would be like when a shaman can send his spirit to the other world and speak to the dead. Fluidity and permeability were both present during Ancient Egypt

According to Victor and Edith Turner, a liminoid pilgrimage is a “[rite] of transition marked by three phases: separation, limen or margin, and aggregation” (p. 2). In Stephen Sondheim's Into The Woods, all of the characters go to the woods and take part in those same three phases outlined by the Turners. They learn lessons on their journey and come out as changed people that barely resemble the characters in the traditional stories. In this way, Into The Woods is the musical liminoid pilgrimage

of Turner’s ideas of cultural and societal rite of passage, including liminality, communitas, and rituals of status reversal. Liminality is leaving the normal social life and entering a phase where their everyday notion is suspended. Furthermore, liminality is a state of inbetweenness of social status. Communitas, on the contrary, means that people are in a

In terms of liminality and sudden events that affect one’s life: you see the individual’s reaction to a liminal movement, but instead as a group. Addie’s death in their small tribal setting would be the equivalent to a shaman or leader of a tribe dying. This leaves the Bundrens’ tribe in a state

Screw incorporates many examples of liminality making it an example of a mediation of binaries. Henry James may have intentionally included these elements because he saw himself as writing from a liminal perspective—living as he did in both Europe and the United States—and because he wanted his novella to be a living work that inspired debate when written and for countless generations thereafter. Henry James uses increasingly complex examples of liminality in The Turn of the Screw. One, and perhaps

prologue to the thought. The narrative, a hit back when merchant Miramax had some sort of edge, is immediately forthright about the racial, social, and sexual legislative issues of tucking in chickens and putting on dresses. According to Nanda, Gender liminality is associated with lack of restrain and decorum, particularly regarding sexuality; this makes gender liminal particularly suitable for secular entertainments. The film praises the essentialness and creativity of a gathering that is subcultural,

Liminality can be defined as “being an intermediate state, phase, or condition” (Merriam-Webster). Set in the tragic milieu of late nineteenth century St. Petersburg, Dostoyevsky’s Crime and Punishment follows an ex-student, Raskolnikov, or Rodya, after he murders two women to steal their money. At the outset of this journey, Raskolnikov overhears locals at a bar complaining about a bitter old woman who owns a pawn shop. Needing an excuse to commit a crime, Raskolnikov uses the locals’ bitterness

has always been enticing. Within the genre of horror writing, this presence of liminality, or limbo, illustrates a dimension few ever experience. It is in this state where man transforms, in the midst of human being and beast. He is neither here nor there but somewhere in the middle, in an almost eerie liminality. In the novella, The Turn of the Screw

undocumented immigrant through the analysis of the Reyna Grande’s The Distance Between Us: A memoir and her fictional novel Across a Hundred Mountains through the anthropological concept of liminality. The lack of literature studies seeking to understand immigrants identify formation through the concept of liminality or highlighting the importance of Reyna Grande’s work reflects the need for my study. The absence of literature based research on undocumented immigration is interwoven with the lack of

PLAY. By Victor Turner. New York: Performing Arts Journal Publications, 1982. Victor Witter Turner (May 28, 1920 – December 18, 1983) was a British anthropologist who studied rituals and social change and was famous for developing the concept of "liminality," first introduced by Arnold van Gennep, and for coining the term "communitas." Victor Turner in his book, From Ritual to Theatre: The Human Serious ness of Play (1982), presents his personal journey of discovery from traditional anthropological

This article examines Rudolfo Anaya, Tomas Rivera, and Reyna Grande attempt to capture the cultural identity of Mexican American by interweaving the lives of their protagonist and that of their families with religion, spiritualism, myth, and mysticism. The author compares the internal pilgrimage of the young protagonist from Anaya’s Bless Me, Ultima, Rivera’s … And the Earth Did Not Devour Him and Grande’s The Distance Between Us: A memoir to find their shared identity as Mexican Americans by interweaving

Liminality was the term used by Warren St. John, (author) of Outcasts United, to describe how the refugees and residents of Clarkston, Georgia coexisted during the late 1980’s and early 1990’s. This transitional phase among the residents caused them to second guess their personal identities and self-worth, isolate themselves, and rethink their overall sense of belonging within the community. A select individual, who managed to address these issues and utilize them to personally develop

The Melted Melting Pot An assumption about America was that it is a melting pot (Kohn 1961). The ethnic church was seen as a place solely for immigrants, with the presupposition that the SSG would eventually melt into mainstream society. However, for decades now, studies have shown that America is not a melting pot. One’s ethnicity has profound implications on their identity. . In an article for Asian American Society, Phi Hong Su wrote, “Three basic assumptions of classical assimilation include:

his work the different categorizations that formed from a higher society and so on. The three phases that formulate the Rite of Passages include separation, liminality and incorporation. In the first phase, separation, human beings slowly disconnect from his or her prevailing status with the intent to move on to a more dominant status. Liminality, the transitional phase, is where one has officially left one state but has not yet entered into the new one. And finally, incorporation. The phase wehre one

Aspects of Liminality in the Post-partum Ritual of the Twelve Apostles Church Introduction The purpose of this essay is to explore Victor Turner’s ideas on liminality. A description of the setsetse ritual of new mothers in the Twelve Apostles Church has been provided. Definition of Ritual, Liminality and Rites de Passage Every society has further divisions within it, whether by age, gender or rank. “Wherever there are fine distinctions among age or occupational groups, progression from one group

sorrow about my fate" paints the picture of the wife's liminality because she is in mourning of where her life might take her, but she isn't there yet. From there, the wife says "I departed on a journey, a friendless exile, to find a place for my grievous need" (9-10). Readers can infer from here that the wife has set off to find her husband alone since she used the term "friendless". This sense of loneliness brings in the feeling of liminality because she has nothing to ground her; not a place or

She suggests that the series relies on liminality through its ideologically diverse characters and plots and the roles of viewers as cultural “bricoleurs” and their various readings to appeal to various ideologically “niche” audience segments, in an attempt to access as a mass audience, like that

lives by idea of incarceration being a rite of passage from youth to adult; from selling drugs on the street to escalating into more risky criminal ventures. It exhibits the phases traditionally associated with rites of passage rites; separation, liminality and reintegration. Shaping the idea of what it means to be living in the culture by associating incarceration with experience and therefore justifying their own continuation of their criminal activities. This system is perpetuated by the inability

passage: the separation, liminality and re-aggregation. I have experienced a rite of passage and the three above-mentioned stages when I moved from Limpopo to Gauteng and had to start high school in English. Coming from an Afrikaans primary school and going into an English school 200 km away from everything you are used to, can be very challenging. I will be making references to the articles by Charles-Arnold Van Gennep, Victor Turner and on Rites of passage and Transitions, Liminality and Communitas and