Spike Essays

Spike Lee is known to be one of the most innovative and talented filmmakers living today. His films touch upon controversial topics such as racism and religion which has gained a great admiration by numerous of people. Lee’s first feature film, She’s Gotta Have It gained praise by welcoming a change in the representation of African American cinema. Although this film was a success, if Lee had to remove a scene from the film, the sex scene between Nola and Greer would be the one. In addition, taking

“What's the difference between Hollywood characters and my characters? Mine are real” (Spike Lee). Spike Lee, born as Shelton Jackson Lee, is an African American director. He was born on March 20, 1957, in Atlanta, Georgia, but as a young boy moved to Brooklyn, New York. As a kid, Lee was an energetic and naughty kid which earned himself the nickname “Spike” in reference to his toughness according to his mother, Jacqueline Carroll. He attended Atlanta’s Morehouse College, where he earned a BA in

4 Taken Lives Spike Lee’s portrayal of 4 Little Girls recreates the tragic day of the Birmingham Church bombing using back-up evidence such as news footage, photographs, and eyewitness testimonies. Lee puts the incident into larger context of the Southern Civil Rights movement, sit-ins, arrests, marches, and the killings. Spike Lee was born March 20, 1957 in Atlanta, Georgia. After graduating from Morehouse College, he enrolled in New York University’s Tisch School of the Arts. He earned his

For my final paper I will be evaluating the strength of Spike Lee’s When the Leeves Broke: A Requiem in Four Acts to act as a form of social commentary that ignites true empathy through vicarious trauma of viewing Hurricane Katrina victims and therefore ignites social thought and action. I will look at how the film wears a Bretchtian hat that inserts the documentaries issues into the forefront of the viewer’s minds that they will carry with themselves even after the viewing. Lee goes against hegemonic

INTRODUCTION White Zombie is an American horror film directed by Victor Halperin which produces the different style of horror genre as first zombie film. According to the IMDb.com White Zombie was released on 4th August 1932. Comparing with other horror success films such as Dracula (1931) and Frankenstein (931), White Zombie is intention to a different kind of film as zombie horror genre. Many criticize on the acting and dialogues in film but the lighting and high contract black in white color

The Last Spike

The purpose of this lecture is to analyse and compare the similarities and difference between the two autobiographies, Shaq Uncut; My Story (O'Neal, 2011), written by retired American professional basketball player Shaquille O’Neal, and A Father First: How My Life Became Bigger Than Basketball (Wade, 2012), authored by American professional basketball player Dwyane Wade. This lecture will analyse the overall effectiveness of the authors’ manipulation onto the audience through the writers’ style.

In an era marked by heightened social and political tensions, the cinematic works of Spike Lee have emerged as vital touchstones, reflecting the enduring struggles and aspirations of marginalised communities. As a visionary filmmaker who has consistently used his platform to amplify underrepresented narratives, Lee’s distinctive approach to storytelling has cemented his status as a leading voice in contemporary cinema. Through his bold visual language and unwavering commitment to social commentary

Since Jordan Brand's beginning, everyone wanted to “Be like Mike” creating the hype around the company. The brand was created to help a struggling company bring in profits eventually Jordan became an instant hit eventually becoming a top brand. Through Jordan brand's years they have outfitted young and professional athletes. The principles of evolving the brand, creative marketing campaigns, and using the history to bring sales helps the brand stay on top and allows it to sustain its popularity.

