Toho Essays

producer. He was born in Kashiwara Osaka, Japan on April 10, 1910 and died in Tokyo, Japan on April 2, 1997 due to a stroke at the age of 86. When he graduated Kansai University he decided to join the company Toho which produces movies like Godzilla and other movies that are made from Toho

Ghidorah, the Three-Headed Monster (Ishiro Honda, 1964) 1964 was the year that Toho decided to shift the kaiju genre 's focus from adults to children, stripping the films from much of their depth and largely turning them into wrestling matches among actors with monster suits. This particularly film though, remains one of the best entries in the category, particularly due to its cast that featured Takashi Shimura, who played in Akira Kurosawa 's "Ikiru" and Eiji Okada, from Hiroshi Teshigahara 's

and then become the power that it is now. Called Gojira in its original language, the Japanese, it is a fictitious monster very popular in the twentieth century film culture. It appeared for the first time in 1954, in the film 'Gojira', produced by Toho Studios in Japan. To date, he has participated in 37 films of Japanese origin. It is considered one of the most representative icons of Japanese

Everyone may know the action-packed, atomic breathing, gargantious lizard, bringer/saviour of destruction, and King of Monsters that lives in the vast depth oceans of Tokyo, Japan. His/her name is Gojira (or Godzilla in America). So the movie starts off with the scene being in Honolulu, Hawaii with the sky being pitch black, with bright burning stars illuminating the sky with a beautiful light. There are tourists everywhere having a party in a luau with a night show, and amazing food, and beautiful

and Takahata had already had long careers in Japanese film and television animation and had worked together on Hols: Prince of the Sun and Panda! Go, Panda!; and Suzuki was an editor at Tokuma Shoten's Animage manga magazine. The studio was founded after the success of the 1984 film Nausicaä of the Valley of the Wind, written and directed by Miyazaki for Topcraft and distributed by Toei Company. The origins of the film lie in the first two volumes of a serialized manga written by Miyazaki for publication

Literature. The Tragedy of Macbeth. Ed. Arthur N. Applebee. Andrea B. Bermudez. Sheridan Blau. Rebekah Caplan. Peter Elbow. Susan Hynds. Judith A. Langer. James Marshall. United States of America. 2006. 77 pages. Throne of Blood. Dir. Kurosawa, Akira. Toho, Jan.15, 1957.

Plan - Different subheadings, driven by key questions, detail history and film, fear itself, origins, today, etc. In 1920, two years after the conclusion of the Great War in November of 1918, a film was released in Germany that captured the spirit of men who had just returned from the front. It was a horror film, The Cabinet Of Dr. Caligari, detailing a mad doctor and his sideshow act, a young somnambulist (or sleepwalker) named Cesare that, when awakened by Caligari, could perceive the future

Gojira, or Godzilla as the film was called in the West, was first released by Toho Studios in 1954, and is one of the best known examples of the Japanese society’s fear and warnings against the destructive side of nuclear technology. In the original film, Godzilla is depicted as an absolute terror. In the opening scene, he attacks

The postwar Japanese cinema is regarded as the Golden Age of Japanese cinema. The films produced during that period also underwent a major transition since the start of the war. In the first part of this academic essay, I will touch on the brief history of films produced during the war and how the global, political and industrial development after the war helped to kickstart the film industry into the Golden Age. In addition to that, I will talk on how the change in conditions mentioned above led

particularly the atomic bomb, and the subsequent American Occupation left the country scarred, but filled with inspiration and eagerness to start over. As Japanese economy started to rise once more, five major studios emerged that shaped Japanese cinema. Toho, Daiei, Shochiku, Nikkatsu and Toei, hired the most gifted artist of the era and financed their movies, in a tactic that ended up in a plethora of masterpieces. In the process, they also made a lot of money, as the people, having their pockets filled