Sor Juana Inés de la Cruz Prize Essays

In Kathleen Karlyn’s third chapter of Unruly Girls, Unrepentant Mothers, she states how Girl World is ambivalent. Not only is Girl World unruly because the films place female desire as a focal point in the film, thereby validating the existence of female desire, while also being manufactured by the ideologies of patriarchal and postfeminist cultures with female power stopping at basic normative femininity. The film The Devil Wears Prada (2006) finds itself in agreement with both of these ideas. On

Introduction Part 1: “Consciously or not, Alfred Hitchcock never followed tendencies of mainstream cinema. By depicting his heroines as strong and expressive, giving them freedom of will and using a subjective narrative mode, he broke with the classical image of woman as a spectacle.” (Malgorzata Bodecka) Films have always been influenced by the social-cultural background from the time the film was produced. Dating back to the beginning of film around the 1890s through the films produced today,

them. Two exemplary women were Sor Juana Inés de la Cruz and Evita who became Eva Perón. Both these women struggled to attain the rights women have today. Sor Juana attained her goal of having women attain an education and Perón by encouraging women to attain jobs that were seen as masculine. Two men who supported women’s rights were Octavio Paz and José Carlos Mariátegui where their writing related to the importance of women. Octavio Paz’s admiration to Sor Juana actually showed readers the appreciation