Musical techniques Essays

Wicked The Musical is a beloved Broadway show that has captured the hearts of audiences all over the world. From the catchy tunes to the stunning costumes, this musical has it all. However, one of the most impressive aspects of Wicked is undoubtedly its dancers and choreography. In this critique essay, we will be taking a closer look at the technical execution of dance routines and use of space and staging in Wicked The Musical. These two elements are crucial to any successful dance performance,

A day after I wrote this, I sit here shocked and grieving with the news that David Bowie has passed away. I rarely comment on celebrity deaths, unless there is a personal aspect to it. Bowie's music brought me solace at a time when I felt alienated from the world. As I struggled with my growing pains, he taught me being weird was okay. Strange is okay. Earlier last year, I fought through a punishing schedule to make it to "David Bowie Is..." in Melbourne. Thanks to Jamie, Andrew, Neha who encouraged

used in the introduction scene to Wall-E home creating a link back to that earlier scene in the movie giving the audience the emotion connection with the story of why that piece of music played at that time . Burtt also uses a synchronous sound technique when he wants to help the audience to define realism in a scene by implementing certain sound files he has created from Foley recording develop a link between the action on the screen and the audio sound which clearly detected in the scene where

Chazelle’s American musical film, La La Land (2016), with Director of Photography Linus Sandgren, won about six awards at the Oscars. One of the awards they received is in the Cinematography category. I personally agree with this voting because this beautifully-made film shows, not tells, the story. In the beginning of the film, the viewers see the story from Mia’s point of view, but the story later goes back and switches to Sebastian’s point of view. This is a remarkable technique that visually gives

director has his or her own type of unique style. The style is based on the cinematic techniques of the director and can range from being dark and mysterious to being very light and happy. Tim Burton’s style is a gothic style undertoned with a certain quirkiness. In his movies, he also often has this darker side that is intertwined with a humorous aspect. He supports his style by using certain cinematic techniques-especially lighting, flashbacks, and non-diegetic sound. In his movies Miss Peregrine’s

humanistic therapies, which concentrate on self-improvement; arts therapies, which use creative arts within the therapeutic process. Some psychologists use a form of "integrative" therapy, which focuses on drawing on and blending particular types of techniques together. Others may work in an "eclectic" way, which focuses on taking elements of various models and merging them while working with patients. Talking with a therapist or

The 20th century endured dramatic innovations in musical forms and styles. Music during this time became very diverse. Different types of ethnic groups brought their own spin on the musical background. Many traditions from different cultures started to come into play with the musical style during this century. Germany had an affect with its classical tradition that used outdoor concerts, inspired dancing, and lighter music in the early stages of the 20th century. Music became more of an art form

A model for the Tahitian musical landscape The contemporary Tahitian musical landscape can be broadly described as the sum of three intertwined musical overlapping fields as described in Figure 1 (Colson 2016, p. 119). The Cultural/Traditional field corresponds to what Tahitians name arts traditionnels. It encompasses the various genres in ‘ori tahiti and associated musics, ‘ōrero (oratory art), and hīmene (traditional a cappella singing). ʻOri tahiti includes four basic genres, ʻōteʻa, pāʻōʻā

The 1970 released musical Cabaret, directed by Bob Fosse shows a clear use of film techniques that enables the audience to both admire and condemn certain characters in the film. Set in the early 1930’s, Cabaret follows the dramatized world of Berlin, Germany before the Second World War occurred. The musical song “life is a cabaret” perfectly describes how the depraved Berlin formulates a destructive and confusing array of characters. The film techniques of costume, camera angles and mise-en-scène

harp) is a handheld portable musical wind instrument. It consists of a small rectangular outer case made of a metal alloy with an inner row of holes called reed chambers. Each chamber has multiple, variable-tuned brass flexible strips or reeds that have loose ends, which vibrate and create sound. The player places his or her mouth over the holes and exhales and inhales air to produce different musical tones. The length and depth of the metal reed determine the various musical notes. Use and Significance

meter becomes less pronounced. Despite this, the overall meter in "Piano Man" remains noticeable and contributes significantly to the song's intended meaning. Dotted rhythms, such as the recurring phrase "La la la, di da," not only enhance the song's musical structure but also add rhythmic intrigue. The song also showcases harmonious interplay among different pitches, with the artist simultaneously playing multiple notes. This can be exemplified in the line "got us feeling alright," which serves as a

Development of the American Musical: The Golden Era of the American musical started in the 1920s with musical comedy. This focussed mainly on comedy, popular songs, youthful romances between star actors and actresses and impressive dance routines. However, this was at the expense of well-structured plots, which included stereotypical characters, meaningless themes, and cheerful singing and dancing with just about no logical link to the storyline. Rodgers and Hammerstein's Oklahoma! (1943) was the

The Business of Musical Theatre Sir Cameron Anthony Mackintosh is one of the largest names in Broadway history. As a prominent Broadway producer, Mackintosh has produced more musicals than anyone else in the world. His creation of the megamusical and concepts for mass reproduction of a musical helped remodel the theatre industry during desperate times. Through the use of multiple cities in the production of his shows, Mackintosh is able to generate revenue not only through his theatre but also through

methodology infuses indigenous folk music and art music in a way to enhance musical literacy. Kodaly believed this literacy would lead to a boon to musical culture, because folk music was like a musical mother tongue. Granted, the

longest play that I have seen in life so far, as an un-experienced musical watcher. From the beginning to the end of the musical production I was hooked, whether it was from jokes that were incorporated into the story, or from the message that the story was trying to portray to the audience members. The book, music and lyrics were written by the very talented Phil Darg, who is a North Hennepin Community College Alumnus. The musical Sasquatched was directed by the one and only Mike Ricci, the acting

900 songs and composed for 43 Broadway musicals. He also composed things for televisions and films. Richard was the son of Mamie and Dr. William Abrahams Rodgers. He began playing piano at the age of six. Rodgers spent most of his early teenage summers in a camp called Camp Wigwam in Maine. This is where he composed most of his first songs. In 1919, Rodgers met Lorenz Hart, a friend of Richard’s older brother. Rodgers and Hart struggled for years in musical comedy, writing many amateur shows. The

Wolff. One more music producer rose up during this time period, not a group, but a guitarist by the name of Glenn Branca who was known for his use of loud volumes along with repetition, a concept that proved to be very popular among experimental musical pieces. Both of these rock groups, along with Glenn Branca were all very influential when it came to joining the concept of experimental pieces with rock music, which made a very large impact on the world of Rock and all music in general. In analyzing

in American musical theatre. Both men were very well- established and successful Broadway writers, Hammerstein mainly associated writings musicals with Jerome Kern and Rodger’s doing the same with Lorenz Hart. The two joined together and were the perfect combination; Hammerstein wrote the lyrics and sent it to Rodger’s for him to set it to music. The first Rodgers & Hammerstein musical was Oklahoma! this was a first of its genre, the play representing a unique fusion of Rodgers’ musical comedy and

University (Stevens, 20). Statistics show that music, including musical therapy, is capable of benefiting depression, anxiety, and patients enduring medical operations ("How music"). A musical therapy session may take place at the patient’s home, at a nursing home, retirement center, day center, or possibly at a hospital bedside ("What is a music”). Another location where musical therapy may possibly occur is in schools (Tomlinson). Musical therapy helps students at school usually

completely controlled, and the composer exploits the constitution of pitch. In the beginning of the song, the low toned notes are played powerfully. The notes continue naturally and the flow is uniformity. According to the professor, Just Intonation is a musical tuning in which all frequencies are tuned as ratios of small whole number ratios to a single unified fundamental. At 3:20, the second part begins after