Spike had a good beginning of black filmmaking community by finishing his first feature film She’s Gotta have it. Another important film could be School Daze, which is about “class and social distinction within the African-America community”. Also, his third film Do the Right Thing “explored racism in a way never seen before in Hollywood”. In Spike’s opinion, black know much more about white than white know about black. Even though the textbook Cinema of Outsiders says “Spike Lee has made

have led us some understanding of the awe-inspiring structure of every life from as small as 0.0000001 to over 0.1. These photomicrographs unveiled the miracle and astounding lives as illustrated below. This microscope image was captured by Spike Walker. It shows a trachea of the silkworm which carries oxygen from the openings within the surface of its body or spiracles. The tracheal tubes are divided into a branch of

Vanya and Sonia and Masha and Spike, written by Christopher Durang, is a play about the relationships between three siblings. I watched the comedy on October 22, 2015 at the Pierce College Arts Building. The play was directed by Shaheen Vaaz, who did a great job setting the play as she intended it to be. Everything from the design set, the emotions from the actors, to the typecasting was excellently produced. Particularly, the actor were able to greatly express thier characters’ emotions throughout

School Daze is a 1988 African American film that was written, directed and starred by Spike Lee. The movie starred other names such as Lawrence Fishburne and Tisha Campbell-Martin as students at the historically black college, Mission College. This movie was based off of Spike Lee’s experiences at Morehouse College, Spelman College and Clark Atlanta University as a college student. The story follows the pledging process of the Alpha Chapter of Gamma Phi Gamma and more widely is about fraternities

One of the greatest director ever to live is an independent filmmaker. Spike Lee work in film have revolutionized the industry of filmmaking and independent filmmaker. Spike Lee films were not just revolutionary, they were healing in a way. Spike lee movies spark a generation of black and brown filmmaker. He is just one of the few black filmmakers, who was able to open up a new opportunity for black and brown people in the filmmaking industry. He also opened up opportunities for black artist in the

Introduction Spike Lee is an intelligent and sophisticated director who has made many highly praised films throughout his long career. Spike Lee is truly one of the most talented and famous directors who use a very unique visual and narrative style. Spike Lee is known for his historical realism and themes of racism and segregation. His directorial style comprises major themes with stories about race and justice, painting with bold colors, and fast camera movements; characters, storylines that are

controversial directors in American Cinema History, Spike Lee's filmography has become woven into the fabric of urban cinema. Like fellow directors such as Martin Scorsese and sometimes rival Quentin Tarantino, Lee's unique style of cinematography has both transcended and placed emphasis on appreciation for his respective cultural aesthetic. Many urban directors can attest that their respective styles in film and even music videos all come from or are inspired by Spike Lee. Aside from his ever creative filmography

engage in re-watching Spike Lee Joints, and knowing almost every piece of dialogue said throughout each movie. Most moviegoers do not think of Terence Blanchard, the man behind the film score. Mr. Blanchard and Lee are the ultimate duo in the film industry. Spike Lee gets the script perfect and Terence Blanchard makes the movie come alive with the music score. Thus, making them the perfect duo within the film and music industry. This descriptive analysis will expose how Spike Lee Joints shows the

Films made within the late 1980s/early 1990s (Menace II Society & Boyz n the Hood) attempted to illustrate the life of modern day African Americans through the celebration of violence, endorsement of mysoginistic masculinity, and the portrayal of women as being promiscuous, drug addicts, and irresponsible mothers(Giardina, 2005). A narrative that further supported the white middle class views of Blacks during this time. Though detrimental, this proved finically beneficial to Hollywood, just as Rap/Hip

film criticism that indicates the extent of the director’s involvement in the final output of the film. As it has been previously mentioned, Spike Lee’s films express certain notions about race that emerge from his personal viewpoint as well as from his political and aesthetic beliefs. The focal point of this chapter is the auteur theory and its relativity to Spike Lee. In order to prove the connection between the theory and his works, it is necessary to refer to Lee’s biography, since both his background

Her Her (2013) is the American comedy-drama written, directed, and produced by Spike Jonze, and it tells the story of Theodore, a soon-to-v-be divorced ghost letter writer who purchases, and consequently falls in love with an Artificial Intelligence Operating System, which names itself Samantha. Receiving five nominations at the 86th Academy Awards, Jonze’s film is a fable wrapped around desires, dreams and anxieties about the future. Nevertheless, HER can be seen as a story of the present – a visual